The Emancipated. George GissingЧитать онлайн книгу.
at present something else to think about than the condescending favour of Master Strangwich. As the guests entered the dining-room, Mrs. Gluck informed Mrs. Denyer that the English artist who was looked for had just arrived, and would in a few minutes join the company. "Mr. Marsh is here," said Mrs. Denyer aloud to her daughters, in a tone of no particular satisfaction. Madeline glanced at Miss Doran, who, however, did not seem to have heard the remark.
And, whilst the guests were still busy with their soup, Mr. Clifford Marsh presented himself. Within the doorway he stood for a moment surveying the room; with placid eye he selected Mrs. Denyer, and approached her just to shake hands; her three daughters received from him the same attention. Words Mr. Marsh had none, but he smiled as smiles the man conscious of attracting merited observation. Indeed, it was impossible not to regard Mr. Marsh with curiosity. His attire was very conventional in itself, but somehow did not look like the evening uniform of common men: it sat upon him with an artistic freedom, and seemed the garb of a man superior to his surroundings. The artist was slight, pale, rather feminine of feature; he had delicate hands, which he managed to display to advantage; his auburn hair was not long behind, as might have been expected, but rolled in a magnificent mass upon his brows. Many were the affectations whereby his countenance rendered itself unceasingly interesting. At times he wrinkled his forehead down the middle, and then smiled at vacancy—a humorous sadness; or his eyes became very wide as he regarded, yet appeared not to see, some particular person; or his lips drew themselves in, a symbol of meaning reticence. All this, moreover, not in such degrees as to make him patently ridiculous; by no means. Mr. and Mrs. Bradshaw might exchange frequent glances, and have a difficulty in preserving decorum; but they were unsophisticated. Mrs. Lessingham smiled, indeed, when there came a reasonable pretext, but not contemptuously. Mr. Marsh's aspect, if anything, pleased her; she liked these avoidances of the commonplace. Cecily did not fail to inspect the new arrival. She too was well aware that hatred of vulgarity constrains many persons who are anything but fools to emphasize their being in odd ways, and it might still—in spite of the impressionist water-colours—be proved that Mr. Marsh had a right to vary from the kindly race of men. She hoped he was really a person of some account; it delighted her to be with such. And then she suspected that Madeline Denyer had something more than friendship for Mr. Marsh, and her sympathies were moved.
"What sort of weather did you leave in England?" Mrs. Denyer inquired, when the artist was seated next to her.
"I came away from London on the third day of absolute darkness," replied Mr. Marsh, genially.
"Oh dear!" exclaimed Mrs. Gluck; and at once translated this news for the benefit of Frau Wohlgemuth, who murmured, "Ach!" and shook her head.
"The fog is even yet in my throat," proceeded the artist, to whom most of the guests were listening. "I can still see nothing but lurid patches of gaslight on a background of solid mephitic fume. There are fine effects to be caught, there's no denying it; but not every man has the requisite physique for such studies. As I came along here from the railway-station, it occurred to me that the Dante story might have been repeated in my case; the Neapolitans should have pointed at me and whispered, 'Behold the man who has been in hell!'"
Cecily was amused; she looked at Madeline and exchanged a friendly glance with her. At the same time she was becoming aware that Mr. Marsh, who sat opposite, vouchsafed her the homage of his gaze rather too frequently and persistently. It was soon manifest to her, moreover, that Madeline had noted the same thing, and not with entire equanimity. So Cecily began to converse with Mrs. Lessingham, and no longer gave heed to the artist's utterances.
She was going to spend an hour with Miriam this evening, without express invitation. Mr. Bradshaw would drive up the hill with her, and doubtless Mr. Spence would see her safely home. Thus she saw no more for the present of the Denyers' friend.
Those ladies had a private sitting-room, and thither, in the course of the evening, Clifford Marsh repaired. Barbara and Zillah, with their mother, remained in the drawing room. On opening the door to which he had been directed, Marsh found Madeline bent over a book. She raised her eyes carelessly, and said:
"Oh, I hoped it was Barbara."
"I will tell her at once that you wish to speak to her."
"Don't trouble."
"No trouble at all."
He turned away, and at once Madeline rose impatiently from her chair, speaking with peremptory accent.
"Please do as I request you! Come and sit down."
Marsh obeyed, and more than obeyed. He kicked a stool close to her, dropped upon it with one leg curled underneath him, and leaned his head against her shoulder. Madeline remained passive, her features still showing the resentment his manner had provoked.
"I've come all this way just to see you, Mad, when I've no right to be here at all."
"Why no right?"
"I told you to prepare yourself for bad news."
"That's a very annoying habit of yours. I hate to be kept in suspense in that way. Why can't you always say at once what you mean? Father does the same thing constantly in his letters. I'm sure we've quite enough anxiety from him; I don't see why you should increase it."
Without otherwise moving, he put his arm about her.
"What is it, Clifford? Tell me, and be quick."
"It's soon told, Mad. My step-father informs me that he will continue the usual allowance until my twenty-sixth birthday—eighteenth of February next, you know—and no longer than that. After then, I must look out for myself."
Madeline wrinkled her brows.
"What's the reason?" she asked, after a pause.
"The old trouble. He says I've had quite long enough to make my way as an artist, if I'm going to make it at all. In his opinion, I am simply wasting my time and his money. No cash results; that is to say, no success. Of course, his view."
The girl kept silence. Marsh shifted his position slightly, so as to get a view of her face.
"Somebody else's too, I'm half afraid," he murmured dubiously.
Madeline was thinking of a look she had caught on Miss Doran's face when the portfolio disclosed its contents; of Miss Doran's silence; of certain other person' looks and silence—or worse than silence. The knitting of her brows became deeper; Marsh felt an uneasy movement in her frame.
"Speak plainly," he said. "It's far better."
"It's very hot, Clifford. Sit on a chair; we can talk better."
"I understand."
He moved a little away from her, and looked round the room with a smile of disillusion.
"You needn't insult me," said Madeline, but not with the former petulance; "Often enough you have done that, and yet I don't think I have given you cause."
Still crouching upon the stool, he clasped his hands over his knee, jerked his head back—a frequent movement, to settle his hair—and smiled with increase of bitterness.
"I meant no insult," he said, "either now or at other times, though you are always ready to interpret me in that way. I merely hint at the truth, which would sound disagreeable in plain terms."
"You mean, of course, that I think of nothing—have never thought of anything—but your material prospects?"
"Why didn't you marry me a year ago, Mad?"
"Because I should have been mad indeed to have done so. You admit it would have caused your step-father at once to stop his allowance. And pray what would have become of us?"
"Exactly. See your faith in me, brought to the touchstone!"
"I suppose the present day would have seen you as it now does?"
"Yes, if you had embarrassed me with lack of confidence. Decidedly not, if you had been to me the wife an artist needs. My future has lain in your power to make or mar. You have chosen to keep me in perpetual anxiety, and now you take a suitable opportunity to overthrow me altogether; or rather, you try to. We will see how things go when I am free to pursue my course untroubled."
"Do so,