Женщины Девятой улицы. Том 2. Мэри ГабриэльЧитать онлайн книгу.
America Day by Day, 264–265.
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Beauvoir, America Day by Day, 28–29, 67–68; White, Here Is New York, 46.
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Котенок был рекламным образом американской шелкопрядильной компании Corticelli Silk Company. Прим. ред.
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Feininger and Lyman, The Face of New York, n.p.
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Beauvoir, America Day by Day, 36.
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Rivers, What Did I Do?, 161–162.
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Brossard, The Scene Before You, 26; Ned Polsky, “The Village Beat Scene”, 340. Полски пишет, что словечки “hip” и “hep”, популярные в 1940-х, произошли от фразы “to be on the hip” (то есть, «быть под кайфом»); это отсылка к состоянию при курении опия. Курение опиума со временем прекратилось, но фраза осталась и начала ассоциироваться с употреблением наркотиков в целом. А в конце 1950-х годов приобрела свой нынешний смысл – «быть в курсе».
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Anatole Broyard, “Portrait of a Hipster”, 722–723; Brossard, The Scene Before You, 26.
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Broyard, “Portrait of a Hipster”, 722; Paul Goodman, Growing Up Absurd, 181.
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Broyard, “Portrait of a Hipster”, 723.
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Rex Stevens, interview by author; oral history interview with Grace Hartigan, AAA-SI.
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William Grimes, “Harry Jackson, Artist Who Captured the West, Dies at 87”, New York Times, April 28, 2011, www.nytimes.com/…/arts/…/harry-jackson-artist-who-captured-the; Naifeh and Smith, Jackson Pollock, 564.
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Grimes, “Harry Jackson”; Naifeh and Smith, 562, 564.
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Grimes, “Harry Jackson”.
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Oral history interview with Grace Hartigan, AAA-SI.
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B. H. Friedman, ed., Give My Regards to Eighth Street, 5, 94; oral history interview with Grace Hartigan, AAA-SI; Schloss, “The Loft Generation”, Edith Schloss Burckhardt Papers, Columbia, 198, 201.
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Oral history interview with Grace Hartigan, AAA-SI.
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Grimes, “Harry Jackson”; oral history interview with Grace Hartigan, AAA-SI.
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Nemser, Art Talk, 155.
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Harry Jackson Journal, October 2, 1948, courtesy Harry A. Jackson Trust, 10; Harry Jackson Journal, November 3, 1948, 11. Некоторые авторы сомневаются, могла ли пара путешествовать автостопом с одной из работ Гарри, но его картины в то время были маленького размера, а рисунки он делал в небольшом альбоме.
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Oral history interview with Grace Hartigan, AAA-SI.
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Oral history interview with Grace Hartigan, AAA-SI; Grigor, Shattering Boundaries, film.
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Nemser, Art Talk, 151.
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Curtis, Restless Ambition, 43.
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Nemser, Art Talk, 151; Shattering Boundaries, film; oral history interview with Grace Hartigan, AAA-SI.
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Oral history interview with Grace Hartigan, AAA-SI.
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Mattison, Grace Hartigan, 12.
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Grigor, Shattering Boundaries, film.
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Grigor, Shattering Boundaries, film; Mattison, Grace Hartigan, 12.
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Mattison, Grace Hartigan, 13; Gabriel, “Amazing Grace”, 65.
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Mattison, Grace Hartigan, 13.
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Grace Hartigan, unpublished notes on the New York Scene, Box 31, Grace Hartigan Papers, Syracuse.
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Hall, Elaine and Bill, 128–129.
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Grace Hartigan, “Notes for Tribute to Elaine de Kooning”, Syracuse; Grace Hartigan, “Notes for Elaine de Kooning Memorial”, May 12, 1990, Box 9, Grace Hartigan Papers, Syracuse; Gibson, Abstract Expressionism, 127.
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Barrett, Irrational Man, 154–155.
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Lehman, The Last Avant-Garde, 11.
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Harry A. Jackson and Grace Hartigan Jachens Marriage Certificate, Village of Springs, January 8th, 1949, courtesy of the Harry A. Jackson Trust; Harry Jackson Journals, January 14, 1949, courtesy of the Harry A. Jackson Trust, 14; Curtis, Restless Ambition, 50.
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Harry Jackson Journals, January 14, 1949, courtesy of the Harry A. Jackson Trust, 14.
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Interview with Rex Stevens, author.
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Curtis, Restless Ambition, 50–51.