I Am A Cat. Natsume SosekiЧитать онлайн книгу.
onlookers soon began to gather around and eventually Beauchamp and the Germans were totally surrounded by staring eyes. In his confusion Beauchamp fell to blushing. In contrast to his earlier self-confidence he was now at his wit’s end.”
“How did it all turn out?”
“In the end Beauchamp could stand it no longer, shouted sainara in Japanese and came rushing home. I pointed out to him that sainara was an odd phrase to use and inquired whether, in his home-district, people used sainara rather than sayonara. He replied they would say sayonara but, since he was talking to Europeans, he had used sainara in order to maintain harmony. I must say I was much impressed to find him a man mindful of harmony even when in difficulties.”
“So that’s the bit about sainara. What did the Europeans do?”
“I hear that the Europeans looked utterly flabbergasted.” And Waverhouse gave vent to laughter. “Interesting, eh?”
“Frankly, no. I really can’t find anything particularly interesting in your story. But that you should have come here specially to tell me the tale, that I do find much more interesting.” My master taps his cigarette’s ash into the brazier. Just at that moment the bell on the lattice door at the entrance rang with an alarming loudness, and a piercing woman’s voice declared, “Excuse me.” Waverhouse and my master look at each other in silence.
Even while I am thinking that it is unusual for my master’s house to have a female visitor, the owner of that piercing voice enters the room. She is wearing two layers of silk crepe kimono, and looks to be a little over forty. Her forelock towers up above the bald expanse of her brow like the wall of a dyke and sticks out toward heaven for easily one half the length of her face. Her eyes, set at an angle like a road cut through a mountain, slant up symmetrically in straight lines. I speak, of course, metaphorically. Her eyes, in fact, are even narrower than those of a whale. But her nose is exceedingly large. It gives the impression that it has been stolen from someone else and thereafter fastened in the center of her face. It is as if a large, stone lantern from some major shrine had been moved to a tiny ten-square-meter garden.
It certainly asserts its own importance, but yet looks out of place. It could almost be termed hooked: it begins by jutting sharply out, but then, halfway along its length, it suddenly turns shy so that its tip, bereft of the original vigour, hangs limply down to peer into the mouth below. Her nose is such that, when she speaks, it is the nose rather than the mouth which seems to be in action. Indeed, in homage to the enormity of that organ, I shall refer hence forward to its owner as Madam Conk. When the ceremonials of her self-introduction had been completed, she glared around the room and remarked, “What a nice house.”
“What a liar,” says my master to himself, and concentrates upon his smoking. Waverhouse studies the ceiling. “Tell me,” he says, “is that odd pattern the result of a rain leak or is it inherent in the grain of the wood?”
“Rain leak, naturally” replies my master. To which Waverhouse coolly answers, “Wonderful.”
Madam Conk clearly regards them as unsociable persons and boils quietly with suppressed annoyance. For a time the three of them just sit there in a triangle without saying a word.
“I’ve come to ask you about a certain matter.” Madam Conk starts up again.
“Ah.” My master’s response lacks warmth.
Madam Conk, dissatisfied with this development, bestirs herself again. “I live nearby. In fact, at the residence on the corner of the block across the road.”
“That large house in the European style, the one with a godown? Ah, yes. Of course. Have I not seen ‘Goldfield’ on the nameplate of that dwelling?” My master, at last, seems ready to take cognizance of Goldfield’s European house and his incorporated godown, but his attitude toward Madam Conk displays no deepening of respect.
“Of course my husband should call upon you and seek your valued advice, but he is always so busy with his company affairs.” She puts on a “that ought to shift them” face, but my master remains entirely unimpressed. He is, in fact, displeased by her manner of speaking, finding it too direct in a woman met for the first time. “And not of just one company either. He is connected with two or three of them and is a director of them all, as I expect you already know.” She looks as if saying to herself, “Now surely he should feel small.” In point of fact, the master of this house behaves most humbly toward anyone who happens to be a doctor or a professor, but, oddly enough, he offers scant respect toward businessmen. He considers a middle school teacher to be a more elevated person than any businessman. Even if he doesn’t really believe this, he is quite resigned, being of an unadaptable nature, to the fact that he can never hope to be smiled upon by businessmen or millionaires. For he feels nothing but indifference toward any person, no matter how rich or influential, from whom he has ceased to hope for benefits. He consequently pays not the faintest attention to anything extraneous to the society of scholars, and is almost actively disinterested in the goings-on of the business world. Had he even the vaguest knowledge of the activities of businessmen, he still could never muster the slightest feeling of awe or respect for such abysmal persons. While, for her part, Madam Conk could never stretch her imagination to the point of considering that any being so eccentric as my master could actually exist, that any corner of the world might harbor such an oddity. Her experience has included meetings with many people and invariably, as soon as she declares that she is wife to Goldfield, their attitude towards her never fails immediately to alter. At any party whatsoever and no matter how lofty the social standing of any man before whom she happens to find herself, she has always found that Mrs. Goldfield is eminently acceptable. How then could she fail to impress such an obscure old teacher? She had expected that the mere mention of the fact that her house was the corner residence of the opposite block would startle my master even before she added information about Mr. Goldfield’s notable activities in the world of business.
“Do you know anyone called Goldfield?” my master inquires of Waverhouse with the utmost nonchalance.
“Of course I know him. He’s a friend of my uncle. Only the other day he was present at our garden party.” Waverhouse answers in a serious manner.
“Really?” said my master. “And who, may I ask, is your uncle?”
“Baron Makiyama,” replied Waverhouse in even graver tones. My master is obviously about to say something, but before he can bring himself to words, Madam Conk turns abruptly toward Waverhouse and subjects him to a piercing stare. Waverhouse, secure in a kimono of the finest silk, remains entirely unperturbed.
“Oh, you are Baron Makiyama’s. . . That I didn’t know. I hope you’ll excuse me. . . I’ve heard so much about Baron Makiyama from my husband. He tells me that the Baron has always been so helpful. . .” Madam Conk’s manner of speech has suddenly become polite. She even bows.
“Ah yes,” observes Waverhouse who is inwardly laughing. My master, quite astonished, watches the two in silence.
“I understand he has even troubled the Baron about our daughter’s marriage. . .”
“Has he indeed?” exclaims Waverhouse as if surprised. Even Waverhouse seems somewhat taken aback by this unexpected development.
“We are, in fact, receiving proposal after proposal in respect of marriage to our daughter. They flood in from all over the place. You will appreciate that, having to think seriously of our social position, we cannot rashly marry off our daughter to just anyone. . .”
“Quite so.” Waverhouse feels relieved.
“I have, in point of fact, made this visit precisely to raise with you a question about this marriage matter.” Madam Conk turns back to my master and reverts to her earlier vulgar style of speech. “I hear that a certain Avalon Coldmoon pays you frequent visits. What sort of a man is he?”
“Why do you want to know about Coldmoon?” replies my master in a manner revealing his displeasure.
“Perhaps it is in connection with your daughter’s marriage that you wish to know something about the character of Coldmoon,”