Sunny Memories of Foreign Lands, Volume 2. Гарриет Бичер-СтоуЧитать онлайн книгу.
you will ask, why are you going on in this argumentative style? Who doubts you? Let me tell you, then, a little fragment of my experience. We saw this group of statuary the last thing before dinner, after a most fatiguing forenoon of sightseeing, when we were both tired and hungry,—a most unpropitious time, certainly,—and yet it enchanted our whole company; what is more, it made us all cry—a fact of which I am not ashamed, yet. But, only the next day, when I was expressing my admiration to an artist, who is one of the authorities, and knows all that is proper to be admired, I was met with,—
"O, you have seen that, have you? Shocking thing! Miserable taste—miserable!"
"Dear me," said I, with apprehension, "what is the matter with it?"
"0," said he, "melodramatic, melodramatic—terribly so!"
I was so appalled by this word, of whose meaning I had not a very clear idea, that I dropped the defence at once, and determined to reconsider my tears. To have been actually made to cry by a thing that was melodramatic, was a distressing consideration. Seriously, however, on reconsidering the objection, I see no sense in it. A thing may be melodramatic, or any other atic that a man pleases; so that it be strongly suggestive, poetic, pathetic, it has a right to its own peculiar place in the world of art. If artists had had their way in the creation of this world, there would have been only two or three kinds of things in it; the first three or four things that God created would have been enacted into fixed rules for making all the rest.
But they let the works of nature alone, because they know there is no hope for them, and content themselves with enacting rules in literature and art, which make all the perfection and grace of the past so many impassable barriers to progress in future. Because the ancients kept to unity of idea in their groups, and attained to most beautiful results by doing so, shall no modern make an antithesis in marble? And why has not a man a right to dramatize in marble as well as on canvas, if he can produce a powerful and effective result by so doing? And even if by being melodramatic, as the terrible word is, he can shadow forth a grand and comforting religious idea—if he can unveil to those who have seen only the desolation of death, its glory, and its triumph—who shall say that he may not do so because he violates the lines of some old Greek artist? Where would Shakspeare's dramas have been, had he studied the old dramatic unities?
So, you see, like an obstinate republican, as I am, I defend my right to have my own opinion about this monument, albeit the guide book, with its usual diplomatic caution, says, "It is in very questionable taste."
We went for our dinner to the White Hart, the very inn which Shakspeare celebrates in his Merry Wives, and had a most overflowing, merry time of it. The fact is, we had not seen each other for so long that to be in each other's company for a whole day was quite a stimulant.
After dinner we had a beautiful drive, passing the colleges at Eton, and seeing the boys out playing cricket; had an excellent opportunity to think how true Gray's poem on the Prospect of Eton is to boy-nature then, now, and forever. We were bent upon looking up the church which gave rise to his Elegy in a Country Churchyard, intending, when we got there, to have a little scene over it; Mr. S., in all the conscious importance of having been there before, assuring us that he knew exactly where it was. So, after some difficulty with our coachman, and being stopped at one church which would not answer our purpose in any respect, we were at last set down by one which looked authentic; embowered in mossy elms, with a most ancient and goblin yew tree, an ivy-mantled tower, all perfect as could be.
There had been a sprinkle of rain,—an ornament which few English days want,—and the westering beams of the sun twinkled through innumerable drops. In fact, it was a pretty place; and I felt such "dispositions to melancholies," as Sir Hugh Evans would have it, that I half resented Mr. S.'s suggestion that the cars were waiting. However, as he was engaged to speak at a peace meeting in London, it was agreed he should leave us there to stroll, while he took the cars. So away he went; and we, leaning on the old fence, repeated the Elegy, which certainly applies here as beautifully as language could apply.
What a calm, shady, poetical nature is expressed in these lines! Gray seems to have been sent into the world for nothing but to be a poem, like some of those fabulous, shadowy beings which haunted the cool grottoes on Grecian mountains; creatures that seem to have no practical vitality—to be only a kind of voice, an echo, heard for a little, and then lost in silence. He seemed to be in himself a kind of elegy.
From thence we strolled along, enjoying the beautiful rural scenery. Having had a kind invitation to visit Labouchčre Park that day, which we were obliged to decline for want of time, we were pleased to discover that we had two more hours, in which we could easily accomplish a stroll there. By a most singular infelicity, our party became separated; and, misunderstanding each other, we remained waiting for W. till it was too late for us to go, while he, on the other hand, supposing us to have walked before him, was redoubling his speed all the while, hoping to overtake us. In consequence of this, he accomplished the walk to Labouchčre Park, and we waited in the dismal depot till it was too late to wait any longer, and finally went into London without him.
After all, imagine our chagrin on being informed that we had not been to the genuine churchyard. The gentleman who wept over the scenes of his early days on the wrong doorstep was not more grievously disappointed. However, he and we could both console ourselves with the reflection that the emotion was admirable, and wanted only the right place to make it the most appropriate in the world. The genuine country churchyard, however, was that at Stoke Pogis, which we should have seen had not the fates forbidden our going to Labouchčre Park.
LETTER XXIII
DEAR SISTER:—
The evening after our return from Windsor was spent with our kind friends, Mr. and Mrs. Gurney. Mr. Gurney is rector of Mary-le-Bone parish, one of the largest districts in London; and he is, I have been told, one of the court chaplains; a man of the most cultivated and agreeable manners, earnestly and devoutly engaged in the business of his calling. As one of the working men of the church establishment, I felt a strong interest in his views and opinions, and he seemed to take no less interest in mine, as coming from a country where there is and can be no church establishment. He asked many questions about America; the general style of our preaching; the character of our theology; our modes of religious action; our revivals of religion; our theories of sudden and instantaneous conversion, as distinguished from the gradual conversion of education; our temperance societies, and the stand taken by our clergy in behalf of temperance.
He wished to know how the English style of preaching appeared to me in comparison with that of America. I told him one principal difference that struck me was, that the English preaching did not recognize the existence of any element of inquiry or doubt in the popular mind; that it treated certain truths as axioms, which only needed to be stated to be believed; whereas in American sermons there is always more or less time employed in explaining, proving, and answering objections to, the truths enforced. I quoted Baptist Noel's sermon in illustration of what I meant.
I asked him to what extent the element of scepticism, with regard to religious truth, had pervaded the mind of England? adding that I had inferred its existence there from such novels as those of Kingsley. He thought that there was much of this element, particularly in the working classes; that they were coming to regard the clergy with suspicion, and to be less under their influence than in former times; and said it was a matter of much solicitude to know how to reach them.
I told him that I had heard an American clergyman, who had travelled in England, say, that dissenters were treated much as free negroes were in America, and added that my experience must have been very exceptional, or the remark much overstated, as I had met dissenting clergymen in all circles of society. He admitted that there might be a good deal of bigotry in this respect, but added that the infrequency of association was more the result of those circumstances which would naturally draw the two parties to themselves, than to superciliousness on the side of the establishment, adding that where a court and aristocracy were in the established church, there would necessarily be a pressure of fashion in its favor, which might at times bring uncomfortable results.
The children were sitting by studying their evening lessons, and I begged Mrs. Gurney to allow me to look over their geographies