The F. Scott Fitzgerald MEGAPACK ®. F. Scott FitzgeraldЧитать онлайн книгу.
agreement they took up the sport anew, this time in unison. Merlin seized a large, specially bound French classic and whirled it upward. Applauding his own accuracy, he took a bestseller in one hand and a book on barnacles in the other, and waited breathlessly while she made her shot. Then the business waxed fast and furious—sometimes they alternated, and, watching, he found how supple she was in every movement; sometimes one of them made shot after shot, picking up the nearest book, sending it off, merely taking time to follow it with a glance before reaching for another. Within three minutes they had cleared a little place on the table, and the lamp of crimson satin was so bulging with books that it was near breaking.
“Silly game, basketball,” she cried scornfully as a book left her hand. “High-school girls play it in hideous bloomers.”
“Idiotic,” he agreed.
She paused in the act of tossing a book, and replaced it suddenly in its position on the table.
“I think we’ve got room to sit down now,” she said gravely.
They had; they had cleared an ample space for two. With a faint touch of nervousness Merlin glanced toward Mr. Moonlight Quill’s glass partition, but the three heads were still bent earnestly over their work, and it was evident that they had not seen what had gone on in the shop. So when Caroline put her hands on the table and hoisted herself up Merlin calmly imitated her, and they sat side by side looking very earnestly at each other.
“I had to see you,” she began, with a rather pathetic expression in her brown eyes.
“I know.”
“It was that last time,” she continued, her voice trembling a little, though she tried to keep it steady. “I was frightened. I don’t like you to eat off the dresser. I’m so afraid you’ll—you’ll swallow a collar button.”
“I did once—almost,” he confessed reluctantly, “but it’s not so easy, you know. I mean you can swallow the flat part easy enough or else the other part—that is, separately—but for a whole collar button you’d have to have a specially made throat.” He was astonishing himself by the debonnaire appropriateness of his remarks. Words seemed for the first time in his life to ran at him shrieking to be used, gathering themselves into carefully arranged squads and platoons, and being presented to him by punctilious adjutants of paragraphs.
“That’s what scared me,” she said. “I knew you had to have a specially made throat—and I knew, at least I felt sure, that you didn’t have one.”
He nodded frankly.
“I haven’t. It costs money to have one—more money unfortunately than I possess.”
He felt no shame in saying this—rather a delight in making the admission—he knew that nothing he could say or do would be beyond her comprehension; least of all his poverty, and the practical impossibility of ever extricating himself from it.
Caroline looked down at her wrist watch, and with a little cry slid from the table to her feet.
“It’s after five,” she cried. “I didn’t realize. I have to be at the Ritz at five-thirty. Let’s hurry and get this done. I’ve got a bet on it.”
With one accord they set to work. Caroline began the matter by seizing a book on insects and sending it whizzing, and finally crashing through the glass partition that housed Mr. Moonlight Quill. The proprietor glanced up with a wild look, brushed a few pieces of glass from his desk, and went on with his letters. Miss McCracken gave no sign of having heard—only Miss Masters started and gave a little frightened scream before she bent to her task again.
But to Merlin and Caroline it didn’t matter. In a perfect orgy of energy they were hurling book after book in all directions until sometimes three or four were in the air at once, smashing against shelves, cracking the glass of pictures on the walls, falling in bruised and torn heaps upon the floor. It was fortunate that no customers happened to come in, for it is certain they would never have come in again—the noise was too tremendous, a noise of smashing and ripping and tearing, mixed now and then with the tinkling of glass, the quick breathing of the two throwers, and the intermittent outbursts of laughter to which both of them periodically surrendered.
At five-thirty Caroline tossed a last book at the lamp, and gave the final impetus to the load it carried. The weakened silk tore and dropped its cargo in one vast splattering of white and color to the already littered floor. Then with a sigh of relief she turned to Merlin and held out her hand.
“Good-by,” she said simply.
“Are you going?” He knew she was. His question was simply a lingering wile to detain her and extract for another moment that dazzling essence of light he drew from her presence, to continue his enormous satisfaction in her features, which were like kisses and, he thought, like the features of a girl he had known back in 1910. For a minute he pressed the softness of her hand—then she smiled and withdrew it and, before he could spring to open the door, she had done it herself and was gone out into the turbid and ominous twilight that brooded narrowly over Forty-seventh Street.
I would like to tell you how Merlin, having seen how beauty regards the wisdom of the years, walked into the little partition of Mr. Moonlight Quill and gave up his job then and there; thence issuing out into the street a much finer and nobler and increasingly ironic man. But the truth is much more commonplace. Merlin Grainger stood up and surveyed the wreck of the bookshop, the ruined volumes, the torn silk remnants of the once beautiful crimson lamp, the crystalline sprinkling of broken glass which lay in iridescent dust over the whole interior—and then he went to a corner where a broom was kept and began cleaning up and rearranging and, as far as he was able, restoring the shop to its former condition. He found that, though some few of the books were uninjured, most of them had suffered in varying extents. The backs were off some, the pages were torn from others, still others were just slightly cracked in the front, which, as all careless book returners know, makes a book unsalable, and therefore secondhand.
Nevertheless by six o’clock he had done much to repair the damage. He had returned the books to their original places, swept the floor, and put new lights in the sockets overhead. The red shade itself was ruined beyond redemption, and Merlin thought in some trepidation that the money to replace it might have to come out of his salary. At six, therefore, having done the best he could, he crawled over the front window display to pull down the blind. As he was treading delicately back, he saw Mr. Moonlight Quill rise from his desk, put on his overcoat and hat, and emerge into the shop. He nodded mysteriously at Merlin and went toward the door. With his hand on the knob he paused, turned around, and in a voice curiously compounded of ferocity and uncertainty, he said:
“If that girl comes in here again, you tell her to behave.”
With that he opened the door, drowning Merlin’s meek “Yessir” in its creak, and went out.
Merlin stood there for a moment, deciding wisely not to worry about what was for the present only a possible futurity, and then he went into the back of the shop and invited Miss Masters to have supper with him at Pulpat’s French Restaurant, where one could still obtain red wine at dinner, despite the Great Federal Government. Miss Masters accepted.
“Wine makes me feel all tingly,” she said.
Merlin laughed inwardly as he compared her to Caroline, or rather as he didn’t compare her. There was no comparison.
II
Mr. Moonlight Quill, mysterious, exotic, and oriental in temperament was, nevertheless, a man of decision. And it was with decision that he approached the problem of his wrecked shop. Unless he should make an outlay equal to the original cost of his entire stock—a step which for certain private reasons he did not wish to take—it would be impossible for him to continue in business with the Moonlight Quill as before. There was but one thing to do. He promptly turned his establishment from an up-to-the-minute bookstore into a secondhand bookshop. The damaged books were marked down from twenty-five to fifty per cent, the name over the door whose serpentine embroidery had once shone so insolently bright, was allowed to grow dim and take on the indescribably vague color of old paint, and,