The Pioneers; Or, The Sources of the Susquehanna. Джеймс Фенимор КуперЧитать онлайн книгу.
habit of listening to his treatises on architecture with a kind of indulgent smile; yet, either from an inability to oppose them by anything plausible from his own stores of learning or from secret admiration, Richard generally submitted to the arguments of his co-adjutor. Together, they had not only erected a dwelling for Marmaduke, but they had given a fashion to the architecture of the whole county. The composite order, Mr. Doolittle would contend, was an order composed of many others, and was intended to be the most useful of all, for it admitted into its construction such alterations as convenience or circumstances might require. To this proposition Richard usually assented; and when rival geniuses who monopolize not only all the reputation but most of the money of a neighborhood, are of a mind, it is not uncommon to see them lead the fashion, even in graver matters. In the present instance, as we have already hinted, the castle, as Judge Templeton's dwelling was termed in common parlance, came to be the model, in some one or other of its numerous excellences, for every aspiring edifice within twenty miles of it.
The house itself, or the “lastly,” was of stone: large, square, and far from uncomfortable. These were four requisites, on which Marmaduke had insisted with a little more than his ordinary pertinacity. But everything else was peaceably assigned to Richard and his associate. These worthies found the material a little too solid for the tools of their workmen, which, in General, were employed on a substance no harder than the white pine of the adjacent mountains, a wood so proverbially soft that it is commonly chosen by the hunters for pillows. But for this awkward dilemma, it is probable that the ambitious tastes of our two architects would have left us much more to do in the way of description. Driven from the faces of the house by the obduracy of the material, they took refuge in the porch and on the roof. The former, it was decided, should be severely classical, and the latter a rare specimen of the merits of the Composite order.
A roof, Richard contended, was a part of the edifice that the ancients always endeavored to conceal, it being an excrescence in architecture that was only to be tolerated on account of its usefulness. Besides, as he wittily added, a chief merit in a dwelling was to present a front on whichever side it might happen to be seen; for, as it was exposed to all eyes in all weathers, there should be no weak flank for envy or unneighborly criticism to assail. It was therefore decided that the roof should be flat, and with four faces. To this arrangement, Marmaduke objected the heavy snows that lay for months, frequently covering the earth to a depth of three or four feet. Happily the facilities of the composite order presented themselves to effect a compromise, and the rafters were lengthened, so as to give a descent that should carry off the frozen element. But, unluckily, some mistake was made in the admeasurement of these material parts of the fabric; and, as one of the greatest recommendations of Hiram was his ability to work by the “square rule,” no opportunity was found of discovering the effect until the massive timbers were raised on the four walls of the building. Then, indeed, it was soon seen that, in defiance of all rule, the roof was by far the most conspicuous part of the whole edifice. Richard and his associate consoled themselves with the relief that the covering would aid in concealing this unnatural elevation; but every shingle that was laid only multiplied objects to look at. Richard essayed to remedy the evil with paint, and four different colors were laid on by his own hands. The first was a sky-blue, in the vain expectation that the eye might be cheated into the belief it was the heavens themselves that hung so imposingly over Marmaduke's dwelling; the second was what he called a “cloud-color,” being nothing more nor less than an imitation of smoke; the third was what Richard termed an invisible green, an experiment that did not succeed against a background of sky. Abandoning the attempt to conceal, our architects drew upon their invention for means to ornament the offensive shingles.
After much deliberation and two or three essays by moonlight, Richard ended the affair by boldly covering the whole beneath a color that he christened “sunshine,” a cheap way, as he assured his cousin the Judge, of always keeping fair weather over his head. The platform, as well as the caves of the house, were surmounted by gaudily painted railings, and the genius of Hiram was exerted in the fabrication of divers urns and mouldings, that were scattered profusely around this part of their labors. Richard had originally a cunning expedient, by which the chimneys were intended to be so low, and so situated, as to resemble ornaments on the balustrades; but comfort required that the chimneys should rise with the roof, in order that the smoke might be carried off, and they thus became four extremely conspicuous objects in the view.
As this roof was much the most important architectural undertaking in which Mr. Jones was ever engaged, his failure produced a correspondent degree of mortification At first, he whispered among his acquaintances that it proceeded from ignorance of the square rule on the part of Hiram; but, as his eye became gradually accustomed to the object, he grew better satisfied with his labors, and instead of apologizing for the defects, he commenced praising the beauties of the mansion-house; he soon found hearers, and, as wealth and comfort are at all times attractive, it was, as has been said, made a model for imitation on a small scale. In less than two years from its erection, he had the pleasure of standing on the elevated platform, and of looking down on three humble imitators of its beauty. Thus it is ever with fashion, which even renders the faults of the great subjects of admiration.
Marmaduke bore this deformity in his dwelling with great good-nature, and soon contrived, by his own improvements, to give an air of respectability and comfort to his place of residence. Still, there was much of in congruity, even immediately about the mansion-house. Although poplars had been brought from Europe to ornament the grounds, and willows and other trees were gradually springing up nigh the dwelling, yet many a pile of snow betrayed the presence of the stump of a pine; and even, in one or two instances, unsightly remnants of trees that had been partly destroyed by fire were seen rearing their black, glistening columns twenty or thirty feet above the pure white of the snow, These, which in the language of the country are termed stubs, abounded in the open fields adjacent to the village, and were accompanied, occasionally, by the ruin of a pine or a hemlock that had been stripped of its bark, and which waved in melancholy grandeur its naked limbs to the blast, a skeleton of its former glory. But these and many other unpleasant additions to the view were unseen by the delighted Elizabeth, who, as the horses moved down the side of the mountain, saw only in gross the cluster of houses that lay like a map at her feet; the fifty smokes that were curling from the valley to the clouds; the frozen lake as it lay imbedded in mountains of evergreen, with the long shadows of the pines on its white surface, lengthening in the setting sun; the dark ribbon of water that gushed from the outlet and was winding its way toward the distant Chesapeake—the altered, though still remembered, scenes of her child hood.
Five years had wrought greater changes than a century would produce in countries where time and labor have given permanency to the works of man. To our young hunter and the Judge the scene had less novelty; though none ever emerge from the dark forests of that mountain, and witness the glorious scenery of that beauteous valley, as it bursts unexpectedly upon them, without a feeling of delight. The former cast one admiring glance from north to south, and sank his face again beneath the folds of his coat; while the latter contemplated, with philanthropic pleasure, the prospect of affluence and comfort that was expanding around him; the result of his own enterprise, and much of it the fruits of his own industry.
The cheerful sound of sleigh-bells, however, attracted the attention of the whole party, as they came jingling up the sides of the mountain, at a rate that announced a powerful team and a hard driver. The bushes which lined the highway interrupted the view, and the two sleighs were close upon each other before either was seen.
CHAPTER IV
“How now? whose mare's dead? what's the matter?”
—Falstaff
A large lumber sleigh, drawn by four horses, was soon seen dashing through the leafless bushes which fringed the road. The leaders were of gray, and the pole-horses of a jet-black. Bells innumerable were suspended from every part of the harness where one of the tinkling balls could be placed, while the rapid movement of the equipage, in defiance of the steep ascent, announced the desire of the driver to ring them to