Trent’s Last Case. John CurranЧитать онлайн книгу.
Mr Cupples shrugged his shoulders. ‘I have been told that a woman will usually be more or less attracted by the most successful man in her circle. Of course we cannot realise how a wilful, dominating personality like his would influence a girl whose affections were not bestowed elsewhere; especially if he laid himself out to win her. It is probably an overwhelming thing to be courted by a man whose name is known all over the world. She had heard of him, of course, as a financial great power, and she had no idea—she had lived mostly among people of artistic or literary propensities—how much soulless inhumanity that might involve. For all I know, she has no adequate idea of it to this day. When I first heard of the affair the mischief was done, and I knew better than to interpose my unsought opinions. She was of age, and there was absolutely nothing against him from the conventional point of view. Then I dare say his immense wealth would cast a spell over almost any woman. Mabel had some hundreds a year of her own; just enough, perhaps, to let her realise what millions really meant. But all this is conjecture. She certainly had not wanted to marry some scores of young fellows who to my knowledge had asked her; and though I don’t believe, and never did believe, that she really loved this man of forty-five, she certainly did want to marry him. But if you ask me why, I can only say I don’t know.’
Trent nodded, and after a few more paces looked at his watch. ‘You’ve interested me so much,’ he said, ‘that I had quite forgotten my main business. I mustn’t waste my morning. I am going down the road to White Gables at once, and I dare say I shall be poking about there until midday. If you can meet me then, Cupples, I should like to talk over anything I find out with you, unless something detains me.’
‘I am going for a walk this morning,’ Mr Cupples replied. ‘I meant to have luncheon at a little inn near the golf-course, The Three Tuns. You had better join me there. It’s further along the road, about a quarter of a mile beyond White Gables. You can just see the roof between those two trees. The food they give one there is very plain, but good.’
‘So long as they have a cask of beer,’ said Trent, ‘they are all right. We will have bread and cheese, and oh, may Heaven our simple lives prevent from luxury’s contagion, weak and vile! Till then, goodbye.’ He strode off to recover his hat from the veranda, waved it to Mr Cupples, and was gone.
The old gentleman, seating himself in a deck-chair on the lawn, clasped his hands behind his head and gazed up into the speckless blue sky. ‘He is a dear fellow,’ he murmured. ‘The best of fellows. And a terribly acute fellow. Dear me! How curious it all is!’
A PAINTER and the son of a painter, Philip Trent had while yet in his twenties achieved some reputation within the world of English art. Moreover, his pictures sold. An original, forcible talent and a habit of leisurely but continuous working, broken by fits of strong creative enthusiasm, were at the bottom of it. His father’s name had helped; a patrimony large enough to relieve him of the perilous imputation of being a struggling man had certainly not hindered. But his best aid to success had been an unconscious power of getting himself liked. Good spirits and a lively, humorous fancy will always be popular. Trent joined to these a genuine interest in others that gained him something deeper than popularity. His judgement of persons was penetrating, but its process was internal; no one felt on good behaviour with a man who seemed always to be enjoying himself. Whether he was in a mood for floods of nonsense or applying himself vigorously to a task, his face seldom lost its expression of contained vivacity. Apart from a sound knowledge of his art and its history, his culture was large and loose, dominated by a love of poetry. At thirty-two he had not yet passed the age of laughter and adventure.
His rise to a celebrity a hundred times greater than his proper work had won for him came of a momentary impulse. One day he had taken up a newspaper to find it chiefly concerned with a crime of a sort curiously rare in our country—a murder done in a railway train. The circumstances were puzzling; two persons were under arrest upon suspicion. Trent, to whom an interest in such affairs was a new sensation, heard the thing discussed among his friends, and set himself in a purposeless mood to read up the accounts given in several journals. He became intrigued; his imagination began to work, in a manner strange to him, upon facts; an excitement took hold of him such as he had only known before in his bursts of art-inspiration or of personal adventure. At the end of the day he wrote and dispatched a long letter to the editor of the Record, which he chose only because it had contained the fullest and most intelligent version of the facts.
In this letter he did very much what Poe had done in the case of the murder of Mary Rogers. With nothing but the newspapers to guide him, he drew attention to the significance of certain apparently negligible facts, and ranged the evidence in such a manner as to throw grave suspicion upon a man who had presented himself as a witness. Sir James Molloy had printed this letter in leaded type. The same evening he was able to announce in the Sun the arrest and full confession of the incriminated man.
Sir James, who knew all the worlds of London, had lost no time in making Trent’s acquaintance. The two men got on well, for Trent possessed some secret of native tact which had the effect of almost abolishing differences of age between himself and others. The great rotary presses in the basement of the Record building had filled him with a new enthusiasm. He had painted there, and Sir James had bought at sight, what he called a machinery-scape in the manner of Heinrich Kley.
Then a few months later came the affair known as the Ilkley mystery. Sir James had invited Trent to an emollient dinner, and thereafter offered him what seemed to the young man a fantastically large sum for his temporary services as special representative of the Record at Ilkley.
‘You could do it,’ the editor had urged. ‘You can write good stuff, and you know how to talk to people, and I can teach you all the technicalities of a reporter’s job in half an hour. And you have a head for a mystery; you have imagination and cool judgement along with it. Think how it would feel if you pulled it off!’
Trent had admitted that it would be rather a lark. He had smoked, frowned, and at last convinced himself that the only thing that held him back was fear of an unfamiliar task. To react against fear had become a fixed moral habit with him, and he had accepted Sir James’s offer.
He had pulled it off. For the second time he had given the authorities a start and a beating, and his name was on all tongues. He withdrew and painted pictures. He felt no leaning towards journalism, and Sir James, who knew a good deal about art, honourably refrained—as other editors did not—from tempting him with a good salary. But in the course of a few years he had applied to him perhaps thirty times for his services in the unravelling of similar problems at home and abroad. Sometimes Trent, busy with work that held him, had refused; sometimes he had been forestalled in the discovery of the truth. But the result of his irregular connection with the Record had been to make his name one of the best known in England. It was characteristic of him that his name was almost the only detail of his personality known to the public. He had imposed absolute silence about himself upon the Molloy papers; and the others were not going to advertise one of Sir James’s men.
The Manderson case, he told himself as he walked rapidly up the sloping road to White Gables, might turn out to be terribly simple. Cupples was a wise old boy, but it was probably impossible for him to have an impartial opinion about his niece. But it was true that the manager of the hotel, who had spoken of her beauty in terms that aroused his attention, had spoken even more emphatically of her goodness. Not an artist in words, the manager had yet conveyed a very definite idea to Trent’s mind. ‘There isn’t a child about here that don’t brighten up at the sound of her voice,’ he had said, ‘nor yet a grown-up, for the matter of that. Everybody used to look forward to her coming over in the summer. I don’t mean that she’s one of those women that are all kind heart and nothing else. There’s backbone with it, if you know what I mean—pluck—any amount of go. There’s nobody in Marlstone that isn’t sorry for the lady in her trouble—not but