The Man in the Iron Mask. Александр ДюмаЧитать онлайн книгу.
“But the rest; those which were made when you were of the same size?”
“They are no longer the fashion, my dear friend. Were I to put them on, I should look like a fresh arrival from Siam; and as though I had been two years away from court.”
“I understand your difficulty. You have how many new suits? nine? thirty-six? and yet not one to wear. Well, you must have a thirty-seventh made, and give the thirty-six to Mouston.”
“Ah! monsieur!” said Mouston, with a gratified air. “The truth is, that monsieur has always been very generous to me.”
“Do you mean to insinuate that I hadn’t that idea, or that I was deterred by the expense? But it wants only two days to the fete; I received the invitation yesterday; made Mouston post hither with my wardrobe, and only this morning discovered my misfortune; and from now till the day after to-morrow, there isn’t a single fashionable tailor who will undertake to make me a suit.”
“That is to say, one covered all over with gold, isn’t it?”
“I wish it so! undoubtedly, all over.”
“Oh, we shall manage it. You won’t leave for three days. The invitations are for Wednesday, and this is only Sunday morning.”
“’Tis true; but Aramis has strongly advised me to be at Vaux twenty-four hours beforehand.”
“How, Aramis?”
“Yes, it was Aramis who brought me the invitation.”
“Ah! to be sure, I see. You are invited on the part of M. Fouquet?”
“By no means! by the king, dear friend. The letter bears the following as large as life: ‘M. le Baron du Vallon is informed that the king has condescended to place him on the invitation list—’”
“Very good; but you leave with M. Fouquet?”
“And when I think,” cried Porthos, stamping on the floor, “when I think I shall have no clothes, I am ready to burst with rage! I should like to strangle somebody or smash something!”
“Neither strangle anybody nor smash anything, Porthos; I will manage it all; put on one of your thirty-six suits, and come with me to a tailor.”
“Pooh! my agent has seen them all this morning.”
“Even M. Percerin?”
“Who is M. Percerin?”
“Oh! only the king’s tailor!”
“Oh, ah, yes,” said Porthos, who wished to appear to know the king’s tailor, but now heard his name mentioned for the first time; “to M. Percerin’s, by Jove! I was afraid he would be too busy.”
“Doubtless he will be; but be at ease, Porthos; he will do for me what he wouldn’t do for another. Only you must allow yourself to be measured!”
“Ah!” said Porthos, with a sigh, “’tis vexatious, but what would you have me do?”
“Do? As others do; as the king does.”
“What! do they measure the king, too? does he put up with it?”
“The king is a beau, my good friend, and so are you, too, whatever you may say about it.”
Porthos smiled triumphantly. “Let us go to the king’s tailor,” he said; “and since he measures the king, I think, by my faith, I may do worse than allow him to measure me!”
CHAPTER 3 Who Messire Jean Percerin Was.
The king’s tailor, Messire Jean Percerin, occupied a rather large house in the Rue St. Honore, near the Rue de l’Arbre Sec. He was a man of great taste in elegant stuffs, embroideries, and velvets, being hereditary tailor to the king. The preferment of his house reached as far back as the time of Charles IX.; from whose reign dated, as we know, fancy in bravery difficult enough to gratify. The Percerin of that period was a Huguenot, like Ambrose Pare, and had been spared by the Queen of Navarre, the beautiful Margot, as they used to write and say, too, in those days; because, in sooth, he was the only one who could make for her those wonderful riding-habits which she so loved to wear, seeing that they were marvelously well suited to hide certain anatomical defects, which the Queen of Navarre used very studiously to conceal. Percerin being saved, made, out of gratitude, some beautiful black bodices, very inexpensively indeed, for Queen Catherine, who ended by being pleased at the preservation of a Huguenot people, on whom she had long looked with detestation. But Percerin was a very prudent man; and having heard it said that there was no more dangerous sign for a Protestant than to be smiled upon by Catherine, and having observed that her smiles were more frequent than usual, he speedily turned Catholic with all his family; and having thus become irreproachable, attained the lofty position of master tailor to the Crown of France. Under Henry III., gay king as he was, this position was a grand as the height of one of the loftiest peaks of the Cordilleras. Now Percerin had been a clever man all his life, and by way of keeping up his reputation beyond the grave, took very good care not to make a bad death of it, and so contrived to die very skillfully; and that at the very moment he felt his powers of invention declining. He left a son and a daughter, both worthy of the name they were called upon to bear; the son, a cutter as unerring and exact as the square rule; the daughter, apt at embroidery, and at designing ornaments. The marriage of Henry IV. and Marie de Medici, and the exquisite court-mourning for the afore-mentioned queen, together with a few words let fall by M. de Bassompiere, king of the beaux of the period, made the fortune of the second generation of Percerins. M. Concino Concini, and his wife Galligai, who subsequently shone at the French court, sought to Italianize the fashion, and introduced some Florentine tailors; but Percerin, touched to the quick in his patriotism and his self-esteem, entirely defeated these foreigners, and that so well that Concino was the first to give up his compatriots, and held the French tailor in such esteem that he would never employ any other, and thus wore a doublet of his on the very day that Vitry blew out his brains with a pistol at the Pont du Louvre.
And so it was a doublet issuing from M. Percerin’s workshop, which the Parisians rejoiced in hacking into so many pieces with the living human body it contained. Notwithstanding the favor Concino Concini had shown Percerin, the king, Louis XIII., had the generosity to bear no malice to his tailor, and to retain him in his service. At the time that Louis the Just afforded this great example of equity, Percerin had brought up two sons, one of whom made his debut at the marriage of Anne of Austria, invented that admirable Spanish costume, in which Richelieu danced a saraband, made the costumes for the tragedy of “Mirame,” and stitched on to Buckingham’s mantle those famous pearls which were destined to be scattered about the pavements of the Louvre. A man becomes easily notable who has made the dresses of a Duke of Buckingham, a M. de Cinq-Mars, a Mademoiselle Ninon, a M. de Beaufort, and a Marion de Lorme. And thus Percerin the third had attained the summit of his glory when his father died. This same Percerin III., old, famous and wealthy, yet further dressed Louis XIV.; and having no son, which was a great cause of sorrow to him, seeing that with himself his dynasty would end, he had brought up several hopeful pupils. He possessed a carriage, a country house, men-servants the tallest in Paris; and by special authority from Louis XIV., a pack of hounds. He worked for MM. de Lyonne and Letellier, under a sort of patronage; but politic man as he was, and versed in state secrets, he never succeeded in fitting M. Colbert. This is beyond explanation; it is a matter for guessing or for intuition. Great geniuses of every kind live on unseen, intangible ideas; they act without themselves knowing why. The great Percerin (for, contrary to the rule of dynasties, it was, above all, the last of the Percerins who deserved the name of Great), the great Percerin was inspired when he cut a robe for the queen, or a coat for the king; he could mount a mantle for Monsieur, the clock of a stocking for Madame; but, in spite of his supreme talent, he could never hit off anything approaching a creditable fit for M. Colbert. “That man,” he used often to say, “is beyond my art; my needle can never dot him down.” We need scarcely say that Percerin was M. Fouquet’s tailor, and that the superintendent