Tales and Stories. Мэри ШеллиЧитать онлайн книгу.
words stung Maria to fresh resolution: she entreated for mercy; she knelt; she vowed that she would not depart without her sister; she appealed to Heaven and the saints. The officer, though cold-hearted, was good-natured and courteous, and he assured her with the utmost gentleness that her supplications were of no avail; that were the criminal his own daughter he must enforce his orders. As a sole concession, he permitted her to see her sister. Despair inspired the nun with energy; she almost ran up the hill, out-speeding her guide: they crossed a folding of the hills to a little sheep-cot, where sentinels paraded before the door. There was no glass to the windows, so the shutters were shut; and when Maria first went in from the bright daylight she hardly saw the slight figure of her sister leaning against the wall, her dark hair fallen below her waist, her head sunk on her bosom, over which her arms were folded. She started wildly as the door opened, saw her sister, and sprang with a piercing shriek into her arms.
They were left alone together: Anina uttered a thousand frantic exclamations, beseeching her sister to save her, and shuddering at the near approach of her fate. Maria had felt herself, since their mother’s death, the natural protectress and support of her sister, and she never deemed herself so called on to fulfil this character as now that the trembling girl clasped her neck—her tears falling on her cheeks, and her choked voice entreating her to save her. The thought—O could I suffer instead of you! was in her heart, and she was about to express it, when it suggested another idea, on which she was resolved to act. First she soothed Anina by her promises, then glanced round the cot; they were quite alone: she went to the window, and through a crevice saw the soldiers conversing at some distance. “Yes, dearest sister,” she cried, “I will—I can save you—quick—we must change dresses—there is no time to be lost I—you must escape in my habit.”
“And you remain to die?”
“They dare not murder the innocent, a nun! Fear not for me—I am safe.”
Anina easily yielded to her sister, but her fingers trembled; every string she touched she entangled. Maria was perfectly self-possessed, pale, but calm. She tied up her sister’s long hair, and adjusted her veil over it so as to conceal it; she unlaced her bodice, and arranged the folds of her own habit on her with the greatest care—then more hastily she assumed the dress of her sister, putting on, after a lapse of many years, her native contadina costume. Anina stood by, weeping and helpless, hardly hearing her sister’s injunctions to return speedily to their father, and under his guidance to seek sanctuary. The guard now opened the door. Anina clung to her sister in terror, while she, in soothing tones, entreated her to calm herself.
The soldier said they must delay no longer, for the priest had arrived to confess the prisoner.
To Anina the idea of confession associated with death was terrible; to Maria it brought hope. She whispered, in a smothered voice, “The priest will protect me—fear not—hasten to our father!”
Anina almost mechanically obeyed: weeping, with her handkerchief placed unaffectedly before her face, she passed the soldiers; they closed the door on the prisoner, who hastened to the window, and saw her sister descend the hill with tottering steps, till she was lost behind some rising ground. The nun fell on her knees—cold dew bathed her brow, instinctively she feared: the French had shown small respect for the monastic character; they destroyed the convents and desecrated the churches. Would they be merciful to her, and spare the innocent? Alas! was not Anina innocent also? Her sole crime had been disobeying an arbitrary command, and she had done the same.
“Courage!” cried Maria; “perhaps I am fitter to die than my sister is. Gesu, pardon me my sins, but I do not believe that I shall out live this day!”
In the meantime, Anina descended the hill slowly and trembling. She feared discovery—she feared for her sister—and above all, at the present moment, she feared the reproaches and anger of her father. By dwelling on this last idea, it became exaggerated into excessive terror, and she determined, instead of returning to her home, to make a circuit among the hills, to find her way by herself to Albano, where she trusted to find protection from her pastor and confessor. She avoided the open paths, and following rather the direction she wished to pursue than any beaten road, she passed along nearer to Rocca Giovane than she anticipated. She looked up at its ruined houses and bell-less steeple, straining her eyes to catch a glimpse of him, the author of all her ills. A low but distinct whistle reached her ear, not far off; she started—she remembered that on the night when she last saw Domenico a note like that had called him from her side; the sound was echoed and re-echoed from other quarters; she stood aghast, her bosom heaving, her hands clasped. First she saw a dark and ragged head of hair, shadowing two fiercely gleaming eyes, rise from beneath a bush. She screamed, but before she could repeat her scream three men leapt from behind a rock, secured her arms, threw a cloth over her face, and hurried her up the acclivity. Their talk, as she went along, informed her of the horror and danger of her situation.
Pity, they said, that the holy father and some of his red stockings did not command the troops: with a nun in their hands, they might obtain any terms. Coarse jests passed as they dragged their victim towards their ruined village. The paving of the street told her when they arrived at Rocca Giovane, and the change of atmosphere that they entered a house. They unbandaged her eyes: the scene was squalid and miserable, the walls ragged and black with smoke, the floor strewn with offals and dirt; a rude table and broken bench was all the furniture; and the leaves of Indian corn, heaped high in one corner, served, it seemed, for a bed, for a man lay on it, his head buried in his folded arms. Anina looked round on her savage hosts: their countenances expressed every variety of brutal ferocity, now rendered more dreadful from gaunt famine and suffering.
“Oh, there is none who will save me!” she cried. The voice startled the man who was lying on the floor; he lept up—it was Domenico: Domenico, so changed, with sunk cheeks and eyes, matted hair, and looks whose wildness and desperation differed little from the dark countenances around him. Could this be her lover?
His recognition and surprise at her dress led to an explanation. When the robbers first heard that their prey was no prize, they were mortified and angry; but when she related the danger she had incurred by endeavouring to bring them food, they swore with horrid oaths that no harm should befall her, but that if she liked she might make one of them in all honour and equality. The innocent girl shuddered. “Let me go,” she cried; “let me only escape and hide myself in a convent for ever!”
Domenico looked at her in agony. “Yes, poor child,” he said; “go save yourself: God grant no evil befall you; the ruin is too wide already.” Then turning eagerly to his comrades, he continued: “You hear her story. She was to have been shot for bringing food to us: her sister has substituted herself in her place. We know the French; one victim is to them as good as another: Maria dies in their hands. Let us save her. Our time is up; we must fall like men, or starve like dogs: we have still ammunition, still some strength left. To arms! let us rush on the poltroons, free their prisoner, and escape or die!”
There needed but an impulse like this to urge the outlaws to desperate resolves. They prepared their arms with looks of ferocious determination. Domenico, meanwhile, led Anina out of the house, to the verge of the hill, inquiring whether she intended to go. On her saying to Albano, he observed, “That were hardly safe; be guided by me, I entreat you: take these piastres, hire the first conveyance you find, hasten to Rome, to the convent of Santa Chiara: for pity’s sake, do not linger in this neighbourhood.”
“I will obey your injunctions, Domenico,” she replied, “but I cannot take your money; it has cost you too dear: fear not, I shall arrive safely at Rome without that ill-fated silver.”
Domenico’s comrades now called loudly to him: he had no time to urge his request; he threw the despised dollars at her feet.
“Nina, adieu for ever,” he said: “may you love again more happily!”
“Never!” she replied. “God has saved me in this dress; it were sacrilege to change it: I shall never quit Santa Chiara.”
Domenico had led her a part of the way down the rock; his comrades appeared at the top, calling to him.
“Gesu save you!” cried he: “reach the convent—Maria