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Ladies-In-Waiting. Wiggin Kate Douglas SmithЧитать онлайн книгу.

Ladies-In-Waiting - Wiggin Kate Douglas Smith


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I came with you; that is, I was your fellow passenger.”

      “Did you? Why, I never saw you on the boat.”

      “My charms are not so dazzling that I expect them to be noted and remembered,” laughed Appleton.

      “It is true I was very tired, and excited, and full of anxieties,” said Tommy meekly.

      “Don’t apologize! If you tried for an hour, you couldn’t guess just why I noticed and remembered you!”

      “I conclude then it was not for my dazzling charms,” Tommy answered saucily.

      “It was because you wore the only flower I ever notice, one that is associated with my earliest childhood. I never knew a woman to wear a bunch of mignonette before.”

      “Some one sent it to me, I remember, and it had some hideous scarlet pinks in the middle. I put the pinks in my room and pinned on the mignonette because it matched my dress. I am very fond of green.”

      “My mother loved mignonette. We always had beds of it in our garden and pots of it growing in the house in winter. I can smell it whenever I close my eyes.”

      Tommy glanced at him. She felt something in his voice that she liked, something that attracted her and wakened an instantaneous response.

      “But go on,” he said. “I only know as yet that you sailed from New York in the early summer, as I did.”

      “Well, I went to London to join a great friend, a singer, Helena Markham. Have you heard of her?”

      “No; is she an American?”

      “Yes, a Western girl, from Montana, with oh! such a magnificent voice and such a big talent!” (The outward sweep of Tommy’s hands took in the universe.) “We’ve had some heavenly weeks together. I play accompaniments, and—”

      “I know you do!”

      “I forgot for the moment how much too much you know! I went with her to Birmingham, and Manchester, and Leeds, and Liverpool. I wasn’t really grand enough for her, but the audiences didn’t notice me, Helena was so superb. In between I took some lessons of Henschel. He told me I hadn’t much voice, but very nice brains. I am always called ‘intelligent,’ and no one can imagine how I hate the word!”

      “It is offensive, but not so bad as some others. I, for example, have been called a ‘conscientious writer’!”

      “Oh, are you a writer?”

      “Of a sort, yes. But, as you were saying—”

      “As I was saying, everything was going so beautifully until ten days ago, when Helena’s people cabled her to come home. Her mother is seriously ill and cannot live more than a few months. She went at once, but I couldn’t go with her—not very well, in midsummer—and so here I am, all alone, high and dry.”

      She leaned her chin in the cup of her hand and, looking absent-mindedly at the shimmering rushes, fell into a spell of silence that took no account of Appleton.

      To tell the truth, he didn’t mind looking at her unobserved for a moment or two. He had almost complete control of his senses, and he didn’t believe she could be as pretty as he thought she was. There was no reason to think that she was better to look at than an out-and-out beauty. Her nose wasn’t Greek. It was just a trifle faulty, but it was piquant and full of mischief. There was nothing to be said against her mouth or her eyelashes, which were beyond criticism, and he particularly liked the way her dark-brown hair grew round her temples and her ears—but the quality in her face that appealed most to Appleton was a soft and touching youthfulness.

      Suddenly she remembered herself, and began again:

      “Miss Markham and I had twice gone to large seaside hotels with great success, but, of course, she had a manager and a reputation. I thought I would try the same thing alone in some very quiet retreat, and see if it would do. Oh! wasn’t it funny!” (Here she broke into a perfectly childlike fit of laughter.) “It was such a well-behaved, solemn little audience, that never gave me an inkling of its liking or its loathing.”

      “Oh, yes, it did!” remonstrated Appleton. “They loved your Scotch songs.”

      “Silently!” cried Tommy. “I had dozens and dozens of other things upstairs to sing to them, but I thought I was suiting my programme to the place and the people. I looked at them during luncheon and made my selections.”

      “You are flattering the week-enders.”

      “I believe you are musical,” she ventured, looking up at him as she played with a tuft of sea-pinks.

      “I am passionately fond of singing, so I seldom go to concerts,” he answered, somewhat enigmatically. “Your programme was an enchanting one to me.”

      “It was good of its kind, if the audience would have helped me,”—and Tommy’s lip trembled a little; “but perhaps I could have borne that, if it hadn’t been for the—plate.”

      “Not a pleasant custom, and a new one to me,” said Appleton.

      “And to me!” (Here she made a little grimace of disgust.) “I knew beforehand I had to face the plate—but the contents! Where did you sit?”

      “I was forced to stay a trifle in the background, I entered so late. It was your ‘Minstrel Boy’ that dragged me out of my armchair in the lounge.”

      “Then perhaps you saw the plate? I know by your face that you did! You saw the sixpences, which I shall never forget, and the pennies, which I will never forgive! I thirst for the blood of those who put in pennies!”

      “They would all have been sitting in boiling oil since Friday if I had had my way,” responded Appleton.

      Tommy laughed delightedly. “I know now who put in the sovereign! I knew every face in that audience—that wasn’t difficult in so small a one—and I tried and tried to fix the sovereign on any one of them, and couldn’t. At last I determined that it was the old gentleman who went out in the middle of ‘Allan Water,’ feeling that he would rather pay anything than stay any longer. Confess! it was you!”

      Appleton felt very sheepish as he met Tommy’s dancing eyes and heightened color.

      “I couldn’t bear to let you see those pennies,” he stammered, “but I couldn’t get them out before the page came to take the plate.”

      “Perhaps you were ‘pound foolish,’ and the others were ‘penny wise,’ but it was awfully nice of you. If I can pay my bill here without spending that sovereign, I believe I’ll keep it for a lucky piece. I shall be very rich by Saturday night, anyway.”

      “A legacy due?”

      “Goodness, no! I haven’t a relation in the world except one, who disapproves of me; not so much as I disapprove of him, however. No, Albert Spalding and Donald Tovey have engaged me for a concert in Torquay.”

      “I have some business in Torquay which will keep me there for a few days on my way back to Wells,” said Appleton nonchalantly. (The bishop’s letter had been a pure and undefiled source of information on all points.)

      “Why, how funny! I hope you’ll be there on Saturday. There’ll be no plate! Tickets two and six to seven and six, but you shall be my guest, my sovereign guest. I am going to Wells myself to stay till—till I make up my mind about a few things.”

      “America next?” inquired Appleton, keeping his voice as colorless as possible.

      “I don’t know. Helena made me resign my church position in Brooklyn, and for the moment my ‘career’ is undecided.”

      She laughed, but her eyes denied the mirth that her lips affirmed, and Appleton had such a sudden, illogical desire to meddle with her career, to help or hinder it, to have a hand in it at any rate, that he could hardly hold his tongue.

      “The Torquay concert will be charming, I hope. You know what Spalding’s violin-playing is, and Donald Tovey is a young genius at piano-playing and composing. He is going to accompany


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