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The End Of Mr. Y. Scarlett ThomasЧитать онлайн книгу.

The End Of Mr. Y - Scarlett  Thomas


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is a part of my adventure that I have not yet described for fear of entirely compounding the impression that I lost my wits that day in the fair-ground tent. However, I must now relate this curiosity, and I beg further indulgence from the reader. What I wish to describe is the way in which my field of vision altered when inside this ‘spirit world’ of other minds. At the beginning, I confess I had no idea of how far this world-of-minds expanded, nor how far within it I would be permitted to travel. However, on that first visit I became aware of some important factors, which I will now attempt to describe. When one sees the world in ordinary social intercourse, or in the comings and goings of a typical day, one sees the world as if that world were contained within a frame. The outside world therefore is a picture on a wall; or, perhaps, many pictures. If I were to look to my left I would see one picture. If I glanced to my right, another. A philosopher may ask if indeed there is another picture behind me, one which I cannot see, but I shall not take this avenue of inquiry for the time being.

      If one accepts this way of looking at the world as a frame with perceptible edges, albeit blurred ones, then one will more easily comprehend the altered frame through which I gazed on the world of Little Will. For Little Will’s frame also contained my own, superimposed on top of it. The result of this superimposition was the existence of a milky hue over all that I saw, as if I were looking through thick glass or a thin veil. Yet the peculiarities of this new frame did not end there. Around the edge of my perception of Little Will’s vision was a blur similar to that which creeps around the edge of ordinary vision. But the blur around the edges of Little Will’s frame was made more pronounced by the existence of layers of little pictures, like playing cards laid out in a game of Patience; one to the right and one to the left. There was another feature of this new kind of vision which perplexed me even further. When Little Will came close to another person and regarded him, a dwelling would appear faintly behind the already milky image that I had. I understood without fully comprehending that at these moments I could, if I so wished, simply walk into that house instead of the one in which I was currently standing; in other words, I could enter another mind. At least, this was the theory I constructed from the evidence before my eyes, but when I tried this on the boy Peter I seemed to bounce from an invisible wall and instead landed back on the small path connecting the cottages.

      Again, I was overcome with a sense of peace and fullness. The hunger I had felt when joined with Little Will immediately subsided and I realised that spending time in another man’s soul was terribly draining. Out on the open landscape I felt no discomfort, but I remembered the sensation of privation and desperation I had shared with Little Will. I concluded that the further adventures I so craved were best left for another visit, and so I retrieved my horse and let him take me back to the place from which I had entered this world.

      The journey back through the tunnel appeared of a far shorter duration this time, and presently I arrived, if that is the right term, for an observer would not have seen me leave, on the slab in the fair-ground tent. Once more I could hear the rain on the thick canvas, and I struggled to open my eyes on the familiar world I had left behind for a time. With my eyes still half-closed, and my head thick with fancies, I asked myself whether I had concocted an elaborate dream or whether I had in fact telepathed into another man’s mind, and resolved to interrogate the fair-ground doctor the instant I had fully regained my senses. However, when I opened my eyes I found myself alone in the dark. The vulgar lamp, which had been burning brightly before, was now extinguished. The doctor was nowhere to be seen. I withdrew my watch from my pocket, along with a box of matches, and, after striking a match close to the face of the timepiece, found it to be past eleven o’clock. Startled, I immediately got to my feet and felt my way out of the tent, using another match to guide me. How could I possibly have been unconscious for such a long period of time? I confess I felt frightened as I stumbled out of the large theatre tent and into the open air of the darkened, deserted fairground. I was determined to find this doctor and admonish him for leaving me alone and defenceless for such a long time. However, the doctor was nowhere to be seen and, now tired and desperately hungry, I made my way back to the Regency Hotel, resolving to find the doctor the next day.

       SIX

      BY LUNCH TIME I AM hungry and cold and I need to pee. From my bathroom window it looks as if the whole world is lidded with rooftops and hinged with back doors and fire escapes, as if it were one big higgledy-piggledy doll’s house. I can see the top of Luigi’s backroom and the dark metal staircase down which you could escape if there was a fire. Below a grey concrete roof is the back door of the Indian restaurant. I can see a guy standing there, puffing urgently on a cigarette, constantly looking around as if he’s about to get caught. I can see alleyways and small, uneven courtyards; but mostly there are rooftops and chimneys, red-brick and concrete, and it suddenly seems more like a three-dimensional puzzle out there. How is it possible to fit so many buildings into one small space? I think, not for the first time, about how many people there must be around me all the time, even though it often seems as if I am entirely alone. I wonder what it would be like to ‘telepath’. Would it make you feel less alone, or would the loneliness somehow become worse?

      I cook some Puy lentils for lunch; then I go back to the sofa and balance my bowl on my lap as I continue reading about Mr. Y and his search for the fairground doctor. By the time Mr. Y gets to the fairground the following day, the whole thing has disappeared, including the doctor and his curious potion. Poor Mr. Y. He was so certain that he would be able to return to this world-of-minds that he didn’t bother to investigate everything while he was still inside it. He asks around and finds that most of the fairground people have moved on to a site just beyond Sherwood Forest. But when he gets to the site and finds the fairground, he can’t find the doctor. Indeed, when he asks people if they have seen this ‘fair-ground doctor’, most of them are perplexed and assure him that there is no such man.

      Once he is back in London, Mr. Y becomes increasingly obsessed with the questions posed by his adventure. Had he, in fact, been given the ability to read minds (or, as he puts it, ‘to telepath’), albeit only briefly? Or did the doctor simply give him a strong sleeping draught? He doesn’t know, and does not have any way of finding out. But he becomes inclined to believe that he did in fact read the mind of William Hardy. Indeed, he is able to locate and read the exact book from which Hardy learned of the Pepper’s Ghost illusion, and finds that his ‘memory’ of it (from reading it via Little Will) is exactly correct. Knowing that a man cannot have a memory of a book he has not read, he concludes that something supernatural happened to him that evening at the Goose Fair. But he simply does not know what this was. In the absence of any proper explanation, he does a good Victorian thing and starts labelling and classifying the parts of the new world he has encountered. The name he gives to this other world is the Troposphere, which he derives by taking the word ‘atmosphere’ – a combination of the Greek words for ‘vapour’ and ‘ball’ – and replacing the unknown vapours with something more solid: the Greek word for character, tropos. It takes Mr. Y more time to conceive of a term for the journey itself, but eventually he names it Telemancy: tele from telos, meaning distant; and mancy from manteia, meaning divination. In his mind this was divination at a distance, and he badly wanted to do it again.

      At this point in the narrative we begin to learn something of Mr. Y’s business affairs. His drapery shop, located in the East End of London, used to be a very successful enterprise, but now it seems to be failing, and soon he has to let several of his assistants go. A rival has set up shop just around the corner from Mr. Y, and his business is booming. The proprietor of this rival business, Mr. Clemency, is roughly characterised in the novel as a shifty, spiteful individual who seems to enjoy the misery he heaps on Mr. Y, and believes that his method of making clothes – locking his workers in a small, hot backroom and paying them hardly anything – is superior to Mr. Y’s old-fashioned ways. Mr. Y soon has two obsessions: Telemancy and revenge, and he thinks that if only he knew what had been in the potion given to him by the doctor, he could concoct it himself and revisit the landscape of the Troposphere. Once there, of course, he would visit the mind of Mr. Clemency. He admits, with some shame, that he intends to blackmail his rival if he can find a way to do so.

      Meanwhile, his business continues to deteriorate. On top of this, his


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