Hope In The Dark. Rebecca SolnitЧитать онлайн книгу.
and Gandhi’s inspired by Tolstoy and the radical acts of noncooperation and sabotage of British women suffragists. So the threads of ideas weave around the world and through the decades and centuries. There’s another lineage for the Arab Spring in hip-hop, the African American music that’s become a global medium for dissent and outrage; Tunisian hip-hop artist El Général was, along with Bouazizi, an instigator of the uprising, and other musicians played roles in articulating the outrage and inspiring the crowds.
Mushroomed: after a rain mushrooms appear on the surface of the earth as if from nowhere. Many do so from a sometimes vast underground fungus that remains invisible and largely unknown. What we call mushrooms mycologists call the fruiting body of the larger, less visible fungus. Uprisings and revolutions are often considered to be spontaneous, but less visible long-term organizing and groundwork— or underground work—often laid the foundation. Changes in ideas and values also result from work done by writers, scholars, public intellectuals, social activists, and participants in social media. It seems insignificant or peripheral until very different outcomes emerge from transformed assumptions about who and what matters, who should be heard and believed, who has rights.
Ideas at first considered outrageous or ridiculous or extreme gradually become what people think they’ve always believed. How the transformation happened is rarely remembered, in part because it’s compromising: it recalls the mainstream when the mainstream was, say, rabidly homophobic or racist in a way it no longer is; and it recalls that power comes from the shadows and the margins, that our hope is in the dark around the edges, not the limelight of center stage. Our hope and often our power.
The Stories We Tell
Changing the story isn’t enough in itself, but it has often been foundational to real changes. Making an injury visible and public is often the first step in remedying it, and political change often follows culture, as what was long tolerated is seen to be intolerable, or what was overlooked becomes obvious. Which means that every conflict is in part a battle over the story we tell, or who tells and who is heard.
A victory doesn’t mean that everything is now going to be nice forever and we can therefore all go lounge around until the end of time. Some activists are afraid that if we acknowledge victory, people will give up the struggle. I’ve long been more afraid that people will give up and go home or never get started in the first place if they think no victory is possible or fail to recognize the victories already achieved. Marriage equality is not the end of homophobia, but it’s something to celebrate. A victory is a milestone on the road, evidence that sometimes we win, and encouragement to keep going, not to stop. Or it should be.
My own inquiry into the grounds for hope has received two great reinforcements since I wrote Hope in the Dark. One came from the recognition of how powerful are the altruistic, idealistic forces already at work in the world. Most of us would say, if asked, that we live in a capitalist society, but vast amounts of how we live our everyday lives—our interactions with and commitments to family lives, friendships, avocations, membership in social, spiritual, and political organizations—are in essence noncapitalist or even anticapitalist, full of things we do for free, out of love, and on principle.
In a way, capitalism is an ongoing disaster anticapitalism alleviates, like a mother cleaning up after her child’s messes (or, to extend the analogy, sometimes disciplining that child to clean up after itself, through legislation or protest, or preventing some of the messes in the first place, and it might be worth adding that noncapitalist ways of doing things are much older than free-market economic arrangements). Activists often speak as though the solutions we need have not yet been launched or invented, as though we are starting from scratch, when often the real goal is to amplify the power and reach of existing alternatives. What we dream of is already present in the world.
The second reinforcement came out of my investigation of how human beings respond to major urban disasters, from the devastating earthquakes in San Francisco (in 1906) and Mexico City (in 1985) to the Blitz in London to Hurricane Katrina in New Orleans. The assumption behind much disaster response by the authorities—and the logic of bombing civilians—is that civilization is a brittle façade, and behind it lies our true nature as monstrous, selfish, chaotic, and violent or as timid, fragile, and helpless. In fact, in most disasters most people are calm, resourceful, altruistic, and creative. And civilian bombing campaigns generally fail to break the will of the people, making them a waste as well as a crime against humanity.
What startled me about the response to disaster was not the virtue, since virtue is often the result of diligence and dutifulness, but the passionate joy that shined out from accounts by people who had barely survived. These people who had lost everything, who were living in rubble or ruins, had found agency, meaning, community, immediacy in their work together with other survivors. The century of testimony I drew from for my 2009 book A Paradise Built in Hell suggested how much we want lives of meaningful engagement, of membership in civil society, and how much societal effort goes into withering us away from these fullest, most powerful selves. But people return to those selves, those ways of self-organizing, as if by instinct when the situation demands it. Thus a disaster is a lot like a revolution when it comes to disruption and improvisation, to new roles and an unnerving or exhilarating sense that now anything is possible.
This was a revolutionary vision of human nature and a revelation that we can pursue our ideals not out of diligence but because when they are realized there’s joy, and joy is itself an insurrectionary force against the dreariness and dullness and isolation of everyday life. My own research was, I realized by its end, a small part of an enormous project going on among many disciplines—psychology, economics, neurobiology, sociology, anthropology, political science—to redefine human nature as something more communal, cooperative, and compassionate. This rescue of our reputations from the social darwinists and the Hobbesians is important, not to feel positive about ourselves but to recognize the radical possibilities that can be built on an alternative view of human nature.
The fruits of these inquiries made me more hopeful. But it’s important to emphasize that hope is only a beginning; it’s not a substitute for action, only a basis for it. “Not everything that is faced can be changed, but nothing can be changed until it is faced,” said James Baldwin. Hope gets you there; work gets you through. “The future belongs to those who prepare for it today,” said Malcolm X. And there is a long history of that work, the work to change the world, a long history of methods, heroes, visionaries, heroines, victories—and, of course, failures. But the victories matter, and remembering them matters too. “We must accept finite disappointment, but never lose infinite hope,” said Martin Luther King Jr.
The Branches Are Hope; the Roots Are Memory
“Memory produces hope in the same way that amnesia produces despair,” the theologian Walter Brueggeman noted. It’s an extraordinary statement, one that reminds us that though hope is about the future, grounds for hope lie in the records and recollections of the past. We can tell of a past that was nothing but defeats and cruelties and injustices, or of a past that was some lovely golden age now irretrievably lost, or we can tell a more complicated and accurate story, one that has room for the best and worst, for atrocities and liberations, for grief and jubilation. A memory commensurate to the complexity of the past and the whole cast of participants, a memory that includes our power, produces that forward-directed energy called hope.
Amnesia leads to despair in many ways. The status quo would like you to believe it is immutable, inevitable, and invulnerable, and lack of memory of a dynamically changing world reinforces this view. In other words, when you don’t know how much things have changed, you don’t see that they are changing or that they can change. Those who think that way don’t remember raids on gay bars when being queer was illegal or rivers that caught fire when unregulated pollution peaked in the 1960s or that there were, worldwide, 70 percent more seabirds a few decades ago and, before the economic shifts of the Reagan Revolution, very, very few homeless people in the United States. Thus, they don’t recognize the forces of change at work.
One of the essential aspects of depression is the sense that you will always be mired in this misery, that nothing can or will change. It’s what makes suicide so seductive as the only visible exit from the prison of the present. There’s a public equivalent