Enchanted Guardian. Sharon AshwoodЧитать онлайн книгу.
the Queen of Faery is poised to invade. If she has her way, our world is about to end.
It’s time for Camelot to rise.
Run.
Her feet flew over the pavement, swift and all but silent. She ran like a deer, leaping over obstacles and dodging from path to lane, road to filthy alley. She ran like the wind because her death was behind her. She ran like prey.
Hide.
She found cover at last, though it was barely enough. There were two stairs down to a basement door, just enough of a dent in the narrow road for concealment. Crouching low, she made herself as small as she could. When that wasn’t enough, she huddled on the ground, her knees and palms on the dirty concrete.
Words came out of the dark, soft and cruel. “Where are you? I want to see your beautiful face.”
She held her breath, clamping both hands over her mouth to keep from gasping. Her lungs burned with exhaustion, crying out for a soothing gulp of air she dared not take.
“Nimueh, where are you? Nim—oo—ay.” Her pursuer’s voice lilted upward in mockery. “Oh, resplendent Lady of the Lake, hear my call. The queen wants a word.”
A word? Queen Morgan LaFaye wanted her dead. At least she’d paid Nimueh the compliment of sending one of her private assassins instead of any old thug. Nim squeezed her eyes shut. There was no traffic after midnight in the commercial district and no one she could run to for help. Not that the fae ran for help from humans.
“You took the enemy’s side,” he added. “Nobody liked the prince, but he was her son. You participated in the murder of the heir to the throne of Faery.”
As if Nim needed an explanation for the Queen of Faery’s wrath. Before this, she’d been one of LaFaye’s advisors, and she knew defying Morgan LaFaye was seriously stupid. But dread of Prince Mordred had overtaken Nim’s fear of his mother. After a tour of the prince’s dungeon, she’d decided someone had to put an end to the maniac. Better that than end up one of his broken toys.
“Come, my lady. Let’s finish this.” A note of boredom crept into the assassin’s voice even as he spun his long knife in the air, making the fine steel sing. “Your magic won’t help you now. Weave a spell and I’ll scent it like blood in the water.”
If that was true, he had one of the queen’s tracking amulets. No doubt that’s how he’d found her tonight, though for months she’d barely used her powers in her effort to hide among the humans. To complicate things still more, the amulet protected the wearer from magical attack, so Nim couldn’t blast her way to freedom.
She silently cursed. The assassin had her. Fae were immune to age and disease, but a blade to the heart could still end her life. For all her natural advantages, right now she was as vulnerable as a human.
Think.
Without lifting her head, Nim scanned her surroundings, counting on her dark clothes and a knit cap to blend into the night. Like much of the neighborhood, the brewery where she hid was a derelict nest of trash and cobwebs, half the windows boarded up and the other half gaping mouths with teeth of jagged glass. Something crawled over her hand and she flicked it off before she could stop herself. Nim silently cursed, afraid her pursuer’s sharp eyes would detect the sudden movement.
The next few seconds were an agony of suspense as she waited to feel that blade kiss her spine, but instead, his unhurried footfalls echoed in the empty street. The skin between her shoulder blades twitched. Then stopped. A hesitant scuff of shoes on pavement told her the assassin was looking around, his gaze slithering over the street to find her. She waited, silently willing her nerves under control.
Unexpectedly, he gave an impatient sigh and moved to the left, his footfalls leading away from her refuge. Luck? No. What little luck she’d known had slipped through her fingers long ago.
Nim counted out long minutes before emerging from her hole, silent as a shade gliding against shadow. She glanced around, finding a street number on the gate across the road. Ironically, she’d been on her way to this neighborhood when the enemy had picked up her trail. He’d all but chased her to her intended destination, a run-down warehouse three blocks away. If she could hide there, she would be reasonably safe until daylight filled the streets with humans again. The rules of lore and magic were clear about hiding the shadow world from mundane eyes. Not even the Queen of Faery’s assassin would parade their world’s existence before humans. At least, not yet.
Nim crept forward, calculating the safest route. If she kept close to the building, she could avoid the few pools of light from the windows above. She made it as far as the corner before the assassin sprang, knife flashing. Instinct saved her as she spun away and flung up an arm. Pain seared as fae-forged steel sliced her leather sleeve. Her breath whooshed out in shock, every nerve screaming. For an instant, she teetered on the edge of panic but, even with her magic sidelined, the Lady of the Lake fought for her life.
Nim used the momentum of her spin and slammed a booted heel into her attacker’s shoulder. She was half his weight, but the force of the blow made him drop his weapon and stagger back a step. She scooped up the knife, driving the point into his hip until it ground against bone. The assassin’s mouth stretched in a silent scream. Even now, the brutal training of LaFaye’s private guards held fast. No one ever heard their cries.
Nim quit while she was ahead. She wrenched the blade free and fled, every step making her arm throb. The warehouse she wanted, a century-old hulk of brick, was straight ahead. She had to get in without telltale magic, but that worked to her advantage. Her opponent wouldn’t expect a fae noblewoman to use plain, old-fashioned burglary skills.
When Nim reached the foot of the wall, she slid the knife through her belt and climbed. Her injured arm was almost useless, but she was a fae raised in the ancient woods of the Forest Sauvage and climbing was second nature. Nim used the knife to jimmy open the window, slipped inside and dropped lightly to the floor. Dust flew up in a choking cloud.
There was just enough light from the grimy upper windows for Nim to make out the shapes around her. Boxes and crates were stacked in haphazard rows and, according to her research, they housed part of a private art collection that was strewn across the country in hidden treasuries like this. The owner was dead, the heirs locked in a legal battle that had already lasted decades. No one was absolutely sure where all the loot was stored.
Nim had investigated quite a few warehouses before her hunt had led to Carlyle, Washington—right back to where her search had begun. Who’d have thought even a rich eccentric would stash priceless treasures in a town where the most notable industry was a medieval theme park? But then, if she’d thought about it, the collector had been born in Carlyle. An elementary mistake, forgetting humans were sentimental that way.
But the hunt was behind her. Now she just had to find the one item that mattered.
She walked slowly up and down the rows, her feet silent on the carpet of dust. She was still wound tight, all too aware the assassin was outside, but this place was better than any cloaking spell. Low-level magic hummed among the artifacts, covering any trace of her presence. The collection came from Babylon, the Egypt of the pharaohs, Greece, Rome and the cold Viking fjords. And there were pieces from medieval Britain.
She stopped before a large, steel-strapped crate and dusted off the label. It was torn, but there was enough text left to tell her she’d found what she was looking for. The crate was too tall to reach properly, so she dragged another box close to use as a step stool. She used the assassin’s long knife to pry up the lid until she could force the fingers of her good hand into the crack. Fae strength did the rest. The top came off with a squeak of wood and nails. She set it aside gently, making as little noise as she could just in case someone—like her assassin—was within earshot.
It was a primitive packing job, nothing like the customized containers used to ship art from proper museums. There was a waterproof lining, but then loose packing material filled