The Ladies' Paradise. Эмиль ЗоляЧитать онлайн книгу.
to establish a comparison between the relative positions of French and English salesmen and women in the great drapery establishments. I fear, however, from all I have heard, that several of M. Zola's strictures on the treatment meted out to the employees of Octave Mouret's bazaar, might be applied to English houses. And thus whilst I recommend this book to women, whom its subject cannot fail to interest and who will take a warning from the extravagance of Madame Marty and find a bright example in the unswerving rectitude of Denise, I also submit it to the attention of those who are seeking in this country to improve the position of shop employees, for I feel certain that they will find many a useful hint in its searching and accurate pages.
ERNEST A. VIZETELLY.
Merton, May 1895.
[1] I find that Brunet who played the part of M. Calicot wore the following typical costume: high boots with spurs, white trousers, a buff waistcoat and a frock coat made of a green and white "mixture"—chicorée à la crême, as the tailors of those days termed it.
THE LADIES PARADISE.
CHAPTER I.
Denise had come on foot from the Saint-Lazare railway station, where a Cherbourg train had landed her and her two brothers, after a night spent on the hard seat of a third-class carriage. She was leading Pépé by the hand, while Jean followed her; all three of them exhausted by their journey, frightened and lost in that vast city of Paris, their eyes raised to the house fronts and their tongues for ever inquiring the way to the Rue de la Michodière, where their uncle Baudu lived. However, as she at last emerged into the Place Gaillon, the girl stopped short in astonishment.
"Oh! just look there, Jean," said she; and they remained stock still, nestling close to one another, dressed from head to foot in black, the old mourning bought at their father's death. Denise, rather puny for her twenty years, was carrying a small parcel in one hand, while on the other side, her little brother, five years old, clung to her arm, and in the rear her big brother in the flower of his sixteen summers stood erect with dangling arms.
"Well I never," said she, after a pause, "that is a shop!"
They were at the corner of the Rue de la Michodière and the Rue Neuve-Saint-Augustin, in front of a draper's shop, whose windows displayed a wealth of bright colour in the soft, pale October light. Eight o'clock was striking at the church of Saint-Roch; and only the early birds of Paris were abroad, a few clerks on their way to business, and housewives flitting about on their morning shopping. Before the door of the drapery establishment, two shopmen, mounted on a step-ladder, were hanging up some woollen goods, whilst in a window facing the Rue Neuve-Saint-Augustin another young man, kneeling with his back to the pavement, was delicately plaiting a piece of blue silk. In the shop, which was as yet void of customers, and whose employees were only just beginning to arrive, there was a low buzz as in a bee hive just awakening.
"By Jove!" said Jean, "this beats Valognes. Yours wasn't such a fine shop."
Denise shook her head. She had spent two years at Valognes, with Cornaille, the principal draper in the town; and this Parisian shop so suddenly encountered and to her so vast made her heart swell and detained her there, interested, impressed, forgetful of everything else. The lofty plate-glass door in a corner facing the Place Gaillon reached the first storey amidst a medley of ornaments covered with gilding. Two allegorical female figures, with laughing faces and bare bosoms unrolled a scroll bearing the inscription "The Ladies' Paradise"; then, on either side, along the Rue de la Michodière and the Rue Neuve-Saint-Augustin, stretched the windows of the establishment, not limited merely to the corner house but comprising four others—two on the right and two on the left which had been recently purchased and fitted up. It all appeared endless to Denise, thus seen in perspective, with the display down below and the plate glass windows above, through which a long line of counters was to be perceived. Upstairs a young lady, dressed in silk, could be espied sharpening a pencil, while two others, beside her, were unfolding some velvet mantles.
"The Ladies' Paradise," read Jean, with a soft laugh, like a handsome youth who already has thoughts of women. "That's a pretty name—that must draw customers—eh?"
But Denise was absorbed by the display at the principal entrance. There, in the open street, on the very pavement, she beheld a mass of cheap goods—doorway temptations, bargains to attract the passer-by. Pieces of woollen and cloth goods, merinoes, cheviots, and tweeds, hung from above like bunting, with their neutral, slate, navy-blue, and olive-green tints relieved by large white price-tickets. Close by, on either side of the doorway, dangled strips of fur, narrow bands for dress trimmings, ashen-hued Siberian squirrel-skin, swansdown of spotless snowiness, and rabbit-skin transformed into imitation ermine and imitation sable. Below, in boxes and on tables, amidst piles of remnants, appeared a quantity of hosiery which was virtually given away; knitted woollen gloves, neckerchiefs, women's hoods, cardigan waistcoats, a complete winter show with colours in mixtures, patterns and stripes and here and there a flaming patch of red. Denise saw some tartan at nine sous, some strips of American bison at a franc the mètre, and some mittens at five sous a pair. An immense clearance sale was apparently going on; the establishment seemed to be bursting with goods, blocking up the pavement with the surplus of its contents. Uncle Baudu was forgotten. Even Pépé, clinging tightly to his sister's hand, opened his big eyes in wonder. However a vehicle in coming up forced them to quit the roadway, and they mechanically turned into the Rue Neuve-Saint-Augustin, following the windows and stopping at each fresh display. At first they were captivated by an intricate arrangement: up above a number of umbrellas, placed obliquely, seemed to form a rustic roof; upon rods beneath them hung a quantity of silk stockings displaying neat ankles and well rounded calves, some of them dotted with rosebuds, others of divers hues, the black ones open-worked and the red ones elegantly clocked; whilst those which were of a flesh tint, looked, with their satiny texture, as soft as skin itself. Then, on the baize covering of the show-stage, came a symmetrical array of gloves with extended fingers and narrow palms recalling the hands of Byzantine Virgins, all the rigid and, as it were, adolescent grace which characterises feminine frippery before it is worn. However, it was especially the last window which detained their eyes. An exhibition of silks, satins and velvets, in a supple, vibrating scale of colour, here set, as in full bloom, the most delicate hues of the floral world. At the top were the velvets, deeply black, or white as curds; lower down came the satins, pinks and blues, bright at their folds, then fading into paler and paler tints of infinite delicacy; and lower still were silks, the rainbow's variegated scarf, the several pieces cocked shell-wise, plaited as though round some female waist, endowed, as it were, with life by the skilful manipulation of the employees; and between each motif, each glowing phrase of the display ran a discreet accompaniment, a light, puffy roll of creamy foulard. Here too at either end of the window, were huge piles of the two silks which were the exclusive property of the establishment, the "Paris Delight" and the "Golden Grain"—articles of exceptional quality destined to revolutionize the silk trade.
"Oh! look at that faille at five francs sixty!" murmured Denise, transported with astonishment at sight of the "Paris Delight".
Jean, however, was getting bored and stopped a passer-by. "Which is the Rue de la Michodière, please, sir?"
On hearing that it was the first on the right they all turned back, making the tour of the establishment. But just as she was entering the street, Denise was again attracted by a window in which ladies' mantles were displayed. At Cornaille's the mantles had been her department, but she had never seen anything like this, and remained rooted to the spot with admiration. At the rear a large scarf of Bruges lace, of considerable value, was spread out like an altar-veil, with its two creamy wings extended; then there were flounces of Alençon, grouped in garlands; and from the top to the bottom, like falling snow, fluttered lace of every description—Malines, Valenciennes, Brussels, and Venetian-point. On each side pieces of cloth rose up in dark columns imparting distance to the background. And the mantles were here, in