The Complete Works (Illustrated Edition). Elizabeth GaskellЧитать онлайн книгу.
extent of Mary's grief for Mr. Carson, and glad of the excuse afforded her by the important scrap of paper. Her remark about its being Jem's hand-writing, she had, with this view of ascertaining Mary's state of feeling, felt to be most imprudent the instant after she uttered it; but Mary's anxiety that she should not tell was too great, and too decided, to leave a doubt as to her interest for Jem. She grew more and more bewildered, and her dizzy head refused to reason. Mary never spoke. She held the bit of paper firmly, determined to retain possession of it, come what might; and anxious, and impatient, for her aunt to go. As she sat, her face bore a likeness to Esther's dead child.
"You are so like my little girl, Mary!" said Esther, weary of the one subject on which she could get no satisfaction, and recurring, with full heart, to the thought of the dead.
Mary looked up. Her aunt had children, then. That was all the idea she received. No faint imagination of the love and the woe of that poor creature crossed her mind, or she would have taken her, all guilty and erring, to her bosom, and tried to bind up the broken heart. No! it was not to be. Her aunt had children, then; and she was on the point of putting some question about them, but before it could be spoken another thought turned it aside, and she went back to her task of unravelling the mystery of the paper, and the hand-writing. Oh! how she wished her aunt would go.
As if, according to the believers in mesmerism, the intenseness of her wish gave her power over another, although the wish was unexpressed, Esther felt herself unwelcome, and that her absence was desired.
She felt this some time before she could summon up resolution to go. She was so much disappointed in this longed-for, dreaded interview with Mary; she had wished to impose upon her with her tale of married respectability, and yet she had yearned and craved for sympathy in her real lot. And she had imposed upon her well. She should perhaps be glad of it afterwards; but her desolation of hope seemed for the time redoubled. And she must leave the old dwelling-place, whose very walls, and flags, dingy and sordid as they were, had a charm for her. Must leave the abode of poverty, for the more terrible abodes of vice. She must—she would go.
"Well, good-night, Mary. That bit of paper is safe enough with you, I see. But you made me promise I would not tell about it, and you must promise me to destroy it before you sleep."
"I promise," said Mary, hoarsely, but firmly. "Then you are going?"
"Yes. Not if you wish me to stay. Not if I could be of any comfort to you, Mary;" catching at some glimmering hope.
"Oh, no," said Mary, anxious to be alone. "Your husband will be wondering where you are. Some day you must tell me all about yourself. I forget what your name is?"
"Fergusson," said Esther, sadly.
"Mrs. Fergusson," repeated Mary, half unconsciously. "And where did you say you lived?"
"I never did say," muttered Esther; then aloud, "In Angel's Meadow, 145, Nicholas Street."
"145, Nicholas Street, Angel Meadow. I shall remember."
As Esther drew her shawl around her, and prepared to depart, a thought crossed Mary's mind that she had been cold and hard in her manner towards one, who had certainly meant to act kindly in bringing her the paper (that dread, terrible piece of paper) and thus saving her from—she could not rightly think how much, or how little she was spared. So, desirous of making up for her previous indifferent manner, she advanced to kiss her aunt before her departure.
But, to her surprise, her aunt pushed her off with a frantic kind of gesture, and saying the words,
"Not me. You must never kiss me. You!"
She rushed into the outer darkness of the street, and there wept long and bitterly.
Chapter XXII.
Mary's Efforts to Prove an Alibi
"There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was, with its stored thunder, labouring up."
Keats' "Hyperion."
No sooner was Mary alone than she fastened the door, and put the shutters up against the window, which had all this time remained shaded only by the curtains hastily drawn together on Esther's entrance, and the lighting of the candle.
She did all this with the same compressed lips, and the same stony look that her face had assumed on the first examination of the paper. Then she sat down for an instant to think; and rising directly, went, with a step rendered firm by inward resolution of purpose, up the stairs;—passed her own door, two steps, into her father's room. What did she want there?
I must tell you; I must put into words the dreadful secret which she believed that bit of paper had revealed to her.
Her father was the murderer!
That corner of stiff, shining, thick writing-paper, she recognised as part of the sheet on which she had copied Samuel Bamford's beautiful lines so many months ago—copied (as you perhaps remember) on the blank part of a valentine sent to her by Jem Wilson, in those days when she did not treasure and hoard up every thing he had touched, as she would do now.
That copy had been given to her father, for whom it was made, and she had occasionally seen him reading it over, not a fortnight ago she was sure. But she resolved to ascertain if the other part still remained in his possession. He might, it was just possible he might, have given it away to some friend; and if so, that person was the guilty one, for she could swear to the paper anywhere.
First of all she pulled out every article from the little old chest of drawers. Amongst them were some things which had belonged to her mother, but she had no time now to examine and try and remember them. All the reverence she could pay them was to carry them and lay them on the bed carefully, while the other things were tossed impatiently out upon the floor.
The copy of Bamford's lines was not there. Oh! perhaps he might have given it away; but then must it not have been to Jem? It was his gun.
And she set to with redoubled vigour to examine the deal-box which served as chair, and which had once contained her father's Sunday clothes, in the days when he could afford to have Sunday clothes.
He had redeemed his better coat from the pawn-shop before he left, that she had noticed. Here was his old one. What rustled under her hand in the pocket?
The paper! "Oh! Father!"
Yes, it fitted; jagged end to jagged end, letter to letter; and even the part which Esther had considered blank had its tallying mark with the larger piece, its tails of ys and gs. And then, as if that were not damning evidence enough, she felt again, and found some bullets or shot (I don't know which you would call them) in that same pocket, along with a small paper parcel of gunpowder. As she was going to replace the jacket, having abstracted the paper, and bullets, &c., she saw a woollen gun-case made of that sort of striped horse-cloth you must have seen a thousand times appropriated to such a purpose. The sight of it made her examine still further, but there was nothing else that could afford any evidence, so she locked the box, and sat down on the floor to contemplate the articles; now with a sickening despair, now with a kind of wondering curiosity, how her father had managed to evade observation. After all it was easy enough. He had evidently got possession of some gun (was it really Jem's; was he an accomplice? No! she did not believe it; he never, never would deliberately plan a murder with another, however he might be wrought up to it by passionate feeling at the time. Least of all would he accuse her to her father, without previously warning her; it was out of his nature).
Then having obtained possession of the gun, her father had loaded it at home, and might have carried it away with him some time when the neighbours were not noticing, and she was out, or asleep; and then he might have hidden it somewhere to be in readiness