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The Making of Poetry. Adam NicolsonЧитать онлайн книгу.

The Making of Poetry - Adam  Nicolson


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of starlings

      my spirit courses, drives, and eddies, like a Leaf in Autumn; a wild activity, of thoughts, imaginations, feelings, and impulses of motion, rises up from within me; a sort of bottom-wind, that blows to no point of the compass, comes from I know not whence, but agitates the whole of me; my whole being is filled with waves that roll and stumble, one this way, and one that way, like things that have no common master … Life seems to me then a universal spirit, that neither has, nor can have, an opposite. ‘God is everywhere,’ I have exclaimed, ‘and works everywhere, and where is there room for death?’

      Now, though, Coleridge had shaken him out of his hair and the dust of Bristol from his feet, and was hungrily en route to the man he wanted to meet. He had given a sermon at the Unitarian chapel in Bridgwater, which ‘most of the better people in the town’ had attended, and the following day breakfasted with a much-adored minister in Taunton – ‘the more I see of that man, the more I love him’. The congregation in Bridgwater had admired his sermon, but was that right? Was admiration the reaction a sermon should evoke? He had ‘endeavoured to awaken a Zeal for Christianity by shewing the contemptibleness & evil of lukewarmness’, but even as those words came to him, he must have laughed. Lukewarmness was not a Coleridgean quality. He had a predilection for the extreme. Put him on a public platform and Coleridge would appear ‘like a comet or a meteor in our horizon’. He usually wrote his lectures or sermons in advance, but more often than not

      against [my] better interests [I] was carried away with an ebullient Fancy, a flowing Utterance, a light and dancing Heart, & a disposition to catch fire by the very rapidity of my own motion, & to speak vehemently from mere verbal associations.

      Now he was bowling down the summer lanes to meet Wordsworth. They had been corresponding for eighteen months, and Coleridge already admired him. He knew him as a poet, had met him in Bristol, and they had briefly stayed together in Somerset. He had quoted him in a poem of his own, and been quoted by Wordsworth in return. Coleridge already thought that Wordsworth was the greatest of men and ‘the best poet of the age’.

      In the evenings of early June, as the long days of the hay harvest made their demands on this underfed workforce, the labourers, watched by the diary-keeping gentry, were driven to the limits of exhaustion. William Holland, vicar of Over Stowey in Somerset, observed William Perrott, his aged parish clerk, always known as ‘Mr Amen’, struggling with the haymaking. He

      looked like a hunted hare towards the end of the day, very stiff, could hardly move along, with his neck stretched out and his eyes hollowed into his head.

      Mr Amen and two others had mown three and a half acres in the day, scything five tons of grass. Holland gave them ‘drink and some victuals, though the last not in the agreement’.

      Among the poor, general life expectancy was under forty. More than half of all babies born did not live beyond childhood. ‘Bad teeth, skin diseases, sores, bronchitis and rheumatism were rampant. Diagnosis was more by the eye than the touch.’ Most treatments were folk remedies in the form of leaves, roots, bark, spices and powders, and most were useless. There was no need for the poets to imagine or devise instances of human suffering. The wrongness of the social, economic and political system in England was apparent at every turn of every lane.

      Coleridge, his person perhaps a little ‘slovenly’, as certain upright citizens had judged, with his stockings dirty and his hair uncombed, was walking through a country in crisis. New commercial capital coming into rural England meant that the landscape of small yeoman farms, which had been there for at least a thousand years, was being erased. What had been a class of independent farming families was now thrown back on work as servants, as piece workers in the woollen mills or as labourers on farms they had once called their own. By the late 1790s, Durweston near Blandford in Dorset, where there had been thirty or even forty smallholdings in 1775, was now concentrated into two large farms. The prevailing spirit among the dispossessed was unadulterated despair. Sir Frederic Morton Eden, the pioneering student of poverty in rural England, wrote of the Dorset poor in 1796 that the ex-yeoman families were ‘regardless of futurity’. It is a resonant phrase, which would not have been out of place in one of Wordsworth’s poems. Most of rural England was in a state of suspension, threatened by life without ambition or hope. The bonds of rural society had been broken, and this new class of the poor ‘spend their little wages as they receive them, without reserving a provision for old age’.

      walked as far as the poor sick girl, who is indeed in a most deplorable state. I am advised not to go in to her as she is in a kind of putrid state – and indeed my wife I believe does not go in, but we send her something


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