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The Civilisation of the Renaissance in Italy. Jacob BurckhardtЧитать онлайн книгу.

The Civilisation of the Renaissance in Italy - Jacob Burckhardt


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manuscripts; and the valuable texts which formed part of Petrarch’s legacies were so badly preserved that soon all traces of them were lost. The library which Cardinal Bessarion bequeathed to the state (1468) narrowly escaped dispersion and destruction. Learning was certainly cultivated at the University of Padua, where, however, the physicians and the jurists—the latter as the authors of legal opinions—received by far the highest pay. The share of Venice in the poetical creations of the country was long insignificant, till, at the beginning of the sixteenth century, her deficiences were made good.[148] Even the art of the Renaissance was imported into the city from without, and it was not before the end of the fifteenth century that she learned to move in this field with independent freedom and strength. But we find more striking instances still of intellectual backwardness. This Government, which had the clergy so thoroughly in its control, which reserved to itself the appointment to all important ecclesiastical offices, and which, one time after another, dared to defy the court of Rome, displayed an official piety of a most singular kind.[149] The bodies of saints and other reliques imported from Greece after the Turkish conquest were bought at the greatest sacrifices and received by the Doge in solemn procession.[150] For the coat without a seam it was decided (1455) to offer 10,000 ducats, but it was not to be had. These measures were not the fruit of any popular excitement, but of the tranquil resolutions of the heads of the Government, and might have been omitted without attracting any comment, and at Florence, under similar circumstances, would certainly have been omitted. We shall say nothing of the piety of the masses, and of their firm belief in the indulgences of an Alexander VI. But the state itself, after absorbing the Church to a degree unknown elsewhere, had in truth a certain ecclesiastical element in its composition, and the Doge, the symbol of the state, appeared in twelve great processions (‘andate’)[151] in a half-clerical character. They were almost all festivals in memory of political events, and competed in splendour with the great feasts of the Church; the most brilliant of all, the famous marriage with the sea, fell on Ascension Day.

      Our present task is not to write the history of this remarkable state, but merely to give a few indications of the intellectual freedom and independence for which the Florentines were indebted to this history.[154]


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