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Sinners in the Hands of an Angry God. Jonathan EdwardsЧитать онлайн книгу.

Sinners in the Hands of an Angry God - Jonathan  Edwards


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things at least of fundamental divergence in the character of our time—the development in us of a critically disciplined historical sense and the dominating influence in our modern science and philosophy of the idea of evolution. These have broken down those hard and fast distinctions between nature and the supernatural, nature and grace, human reason and divine revelation in which Edwards delighted, at least in the form in which he habitually preached them. With the establishment, on the lines of historical criticism, of new canons of exegesis in the interpretation of Scripture and with the gradual disappearance of the idea of the Bible as an external authority, Protestant Christianity is at present confronting the question, whether the entire claim of Christianity to be a supernatural revelation, in the sense in which the term “supernatural” is used by orthodox theologians, has not been misplaced. This is a question which Edwards never raises and which he does not help us directly to solve. He has the mind of a speculative philosopher, has a very profound thought of God, grasps firmly the eternal spiritual significance of things; but he is deficient in the historical sense—his History of Redemption is a wholly uncritical, dogmatic construction, and he is not speculative enough to find, or at least he works under conditions which prevent him from showing, the mediating principles by which the antitheses and contradictions of experience and theory can be reconciled and annulled.

      But to return to the sermons. Edwards’s sermons are constructed, in general, on a definite model. We have, first, the Exposition of the text. We have, secondly, a clearly formulated statement of the Doctrine, which is then developed under its appropriate and preannounced divisions. Finally, we have what is variously called the Improvement, Use, or Application, similarly developed. The “Doctrine” is not usually an abstract theological dogma: it is simply the theme of the discourse stated in propositional form. Thus an unpublished sermon on John i. 41, 42 has this for its statement of doctrine: “When persons have truly come to Christ themselves, they naturally desire to bring others also to him.” Another unpublished sermon on John iii. 7 has this: “’Tis no wonder that Christ said that we must be born again.” In another—also unpublished—from the text John i. 47 the doctrine is the similarly simple statement, “’Tis a great thing to be indeed a converted person.” Sometimes, though rarely, the statement of a doctrine is omitted altogether, the text itself being regarded as sufficiently defining the subject.11 This, however, is never the case with the Application. Indeed, so “practical” is Edwards in his preaching that the Application is sometimes much the larger part of the discourse. In the sermon on John i. 47, for example, it fills about two-thirds of the manuscript. In fact, the proportion of these parts, Exposition, Development of Doctrine and Application, depends entirely on the nature of the theme and the special ends of the sermon. And similarly of the length and number of the subdivisions. One feature is constant—strictly logical arrangement. However finely articulated the sermons may be, they are constructed so as to make a distinctly unified impression. Nor is this unity of impression seriously interfered with, as a rule, by the length of the sermon. Edwards was not in the habit of exhausting the attention of his audience. Occasionally, however, he would develop his theme through two or more sermons. When these appear in the printed editions as a single discourse, the length naturally seems inordinate. In the manuscripts the parts of such compound sermons are indicated by the word “Doc” (Doctrine) at the divisions, suggesting that the preacher was wont, in renewing the theme, to remind his hearers of the precise nature of the subject under discussion.12

      And as there was no confusion in the thought, so the style of Edwards’s sermons is singularly clear, simple and unstudied. He affects no graces, seeks no adornments, which the subject-matter itself and his interest in it do not naturally lend. “The style is the man” is a saying which peculiarly applies to him. The nobility, strength and directness of his thought, the vividness and largeness of his imagination, the truthfulness and elevation of his character, the intensity of his convictions, his impassioned earnestness are reflected in his discourses. They seem to have been to an unusual degree a spontaneous form of self-expression. But attention is never diverted from the subject to the skill of the workmanship. The object is not to delight, but to convince, and the attainment of this end is sought by direct methods of argument, persuasion and appeal. Yet the style, though simple and straightforward, is very far from being barren. The sermons are full of great, rich, beautiful words; and there are many passages in them of wonderful charm as well as many of great sublimity and rhetorical power. But Edwards’s interest in these seems never merely verbal. He is not a maker of phrases. He makes use of striking metaphor and startling antithesis, his style is often picturesque, he well knows the rhetorical value of iteration, when the repeated phrase is employed in a varied context; but he never seeks to produce his effects by literary indirection. He can be easy, familiar, colloquial even, on occasion, if that suits his purpose; but he is never undignified, never vulgarly sensational, nor does he seem ever to be intentionally humorous. The construction of his sentences is often such as the pedantry of modern standards would condemn; but however old-fashioned, it is seldom indeed that the expression can be called whimsical or quaint. The most determining external influence on his style was unquestionably the old, so-called King James version of the English Bible. His language is saturated with its thought and phraseology. And as he is intimately acquainted with it in all its parts, so he is continually quoting it and constantly surprising us with fresh discoveries, in novel collocations, of its variety, beauty and impressiveness. He was influenced also doubtless by his too exclusively theological and philosophical reading. But it is, in the end, the originality of his own genius, the depth and subtlety and force of his mind and the richness of his spiritual experiences, which we must regard as setting the stamp upon his style. Edwards’s sermons are hall-marked: they have not only interest as historical memorials of the religious conditions of their time; as the personal expressions of an original mind, working in traditional material, indeed, but animating and so refashioning it with the unique form of a great personality, they have also the value of literature.

      Largely to the union of the intellectual and emotional elements mentioned—the definiteness of the message, the logical unity of the thought, the singleness and sincerity of the aim, the intensity of the conviction, the thorough knowledge of Scripture, the profound acquaintance, through personal experience, of the religious movings of the human heart—must be attributed, in connection with the state of religious thought and feeling of the time and the respect aroused by the character of the preacher, the power which he exercised on his contemporaries. Of his manner of preaching we have from his pupil, Hopkins, the following authentic testimony. “His appearance in the desk was with a good grace, and his delivery easy, natural and very solemn. He had not a strong, loud voice, but appeared with such gravity and solemnity, and spake with such distinctness, clearness and precision, his words were so full of ideas, set in such a plain and striking light, that few speakers have been so able to demand the attention of an audience as he. His words often discovered a great degree of inward fervor, without much noise or external emotion, and fell with great weight on the minds of his hearers. He made but little motion of his head or hands in the desk, but spake as to discover the motion of his own heart, which tended in the most natural and effectual manner to move and affect others.

      “As he wrote his sermons out at large for many years, and always wrote a considerable part of most of his public discourses, so he carried his notes into the desk with him, and read the most that he wrote; yet he was not so confined to his notes, when he wrote at large, but that, if some thoughts were suggested, while he was speaking, which did not occur when writing, and appeared to him pertinent and striking, he would deliver them; and that with as great propriety, and oftener with greater pathos, and attended with a more sensible good effect on his hearers, than all he had wrote.”13

      The sermons in the present volume have been selected as representative of Edwards the preacher rather than of Edwards the theologian. Any such collection must include at least the following four: the sermon on Man’s Dependence, the sermon on Spiritual Light, the Enfield Sermon and the Farewell Sermon. These are classic. Moreover, they represent Edwards in four of his most distinguishing aspects: as the powerful champion of a theology resting ultimately on the principle of a transcendent, righteous, sovereign Will; as the equally convinced advocate of the mystical principle of an immediate, intuitive apprehension, through supernatural illumination, of divine truth; as the flaming revivalist, with pitiless logic and terrible realism of description, arousing, startling, overwhelming the sinner with the sense of impending doom;


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