Wolf Hall & Bring Up the Bodies: RSC Stage Adaptation - Revised Edition. Hilary MantelЧитать онлайн книгу.
your contemporaries as ‘the gentle and virtuous Gregory’. Implacably sweet-natured, you seem to be bowed under the weight of all that is invested in you.
You spent your first years away from home under the indulgent care of a Benedictine nun, who lobbied for you to stay with her until you were twelve. But at some stage your father decided you had to grow up and learn proper Latin, and everything else his son was going to need to know. A distracting series of tutors follow. You are being prepared for a career in public life. You are really only interested in hunting and going out with your dogs.
Your father ascends the career ladder and you have to turn into a courtier. You are surprisingly good at this, a perfect young gentleman and a star in the tiltyard. (Your elder cousin Richard is also a formidable jouster, which must be a source of grief to the young noblemen who have prepared for the dangerous sport all their lives, and feel born to win.) The important thing is, the King likes you.
You will marry the sister of Jane Seymour. (So the blacksmith’s grandson is related to the King.) This family connection saves you when your father is executed. Richard Cromwell is a tougher character than you are, much more of a player, and his career is over, but though you do not inherit your father’s title of Earl, you are granted a baron’s title, and as Lord Cromwell you live and die a country gentleman, fathering many children and making a negligible impact on national life.
How could you possibly have lived up to expectations? In the third Cromwell novel, you will say to your father, ‘You know everything. You do everything. You are everything. What’s left for me?’
JANE BOLEYN, LADY ROCHFORD
We have to read you backwards, from your death on the scaffold eight years after the action of these plays. Possibly we are being unfair to you. But it’s hard to avoid the conclusion that you were a strange and dangerous woman.
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