Fyodor Dostoyevsky: Complete Novels & Stories (Wisehouse Classics). Fyodor DostoyevskyЧитать онлайн книгу.
is how it is?”
“I had nothing to eat. I got to know her; she had about a thousand roubles. I rushed headlong into matrimony. It was she fell in love with me. She flung herself on my neck. No one drove her to it. The money has gone on food and on drink, and—it’s all up with my talent! All is lost.”
B. saw that Yefimov seemed in a hurry to justify himself.
“I have thrown it all up, thrown it all up,” he added. Then he informed him that of late years he had attained almost perfection on the violin, that though B. was one of the first violinists in the town, yet he would not have been able to hold a candle to him, Yefimov, perhaps, if the latter had cared to outshine him.
“Then what’s the difficulty?” said B., surprised. “You should get a post!”
“It’s not worth while,” said Yefimov, with a wave of his hand. “There isn’t one of you there who knows anything about it. What do you know? Bosh! nothing, that’s all you know. To scrape out some jig in a ballet—that’s your job. You have never seen and never heard good violinists. What’s the good of bothering you: you can stay as you like!”
At this point Yefimov waved his arm again and gave a lurch in his chair, for he was quite drunk. Then he began inviting B. to come and see him. But the latter refused, taking his address and promising to go to him next day. Yefimov, who by now had eaten his fill, looked sarcastically at his old friend, and did everything he could to stick pins into him. When they were going away he took B.’s expensive fur coat and handed it to him like a menial to his superior. As they passed through the outer room he stopped and introduced him to the people of the tavern and the company generally as the greatest violinist in Petersburg. In fact he was very disgusting at that moment.
B. did, however, seek him out next morning, and found him in a garret where we were all living at that time in great poverty. I was four years old then, and my mother had been married to Yefimov two years. She was an unhappy woman. In the past she had been a governess, very well educated, and good-looking, and had through poverty married an old government clerk, my father. She only lived with him a year. When my father died suddenly and his meagre fortune was divided among his heirs, my mother was left to face the world alone with me, with a trilling sum of money, all that came to her share. To get a situation as a governess again, with a very young child, was difficult. It was then that in some casual way she met Yefimov, and really did fall in love with him. She was an enthusiast and a dreamer; she saw in Yefimov a genius and believed in him on the strength of his conceited talk of a brilliant future. Her imagination was flattered by the glorious task of being the prop, the guide of a man of genius, and she married him.
All her dreams and hopes vanished in the first month, and there was left before her the pitiful reality. Yefimov, who really had, perhaps, married my mother because she had about a thousand roubles, folded his hands as soon as the money was spent; and as though delighted at the excuse, declared to each and all that marriage was the death of his talent, that he could not work in a stuffy room face to face with his starving family, that songs and music would not come into his mind in such surroundings, and that evidently he was fated to be unlucky. I believe he persuaded himself of the justice of his complaints, and it seemed as though he were glad of an excuse. It seemed as though this unhappy ruined genius were seeking for an external cause upon which the blame for all his failures, all his calamities, could be cast. He could not face the awful thought that he had been ruined for art long ago and for ever. He struggled convulsively with that fearful conviction as with a delirious nightmare, and when at last the reality overcame him, when at moments his eyes were opened, he felt ready to go mad with horror. He could not so easily lose his belief in what had so long been the centre of his life, and to his last hour imagined that the moment had not passed. In times of doubt he gave himself up to drink, which drove away his depression with its vile, stupefying fumes. In fact he did not know how necessary’ his wife was to him at that time. She was a living pretext, and in reality my stepfather became almost insane over the idea that when he buried his wife who had ruined him all would go well again. My poor mother did not understand him. Like a regular dreamer, she broke down at the first step into hostile reality; she became hot-tempered, bitter, shrewish. She was continually quarrelling with her husband, who took a sort of pleasure in tormenting her, and was continually egging him on to work. But my stepfather’s blind obsession, his fixed idea, his craze, made him almost inhuman and unfeeling. He only laughed, and swore he would not touch his violin till the death of his wife, and he told her this with brutal frankness. My mother, who in spite of everything loved him passionately to the day of her death, could not endure such a life. She became permanently ill and suffering, lived continually on the rack, and in addition to all this misery, the whole anxiety of maintaining the family fell upon her alone. She took to preparing meals for persons who would come and fetch them. But her husband carried off all her money on the sly, and she was often compelled to send back empty dishes instead of dinner to those for whom she cooked. When B. visited us she was busy washing linen and remaking old clothes. We lived like this from hand to mouth in our garret.
B. was struck by the poverty of the family.
“I say, it’s all nonsense what you tell me,” he said to my stepfather. “It’s not a. case of ruining your talent. She is keeping you, and what are you doing?”
“Oh, nothing,” answered my stepfather.
But B. did not know all my mother’s troubles yet. Her husband often brought home a regular rabble of ragamuffins and rowdies, and what scenes there were then!
B. spent a long time persuading his old comrade to reform. At last he told him if he wouldn’t mend his ways he, B., would not help him; he declared without beating about the bush that he would not give him money, because it would be spent on drink; and he asked him finally to play him something on the violin, that he might see what could be done for him. While my stepfather went for his violin, B. began secretly giving money to my mother, but she would not take it. It was the first time she had had to take charity. Then B. gave the money to me, and the poor woman melted into tears. My stepfather brought his violin, but asked for vodka, saying he could not play without it. They sent for vodka. He drank it, and began getting excited. “I will play you something of my own composition, because you are a friend,” he said to B., and he drew out from under a chest of drawers a thick dusty manuscript book.
“I wrote all that myself,” he said, pointing to the book. “There you shall see! It’s very different from your ballets, my boy.”
B. looked at a few pages without a word; then he opened the music he had with him, and asked Yefimov to lay aside his own composition for the time and to play something of what he had brought.
My stepfather was a little offended; however, afraid of losing a powerful friend, he did as B. told him. B. perceived that his old friend had really worked and made much progress since they had parted, though he did boast that he hadn’t touched the violin since his marriage. The joy of my poor mother was worth seeing. She looked at her husband and was proud of him again. The kind-hearted B., genuinely delighted, determined to set my stepfather on his feet again. Even then he had powerful connections, and promptly began recommending his poor friend and asking for help for him, making him promise beforehand that he would behave himself. And meanwhile at his own expense he rigged him out in better clothes, and took him to see several prominent persons upon whom the appointment he wanted to get for him depended. The fact was that Yefimov’s bravado was only in words, and he seems to have gladly accepted his old friend’s proposition. B. told me that the flattery and cringing obsequiousness with which my stepfather tried to conciliate him, from fear of losing his favour, made him feel ashamed. Yefimov realised that he was being put on the right path, and even left off drinking. At last a place was found for him in the orchestra of a theatre. He stood the test well, for in one month of diligence and hard work he regained all that he had lost in a year and a half of idleness, and he promised to work for the future and be punctual in the discharge of his new duties. But the position of my mother and me was not in the least improved. My stepfather did not give my mother a farthing of his salary; he spent it all on himself, eating and drinking with his new companions, of whom he soon had a regular circle. He associated chiefly with the theatre attendants, chorus singers, supers—in short, with people