The Greatest Works of Immanuel Kant. Immanuel KantЧитать онлайн книгу.
complete analysis of given notions. No glimmering of the further question, Whence come these notions and with what right do we apply them in cognition? is yet apparent. Any direct influence from Hume must be referred to a later period in his career.
The prize essay On the Principles of Natural Theology and Morals brings forward the same fundamental opposition — though in a special form. Here, for the first time, appears definitely the distinction between synthesis and analysis, and in the distinction is found the reason for the superior certainty and clearness of mathematics as opposed to philosophy. Mathematics, Kant thinks, proceeds synthetically, for in it the notions are constructed. Metaphysics, on the other hand, is analytical in method; in it the notions are given, and by analysis they are cleared up. It is to be observed that the description of mathematics as synthetic is not an anticipation of the critical doctrine on the same subject. Kant does not, in this place, raise the question as to the reason for assuming that the arbitrary syntheses of mathematical construction have any reference to reality. The deeper significance of synthesis has not yet become apparent.
In the Only Possible Ground of Proof for the Existence of God, the argument, though largely Leibnitzian, advances one step farther towards the ultimate inquiry. For there Kant states as precisely as in the critique of speculative theology his fundamental doctrine that real existence is not a predicate to be added in thought to the conception of a possible subject. So far as subjective thought is concerned, possibility, not real existence, is contained in any judgment.
The year 1765 was marked by the publication of Leibnitz's posthumous Nouveaux Essais, in which his theory of knowledge is more fully stated than in any of his previous tracts. In all probability Kant gave some attention to this work, though no special reference to it occurs in his writings, and it may have assisted to give additional precision to his doctrine. In the curious essay, Dreams of a Clairvoyant, published 1766, he emphasizes his previously reached conclusion that connexions of real fact are mediated in our thought by ultimate notions, but adds that the significance and warrant for such notions can be furnished only by experience. He is inclined, therefore, to regard as the function of metaphysics the complete statement of these ultimate, indemonstrable notions, and therefore the determination of the limits to knowledge by their means. Even at this point, where he approximates more closely to Hume than to any other thinker, the difficulty raised by Hume does not seem to occur to him. He still appears to think that experience does warrant the employment of such notions, and when there is taken into account his correspondence with Lambert during the next few years, one would be inclined to say that the Architektonik of the latter represents most completely Kant's idea of philosophy.
On another side Kant had been shaking himself free from the principles of the Leibnitzian philosophy. According to Leibnitz, space, the order of coexisting things, resulted from the relations of monads to one another. But Kant began to see that such a conception did not accord with the manner in which we determine directions or positions in space. In the curious little essay, On the Ground of distinguishing Particular Divisions in Space, he pointed out that the idea of space as a whole is not deducible from the experience of particular spaces, or particular relations of objects in space, that we only cognize relations in space by reference to space as a whole, and finally that definite positions involve reference to space as a given whole.
The whole development of Kant's thought up to this point is intelligible when regarded from the Leibnitzian point of view, with which he started. There appears no reason to conclude that Hume at this time exercised any direct influence. One may go still further, and add that even in the Dissertation of 1770, generally regarded as more than foreshadowing the Kritik, the really critical question is not involved. A brief notice of the contents of this tract will suffice to show how far removed Kant yet was from the methods and principles of the critical or transcendental philosophy. Sense and understanding, according to the Dissertation, are the two sources of knowledge. The objects of the one are things of sense or phenomena; the objects of the other are noumena. These are absolutely distinct, and are not to be regarded as differing only in degree. In phenomena we distinguish matter, which is given by sense, and form, which is the law of the order of sensations. Such form is twofold — the order of space and time. Sensations formed by space and time compose the world of appearance, and this when treated by the understanding, according to logical rules, is experience. But the logical use of the understanding is not its only use. Much more important is the real use, by which are produced the pure notions whereby we think things as they are. These pure notions are the laws of the operation of the intellect; they are leges intellectus.
Apart, then, from the expanded treatment of space and time as subjective forms, we find in the Dissertation little more than the very precise and definite formulation of the slowly growing opposition to the Leibnitzian doctrines. That the pure intellectual notions should be defended as springing from the nature of intellect is not out of harmony with the statement of the Träume eines Geistersehers, for there the pure notions were allowed to exist, but were not held to have validity for actual things except on grounds of experience. Here they are supposed to exist, dissevered from experience, and are allowed validity as determinations of things in themselves.
The stage which Kant had now reached in his philosophical development was one of great significance. The doctrine of knowledge expressed in the Dissertation was the final form which the Wolffian rationalism could assume for him, and, though many of the elements of the Kritik are contained therein, it was not really in advance of the Wolffian theory. The doctrine of space and time as forms of sense-perception, the reference of both space and time and the pure intellectual notions to the laws of the activity of mind itself, the distinction between sense and understanding as one of kind, not of degree, with the correlative distinction between phenomena and noumena, — all of these reappear, though changed and modified, in the Kritik. But, despite this resemblance, it seems clear that, so far as the Dissertation is concerned, the way had only been prepared for the true critical inquiry, and that the real import of Hume's sceptical problem had not yet dawned upon Kant. From the manner, however, in which the doctrine of knowledge had been stated in the Dissertation, the further inquiry had been rendered inevitable. It had become quite impossible for Kant to remain longer satisfied with the ambiguous position assigned to a fundamental element of his doctrine of knowledge, the so-called pure intellectual notions. Those notions, according to the Dissertation, had no function save in relation to things-in-themselves, i.e. to objects which are not directly or immediately brought into relation to our faculty of cognition. They did not serve as the connecting links of formed experience; on the contrary, they were supposed to be absolutely dissevered from all experience which was possible for intelligence like ours. In his previous essays, Kant, while likewise maintaining that such pure, irreducible notions existed, had asserted in general terms that they applied to experience, and that their applicability or justification rested on experience itself, but had not raised the question as to the ground of such justification. Now, from another side, the supreme difficulty was presented — how could such notions have application to any objects whatsoever? For some time the correlative difficulty, how objects of sense-perception were possible, does not seem to have suggested itself to Kant. In the Dissertation sense-perception had been taken as receptivity of representations of objects, and experience as the product of the treatment of such representations by the logical or analytical processes of understanding. Some traces of this confused fashion of regarding sense-perceptions are left even in the Kritik, specially perhaps in the Aesthetik, and they give rise to much of the ambiguity which unfortunately attaches to the more developed theory of cognition. So soon, however, as the critical question was put, On what rests the reference of representations in us to the object or thing? in other words, How do we come to have knowledge of objects at all? it became apparent that the problem was one of perfect generality, and applied, not only to cognition through the pure notions, but to sense-perceptions likewise. It is in the statement of this general problem that we find the new and characteristic feature of Kant's work.
There is thus no reason to doubt the substantial accuracy of Kant's reference to the particular occasion or cause of the critical inquiry. Up to the stage indicated by the Dissertation he had been attempting, in various ways, to unite two radically divergent modes of explaining cognition