Three Cities Trilogy: Lourdes, Rome & Paris. Эмиль ЗоляЧитать онлайн книгу.
down from the hill with a gentle, continuous, gliding motion.
A double file of quivering stars leapt into view on the left-hand side of the Basilica, and then followed the monumental, gradient way, whose curve is gradually described. At that distance you were still unable to see the pilgrims themselves, and you beheld simply those well-disciplined travelling lights tracing geometrical lines amidst the darkness. Under the deep blue heavens, even the buildings at first remained vague, forming but blacker patches against the sky. Little by little, however, as the number of candles increased, the principal architectural lines — the tapering spire of the Basilica, the cyclopean arches of the gradient ways, the heavy, squat facade of the Rosary — became more distinctly visible. And with that ceaseless torrent of bright sparks, flowing slowly downward with the stubborn persistence of a stream which has overflowed its banks and can be stopped by nothing, there came as it were an aurora, a growing, invading mass of light, which would at last spread its glory over the whole horizon.
“Look, look, Pierre!” cried Marie, in an access of childish joy. “There is no end of them; fresh ones are ever shining out.”
Indeed, the sudden appearances of the little lights continued with mechanical regularity, as though some inexhaustible celestial source were pouring forth all those solar specks. The head of the procession had just reached the gardens, near the crowned statue of the Virgin, so that as yet the double file of flames merely outlined the curves of the Rosary and the broad inclined way. However, the approach of the multitude was foretokened by the perturbation of the atmosphere, by the gusts of human breath coming from afar; and particularly did the voices swell, the canticle of Bernadette surging with the clamour of a rising tide, through which, with rhythmical persistence, the refrain of “Ave, ave, ave Maria!” rolled ever in a louder key.
“Ah, that refrain!” muttered Pierre; “it penetrates one’s very skin. It seems to me as though my whole body were at last singing it.”
Again did Marie give vent to that childish laugh of hers. “It is true,” said she; “it follows me about everywhere. I heard it the other night whilst I was asleep. And now it is again taking possession of me, rocking me, wafting me above the ground.” Then she broke off to say: “Here they come, just across the lawn, in front of us.”
The procession had entered one of the long, straight paths; and then, turning round the lawn by way of the Breton’s Cross, it came back by a parallel path. It took more than a quarter of an hour to execute this movement, during which the double file of tapers resembled two long parallel streams of flame. That which ever excited one’s admiration was the ceaseless march of this serpent of fire, whose golden coils crept so gently over the black earth, winding, stretching into the far distance, without the immense body ever seeming to end. There must have been some jostling and scrambling every now and then, for some of the luminous lines shook and bent as though they were about to break; but order was soon reestablished, and then the slow, regular, gliding movement set in afresh. There now seemed to be fewer stars in the heavens; it was as though a milky way had fallen from on high, rolling its glittering dust of worlds, and transferring the revolutions of the planets from the empyrean to earth. A bluish light streamed all around; there was naught but heaven left; the buildings and the trees assumed a visionary aspect in the mysterious glow of those thousands of tapers, whose number still and ever increased.
A faint sigh of admiration came from Marie. She was at a loss for words, and could only repeat “How beautiful it is! Mon Dieu! how beautiful it is! Look, Pierre, is it not beautiful?”
However, since the procession had been going by at so short a distance from them it had ceased to be a rhythmic march of stars which no human hand appeared to guide, for amidst the stream of light they could distinguish the figures of the pilgrims carrying the tapers, and at times even recognise them as they passed. First they espied La Grivotte, who, exaggerating her cure, and repeating that she had never felt in better health, had insisted upon taking part in the ceremony despite the lateness of the hour; and she still retained her excited demeanour, her dancing gait in that cool night air, which often made her shiver. Then the Vignerons appeared; the father at the head of the party, raising his taper on high, and followed by Madame Vigneron and Madame Chaise, who dragged their weary legs; whilst little Gustave, quite worn out, kept on tapping the sanded path with his crutch, his right hand covered meantime with all the wax that had dripped upon it. Every sufferer who could walk was there, among others Elise Rouquet, who, with her bare red face, passed by like some apparition from among the damned. Others were laughing; Sophie Couteau, the little girl who had been miraculously healed the previous year, was quite forgetting herself, playing with her taper as though it were a switch. Heads followed heads without a pause, heads of women especially, more often with sordid, common features, but at times wearing an exalted expression, which you saw for a second ere it vanished amidst the fantastic illumination. And there was no end to that terrible march past; fresh pilgrims were ever appearing. Among them Pierre and Marie noticed yet another little black shadowy figure, gliding along in a discreet, humble way; it was Madame Maze, whom they would not have recognised if she had not for a moment raised her pale face, down which the tears were streaming.
“Look!” exclaimed Pierre; “the first tapers in the procession are reaching the Place du Rosaire, and I am sure that half of the pilgrims are still in front of the Grotto.”
Marie had raised her eyes. Up yonder, on the left-hand side of the Basilica, she could see other lights incessantly appearing with that mechanical kind of movement which seemed as though it would never cease. “Ah!” she said, “how many, how many distressed souls there are! For each of those little flames is a suffering soul seeking deliverance, is it not?”
Pierre had to lean over in order to hear her, for since the procession had been streaming by, so near to them, they had been deafened by the sound of the endless canticle, the hymn of Bernadette. The voices of the pilgrims rang out more loudly than ever amidst the increasing vertigo; the couplets became jumbled together — each batch of processionists chanted a different one with the ecstatic voices of beings possessed, who can no longer hear themselves. There was a huge indistinct clamour, the distracted clamour of a multitude intoxicated by its ardent faith. And meantime the refrain of “Ave, ave, ave Maria!” was ever returning, rising, with its frantic, importunate rhythm, above everything else.
All at once Pierre and Marie, to their great surprise, saw M. de Guersaint before them again. “Ah! my children,” he said, “I did not want to linger too long up there, I cut through the procession twice in order to get back to you. But what a sight, what a sight it is! It is certainly the first beautiful thing that I have seen since I have been here!” Thereupon he began to describe the procession as he had beheld it from the Calvary height. “Imagine,” said he, “another heaven, a heaven down below reflecting that above, a heaven entirely filled by a single immense constellation. The swarming stars seem to be lost, to lie in dim faraway depths; and the trail of fire is in form like a monstrance — yes, a real monstrance, the base of which is outlined by the inclined ways, the stem by the two parallel paths, and the Host by the round lawn which crowns them. It is a monstrance of burning gold, shining out in the depths of the darkness with a perpetual sparkle of moving stars. Nothing else seems to exist; it is gigantic, paramount. I really never saw anything so extraordinary before!”
He was waving his arms, beside himself, overflowing with the emotion of an artist.
“Father dear,” said Marie, tenderly, “since you have come back you ought to go to bed. It is nearly eleven o’clock, and you know that you have to start at two in the morning.” Then, to render him compliant, she added: “I am so pleased that you are going to make that excursion! Only, come back early tomorrow evening, because you’ll see, you’ll see—” She stopped short, not daring to express her conviction that she would be cured.
“You are right; I will go to bed,” replied M. de Guersaint, quite calmed. “Since Pierre will be with you I sha’n’t feel anxious.”
“But I don’t wish Pierre to pass the night out here. He will join you by-and-by after he has taken me to the Grotto. I sha’n’t have any further need of anybody; the first bearer who passes can take me back to the hospital tomorrow morning.”
Pierre had