Эротические рассказы

The Making of Poetry: Coleridge, the Wordsworths and Their Year of Marvels. Adam NicolsonЧитать онлайн книгу.

The Making of Poetry: Coleridge, the Wordsworths and Their Year of Marvels - Adam  Nicolson


Скачать книгу
was filled with walks that followed this movement, the two poets up ahead, always a few dozen yards ahead, Dorothy following at their heels, always slightly behind. It is the deep psychic structure of the year, repeatedly drawing from these landforms, up from the settlements of the valley, through the combes and the oakwoods, on to the sunlit widths of the wide-ranging tops and then down again, back into the rowan and oakwood, as if into a bath of shade.

      Nothing in the walk together would ever have been silent. Talk was the medium in which Coleridge swam. ‘He runs up and down the scale of language,’ Virginia Woolf wrote of him in her notebook,

      stretching and suppling prose until it becomes pliable enough and plastic enough to take the most subtle creases of the human mind and heart. But while he disports himself like a great sea monster in his element of words, spouting, snorting, he uses them most often to express the crepitations of his apprehensive susceptibility.

      The images of the weeds which hung down from its sides, appeared as plants growing up, straight and upright, among the water weeds that really grew from the bottom/& so vivid was the Image, that for some moments & not until after I had disturbed the waters, did I perceive that their roots were not neighbours, & they side-by-side companions. So – even then I said – so are the happy man’s Thoughts and Things

      There, preserved in his memory, is a tiny fragment of Coleridge’s ebullient, ever-referential talk, perhaps to Wordsworth as they were coming down one day off the high tops.

      It is his governing vision of the intimate co-existence of everything the mind shapes – the Thoughts – with everything that comes to him through his senses, the Things that seem so solidly present around us. The two are side-by-side companions. Thoughts and things are friends, and this for Coleridge is not a description of any sort of delusion but of happiness.

      Intriguingly, Wordsworth had a parallel but different experience, which appears in The Prelude. He too is looking down into weedy water, not at a well but hanging over the side of a slow-moving boat, floating on stillness. The Wordsworth figure,

      solacing himself

      With such discoveries as his eye can make

      Beneath him in the bottom of the deeps,

      Grots, pebbles, roots of trees – and fancies more,

      Yet often is perplexed and cannot part

      The shadow from the substance, rocks and sky,

      Mountains and clouds, reflected in the depth

      Of the clear flood, from things which there abide

      In their true dwelling;

      Upper and lower surfaces are interlaced here too, but there is a difference between them. For Coleridge, this twinned condition of the seen and the imagined was an aspect of how things were, the intertwining of sense impressions and the constructions of the mind. For Wordsworth, it was part of how he was, a description of himself, an entangled muddle of what he had been and what he was now. The figure in the boat is Wordsworth’s own self hanging

      Incumbent o’er the surface of past time,

      his own invigilator, the priest of his own being, wrapped up in the ever-entrancing story of his own evolving self.

      Конец ознакомительного фрагмента.

      Текст предоставлен ООО «ЛитРес».

      Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.

      Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

iVBORw0KGgoAAAANSUhEUgAAAu4AAASLCAIAAABFlq9OAAAACXBIWXMAAC4jAAAuIwF4pT92AAAA IGNIUk0AAHolAACAgwAA+f8AAIDpAAB1MAAA6mAAADqYAAAXb5JfxUYAFsbmSURBVHjaTP1Jk3VJ liSGqR4zu/e+wYdvijly6qyuArogDZGWBropHAESZAspQuGwILZccEURrvhruOeWC3BFIRdsCiAA SAJgNQo1ZVVlRsbwxTf49IY7mJ2jXNznkR2b8O+5+3vX72CmR4+qHv5f/vH/QNDrl69aq/d+XBD1 8dxebqaPhzotqamEAmhUMniTwO0wTOOEbXnx2Zs86eP3P2xKHiNMIgRyKENmejw9ppSSmSQRkorl 22HA3Hh91cYa4yi1ZJbIqljCjTRwm8sSvrT2crPbbq6OTw/bNGxefb776jMt0+F33yz1fHV9/eOH H+TegELLREiJVlKqrQo0S4k0d5H24mr/6hZP8/Hhrlxfp/B6f9dtt2ko5/tDzqnfbkku7nLvpmVB pH/7H8aPd5uPh1iWBSqlS53N59Pw889z6ZfvvmP1fHUjr6zVa+Nmm0kY3Z3srdsuH7/tv3hlPz60 X/2MQ+m+eauPj3VTyi++jONoj0/MSSnp5kZXu/R3v7c6+26HP/030vv3+P3vubvqfvUn/OUvj/+v /4cdnnKXaYbjgua83iJlR2Cz6/7hL+zzNzHN7Ztv29/+PqP6F5/2v/xVPJ7jz//STgfsdvF05Har wxFXuyDTL7+y66v5z/5C8s0/++fLf/If2+2thcV338Jn9hscH9tnn+XbF/rmG52OLD1S4qevaCne vmMuMmGaFFDJCDcD5oXDNp6O9vmb9Ee/iG9+73/3rf3q15hHzQty5jJhXLDdo06oI7Z7zLNaY9+T JtCub+PpQePZmXizy1++sd1G3/4Y04mWdFp4PXBbdJw1VRaLaU6bHTadzmeMi0oihKAiqAAkEokA EIKZTmP5Z/9UqP6Xf4PDxKEXgkOn8wIJRgggmKgIgDb0QCBCVfKgEQRI1Qozu70WpbsnpGxdFsKu r+L9h3jz2n79K373PY4PevOGhwXzmdE0VXQlfXbtb+8RFQH2g4xaKqNpyPbyFbP0dMDTKZjw5Zd2 tcef/yvB0CXe3uh80ngioC7bL3/O86MeDvAAAQPM6CEmyxbHQ/rs53zzyj9+Hz98b8MAQqfJvv4H fPmG2w0y4uNHfXjHXYmnB4wTC6Iu3Lzu/uhPY36Mt9/aV39sW+rxbfvhbZyntN+FC8sxba/t9acx HuLuLr36JH/12fKXf4bTYl//Gqz+w29RPX3yBYbB/+6v02dfgHMcnpAyuw7O9Pp6+fZ3tvvMXnyp w/c6/sDSq1bBbOiYM8se21u7ubXO/P737fd/y1yQqFZZtnb9EvT4+J1yl4YO9GhOihZqIVi+/dRu X8c0+/23wFTefG23L+vv/1y+qFa7+YpmGt/CGmDMxYZOdY6oABiEXED59Nd+fNAyAw1WaSb21g9g Z/2VP/xW7U55w/JFefOr9t2/5GAAFAQqLKX9r+32j+o3/1cmsiMLpEJeWzf49ANY2SiCZUMztaMq 2d/Y9S/b+99gOcCC/S5dfaZliadvYQYWBYEF2ZiuaCXOP1pOAkFAAMTSc/M1EuLx74kFTJAut6wp GiPITqTgoEkJAAAJYDTrdtzcSqPO90qEZJ0QlBsNiACJDqoiDQAjQARgBEtE8PJeAA2AIKbtFm2K 1kCQICESASRBEACKmeyy5koLACBIQhBkCbL1GAEBXUczLBPz84v2/IkJAORgIjMhAVq/S4EJISDB 0rpLEFaACogK9H+CXNR+h+WJtmH/x9Ij/VtFFWCWYElywICE7X+X9S/Qfg9SMgpCQGLZQQGfQCIn yOVBy1BAujyhkAJIxjCYwPXSQOv5pEGQZqSXSFfUAzRCBgrMIgFRWK84bQOdgQDWcxG4fEYAAgto gEMCE2Dg

Скачать книгу
Яндекс.Метрика