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and had both dozed off to sleep. They woke up with a start, and sat up in bed, listening in the darkness.
Then they heard slippered feet going to and fro in Hapley’s room. A chair was overturned, and there was a violent dab at the wall. Then a china mantel ornament smashed upon the fender. Suddenly the door of the room opened, and they heard him upon the landing. They clung to one another, listening. He seemed to be dancing upon the staircase. Now he would go down three or four steps quickly, then up again, then hurry down into the hall. They heard the umbrella stand go over, and the fanlight break. Then the bolt shot and the chain rattled. He was opening the door.
They hurried to the window. It was a dim grey night; an almost unbroken sheet of watery cloud was sweeping across the moon, and the hedge and trees in front of the house were black against the pale roadway. They saw Hapley, looking like a ghost in his shirt and white trousers, running to and fro in the road, and beating the air. Now he would stop, now he would dart very rapidly at something invisible, now he would move upon it with stealthy strides. At last he went out of sight up the road towards the down. Then, while they argued who should go down and lock the door, he returned. He was walking very fast, and he came straight into the house, closed the door carefully, and went quietly up to his bedroom. Then everything was silent.
“Mrs Colville,” said Hapley, calling down the staircase next morning. “I hope I did not alarm you last night.”
“You may well ask that!” said Mrs Colville.
“The fact is, I am a sleep-walker, and the last two nights I have been without my sleeping mixture. There is nothing to be alarmed about, really. I am sorry I made such an ass of myself. I will go over the down to Shoreham, and get some stuff to make me sleep soundly. I ought to have done that yesterday.”
But half-way over the down, by the chalk pits, the moth came upon Hapley again. He went on, trying to keep his mind upon chess problems, but it was no good. The thing fluttered into his face, and he struck at it with his hat in self-defence. Then rage, the old rage—the rage he had so often felt against Pawkins—came upon him again. He went on, leaping and striking at the eddying insect. Suddenly he trod on nothing, and fell headlong.
There was a gap in his sensations, and Hapley found himself sitting on the heap of flints in front of the opening of the chalkpits, with a leg twisted back under him. The strange moth was still fluttering round his head. He struck at it with his hand, and turning his head saw two men approaching him. One was the village doctor. It occurred to Hapley that this was lucky. Then it came into his mind, with extraordinary vividness, that no one would ever be able to see the strange moth except himself, and that it behoved him to keep silent about it.
Late that night, however, after his broken leg was set, he was feverish and forgot his self-restraint. He was lying flat on his bed, and he began to run his eyes round the room to see if the moth was still about. He tried not to do this, but it was no good. He soon caught sight of the thing resting close to his hand, by the night-light, on the green table-cloth. The wings quivered. With a sudden wave of anger he smote at it with his fist, and the nurse woke up with a shriek. He had missed it.
“That moth!” he said; and then, “It was fancy. Nothing!”
All the time he could see quite clearly the insect going round the cornice and darting across the room, and he could also see that the nurse saw nothing of it and looked at him strangely. He must keep himself in hand. He knew he was a lost man if he did not keep himself in hand. But as the night waned the fever grew upon him, and the very dread he had of seeing the moth made him see it. About five, just as the dawn was grey, he tried to get out of bed and catch it, though his leg was afire with pain. The nurse had to struggle with him.
On account of this, they tied him down to the bed. At this the moth grew bolder, and once he felt it settle in his hair. Then, because he struck out violently with his arms, they tied these also. At this the moth came and crawled over his face, and Hapley wept, swore, screamed, prayed for them to take it off him, unavailingly.
The doctor was a blockhead, a half-qualified general practitioner, and quite ignorant of mental science. He simply said there was no moth. Had he possessed the wit, he might still, perhaps, have saved Hapley from his fate by entering into his delusion and covering his face with gauze, as he prayed might be done. But, as I say, the doctor was a blockhead, and until the leg was healed Hapley was kept tied to his bed, and with the imaginary moth crawling over him. It never left him while he was awake and it grew to a monster in his dreams. While he was awake he longed for sleep, and from sleep he awoke screaming.
So now Hapley is spending the remainder of his days in a padded room, worried by a moth that no one else can see. The asylum doctor calls it hallucination; but Hapley, when he is in his easier mood, and can talk, says it is the ghost of Pawkins, and consequently a unique specimen and well worth the trouble of catching.
THE REMARKABLE CASE OF DAVIDSON’S EYES
First published in Pall Mall Budget, March 28, 1895
I
The transitory mental aberration of Sidney Davidson, remarkable enough in itself, is still more remarkable if Wade’s explanation is to be credited. It sets one dreaming of the oddest possibilities of intercommunication in the future, of spending an intercalary five minutes on the other side of the world, or being watched in our most secret operations by unsuspected eyes. It happened that I was the immediate witness of Davidson’s seizure, and so it falls naturally to me to put the story upon paper.
When I say that I was the immediate witness of his seizure, I mean that I was the first on the scene. The thing happened at the Harlow Technical College, just beyond the Highgate Archway. He was alone in the larger laboratory when the thing happened. I was in a smaller room, where the balances are, writing up some notes. The thunderstorm had completely upset my work, of course. It was just after one of the louder peals that I thought I heard some glass smash in the other room. I stopped writing, and turned round to listen. For a moment I heard nothing; the hail was playing the devil’s tattoo on the corrugated zinc of the roof. Then came another sound, a smash—no doubt of it this time. Something heavy had been knocked off the bench. I jumped up at once and went and opened the door leading into the big laboratory.
I was surprised to hear a queer sort of laugh, and saw Davidson standing unsteadily in the middle of the room, with a dazzled look on his face. My first impression was that he was drunk. He did not notice me. He was clawing out at something invisible a yard in front of his face. He put out his hand, slowly, rather hesitatingly, and then clutched nothing. “What’s come to it?” he said. He held up his hands to his face, fingers spread out. “Great Scot!” he said. The thing happened three or four years ago, when everyone swore by that personage. Then he began raising his feet clumsily, as though he had expected to find them glued to the floor.
“Davidson!” cried I. “What’s the matter with you?” He turned round in my direction and looked about for me. He looked over me and at me and on either side of me, without the slightest sign of seeing me. “Waves,” he said; “and a remarkably neat schooner. I’d swear that was Bellows’ voice. Hullo!” He shouted suddenly at the top of his voice.
I thought he was up to some foolery. Then I saw littered