Wonder Stories Super Pack. Fletcher PrattЧитать онлайн книгу.
master-animals was bad, but it might be worse. At least he had a certain amount of freedom, he was stronger than he had ever before been in his life, and felt quite as intelligent. It would be strange if he could not accomplish something.... He fell to planning out ways of escaping and failed to notice the pain in his fingers in the intensity of his thoughts.
Everything seemed to show that the operation of most of these machines was predominantly electrical. It would be strange if the car that carried them to and fro was not, yes and by Jove, the helmets the ape-men wore. If he could short-circuit the works, or even a part of them....
Apparently his new body was a good conductor and impervious to the injurious effects of the electric current. Short-circuit something, that was the idea, create a confusion—and trust to escaping in the midst of it? Perhaps—but at all events a good deal could be learned about these elephant-men and their methods by watching them in such an emergency. Their machinery was so efficient that a child could operate it; it was in a pinch that their real intelligence would show.
It struck him that it would do little good to escape unless he did learn something about these elephant-people, their mysterious light-guns, their vast city that they seemed to have hollowed out of the heart of the solid Catskill rock, their chemistry and metallurgy and methods of attack and defense. Otherwise escape would be a jumping from the frying-pan into the fire. There would be nothing for it but a desperate, harried existence, the existence of one of the lower animals faced by the insupportable competition of man.
Information! That was the first need. He must bend all his energies to the task of obtaining it.
“By the way, what do these eggs call themselves?” he asked.
“Lassans,” said the dancer.
A light flickered along the corridor. The ape-man at the door came forward, touched him on the arm and led him to the passage where he caught the car back to his cage.
Chapter XIV
In the Passages
The first thing to be done, Sherman decided, was to short-circuit the mind-reading helmet of the guard at the door, if it were possible. He was not certain that the thing was electrical, and ignorant of how the current was conveyed if it were. He realized that he was dealing with the products of an utterly alien form of mentality, one that might not produce its results in the same way as an earth-man would at all. But something had to be dared, and this seemed to offer the best opportunity.
If the thing were electrical, the current must come through the tube to the top of the head. On his second work-period he observed this tube with care. It ran through an aperture in the stone roof and was apparently provided with some spring device, for a considerable length of it reeled out when the ape-man wished to walk across the room, and was absorbed as he returned.
The tube seemed to be made of the rubber-like material that composed the floor of his cage. The simplest plan, of course, would be to bring his chopping-knife with him and when the ape-man paused before the wall, swing it up in a sweep, severing the tube. But this, he felt, was not to be recommended. It would not necessarily short-circuit the current and the damage would be too readily laid at his door. The desideratum was some damage that apparently accidental, would yet produce a good deal of uproar.
He talked it over with Marta Lami.
“I think you’re bugs,” she said frankly, “but anything for excitement. What do you want me to do about it?”
“Well, here’s what I figured out,” Sherman explained. “We both arrive about the same time. I’ll bring my knife. When we come in you hang back a bit, and while you’re doing it, I’ll take a poke at that cable with the knife, not enough to cut it, but enough to damage it. Then about half-way through the work period, I’ll turn around and say something to you. If I do it quick enough, I think the monk will start for me, and if the cable doesn’t go then, I’ll miss my guess.”
The next period proved unsuitable; the dancer’s car arrived considerably before Sherman’s and the plan was dropped for the time, but on the following occasion, as Sherman came down the passage, he noticed Marta Lami just ahead of him. He hurried to catch up and she evidently understood, for she avoided the guard’s outstretched hand and hung back a minute against the wall as Sherman came up behind. He made one quick motion; the cable sheared half-way through exposing two wires of bright metal.
As luck would have it, it proved unnecessary to put the second part of the plan into operation. For just as Sherman was nerving himself to swing round and attract the ape-man’s attention, he heard the soft pad-pad of one of the approaching Lassans. The ape-man stepped back to clear the entrance as he had before, and as he did so, there was a trickle of sparks, a blinding flash, and the cable short-circuited.
The result was totally unexpected. From the great machine before Sherman there came an answering flash; the ground glass split across with a bang, there was a hissing sound and something blew up with a roar that rocked the underground chambers....
Sherman came to himself flat on his back and with pieces of rock and the debris of the machine lying across his legs. He looked around; Marta Lami lay some little distance across the room, half covered with fallen rock, one arm flung across her eyes as though to protect them. Above, the solid granite looked as though a blasting charge had been fired in its midst. Sherman pulled himself to a sitting posture, and finding nothing damaged, stood upright. The machine, badly shattered, lay in fragments of bent rods, broken pulleys and wrecked cylinders all about him. In the place where it had stood was a long narrow opening, down at the end of which something irregular shut off a bright point of light. A blast of heat exuded from the place and a steady, deep-voiced roaring was audible. The ape-man guard was nowhere to be seen.
He bent to pick up the unconscious girl, wondering how one revived a mechanical woman, especially without water, but she solved the problem for him by opening her eyes and asking:
“Who touched off the pineapple, boy friend?”
“I did. Come out of it and tell me what we do next. Anything busted?”
“Only my head.” She patted the mass of stiff wire. “Boy, am I glad I wore my hair long before they made a robot of me!” And with an effort she stood up, looked down the pit where the machine had been and said, “Say, let’s get out of here. That don’t look so good.”
“All right,” said Sherman, “which way? Wait till I get my knife.”
“No, leave it,” she said. “Those babies are nobody’s saps. If they find it on you they’ll know you shot the well. Come on, I think that thing is going to pop again.”
The roaring had increased in both volume and intensity, and the machine-room had become unbearably hot. They turned toward the door, but just at the entrance into the passage a pile of debris had descended, making egress impossible. Behind them the roaring increased still more. “Come on, boy friend,” called the dancer, tearing at the rocks. “Get these out of the road unless you want to be stewed in your own juice.”
Together they toiled over the blocks of granite, hurling them backward toward the wreck of the machine. One minute, two, three—the roaring behind them grew and spread, the heat became terrific.
*
“Ah!” cried Marta Lami at last. A tiny opening at the top of the heap was before them. Sherman tugged at a rock—one more, and they would be through. But it was too big, would not budge.
“No, this one,” shouted his companion and together they dragged at it. It gave—a cascade of smaller stones rolled down the heap to the floor. “You first,” said Sherman and stood aside.
The dancer wriggled through and reached back a hand to pull him after. He dived, grunted, pushed—made it. As they turned to slide down the other side of the heap, he looked back. A little rivulet of something white, hot and liquid was creeping through the ruins of the machine and into the room.
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