Out of the Dark: Tales of Terror by Robert W. Chambers. Robert W. ChambersЧитать онлайн книгу.
‘The King in Yellow’.
‘The sun ariseth; they gather themselves together and lay them down in their dens.’ Monseigneur C – delivered his text in a calm voice, glancing quietly over the congregation. My eyes turned, I knew not why, toward the lower end of the church. The organist was coming from behind his pipes, and passing along the gallery on his way out, I saw him disappear by a small door that leads to some stone stairs which descend directly to the street. He was a slender man, and his face was as white as his coat was black. ‘Good riddance!’ I thought, ‘with your wicked music! I hope your assistant will play the closing voluntary.’
With a feeling of relief, with a deep calm feeling of relief, I turned back to the mild face in the pulpit, and settled myself to listen. Here at last was the ease of mind I longed for.
‘My children,’ said the preacher, ‘one truth the human soul finds hardest of all to learn; that it has nothing to fear. It can never be made to see that nothing can really harm it.’
‘Curious doctrine!’ I thought, ‘for a Catholic priest. Let us see how he will reconcile that with the Fathers.’
‘Nothing can really harm the soul,’ he went on, in his coolest, clearest tones, ‘because—’
But I never heard the rest; my eye left his face, I knew not for what reason, and sought the lower end of the church. The same man was coming out from behind the organ, and was passing along the gallery the same way. But there had not been time for him to return, and if he had returned, I must have seen him. I felt a faint chill, and my heart sank; and yet, his going and coming were no affair of mine. I looked at him: I could not look away from his black figure and his white face. When he was exactly opposite to me, he turned and sent across the church, straight into my eyes, a look of hate, intense and deadly: I have never seen any other like it; would to God I might never see it again! Then he disappeared by the same door through which I had watched him depart less than sixty seconds before.
I sat and tried to collect my thoughts. My first sensation was like that of a very young child badly hurt, when it catches its breath before crying out.
To suddenly find myself the object of such hatred was exquisitely painful: and this man was an utter stranger. Why should he hate me so? Me, whom he had never seen before? For the moment all other sensation was merged in this one pang; even fear was subordinate to grief, and for that moment I never doubted; but in the next I began to reason, and a sense of the incongruous came to my aid.
As I have said, St Barnabé is a modern church. It is small and well lighted; one sees all over it almost at a glance. The organ gallery gets a strong white light from a row of long windows in the clerestory, which have not even colored glass.
The pulpit being in the middle of the church, it followed that, when I was turned toward it, whatever moved at the west end could not fail to attract my eye. When the organist passed it was no wonder that I saw him; I had simply miscalculated the interval between his first and his second passing. He had come in that last time by the other side-door. As for the look which had so upset me, there had been no such thing, and I was a nervous fool.
I looked about. This was a likely place to harbor supernatural horrors! That clear-cut, reasonable face of Monseigneur C—, his collected manner, and easy, graceful gestures, were they not just a little discouraging to the notion of a gruesome mystery? I glanced above his head, and almost laughed. That flyaway lady, supporting one corner of the pulpit canopy, which looked like a fringed damask table-cloth in a high wind, at the first attempt of a basilisk to pose up there in the organ loft, she would point her gold trumpet at him, and puff him out of existence! I laughed to myself over this conceit, which, at the time, I thought very amusing, and sat and chaffed myself and everything else, from the old harpy outside the railing, who had made me pay ten centimes for my chair, before she would let me in (she was more like a basilisk, I told myself, than was my organist with the anaemic complexion): from that grim old dame, to, yes, alas! to Monseigneur C— himself. For all devoutness had fled. I had never yet done such a thing in my life, but now I felt a desire to mock.
As for the sermon, I could not hear a word of it, for the jingle in my ears of
‘The skirts of St Paul has reached.
Having preached us those six Lent lectures,
More unctuous than ever he preached:’
keeping time to the most fantastic and irreverent thoughts.
It was no use to sit there any longer: I must get out of doors and shake myself free from this hateful mood. I knew the rudeness I was committing but still I rose and left the church.
A spring sun was shining on the rue St Honoré, as I ran down the church steps. On one corner stood a barrow full of yellow jonquils, pale violets from the Riviera, dark Russian violets, and white Roman hyacinths in a golden cloud of mimosa. The street was full of Sunday pleasure-seekers. I swung my cane and laughed with the rest. Some one overtook and passed me. He never turned, but there was the same deadly malignity in his white profile that there had been in his eyes. I watched him as long as I could see him. His lithe back expressed the same menace; every step that carried him away from me seemed to bear him on some errand connected with my destruction.
I was creeping along, my feet almost refusing to move. There began to dawn in me a sense of responsibility for something long forgotten. It began to seem as if I deserved that which he threatened: it reached a long way back – a long, long way back. It had lain dormant all these years: it was there though, and presently it would rise and confront me. But I would try to escape; and I stumbled as best I could into the rue de Rivoli, across the Place de la Concorde and on to the Quai. I looked with sick eyes upon the sun, shining through the white foam of the fountain, pouring over the backs of the dusky bronze river-gods, on the far-away Arc, a structure of amethyst mist, on the countless vistas of gray stems and bare branches faintly green. Then I saw him again coming down one of the chestnut alleys of the Cours la Reine.
I left the river side, plunged blindly across to the Champs Elysées and turned toward the Arc. The setting sun was sending its rays along the green sward of the Rond-point: in the full glow he sat on a bench, children and young mothers all about him. He was nothing but a Sunday lounger, like the others, like myself. I said the words almost aloud, and all the while I gazed on the malignant hatred of his face. But he was not looking at me. I crept past and dragged my leaden feet up the Avenue. I knew that every time I met him brought him nearer to the accomplishment of his purpose and my fate. And still I tried to save myself.
The last rays of sunset were pouring through the great Arc. I passed under it, and met him face to face. I had left him far down the Champs Elysées, and yet he came in with a stream of people who were returning from the Bois de Boulogne. He came so close that he brushed me. His slender frame felt like iron inside its loose black covering. He showed no signs of haste, nor of fatigue, nor of any human feeling. His whole being expressed but one thing: the will, and the power to work me evil.
In anguish I watched him, where he went down the broad crowded Avenue, that was all flashing with wheels and the trappings of horses, and the helmets of the Garde Republicaine.
He was soon lost to sight; then I turned and fled. Into the Bois, and far out beyond it – I know not where I went, but after a long while as it seemed to me, night had fallen, and I found myself sitting at a table before a small café. I had wandered back into the Bois. It was hours now since I had seen him. Physical fatigue, and mental suffering had left me no more power to think or feel. I was tired, so tired! I longed to hide away in my own den. I resolved to go home. But that was a long way off.
I live in the Court of the Dragon, a narrow passage that leads from the rue de Rennes to the rue du Dragon.
It is an ‘Impasse’, traversable only for foot passengers. Over the entrance on the rue de Rennes is a balcony, supported by an iron dragon. Within the court tall old houses rise on either side, and close the ends that give on the two streets. Huge gates, swung back during the day into the walls of the deep archways, close this court, after midnight, and one must enter then by ringing at certain small doors on the side. The sunken pavement collects unsavory pools. Steep stairways pitch down