As Seen On Tv. Sarah MlynowskiЧитать онлайн книгу.

      I give the cabbie twenty-six dollars, which covers the fare, the toll, the additional nighttime charge—what’s a nighttime charge?—and exactly a fifteen-percent tip.

      “Can I help you?” the doorman asks, his head bobbing up from his small television set.

      “Apartment 7D,” I say to the man who works every Friday night and never remembers me.

      He dials upstairs, waits a minute, then scratches his goatee. “No one’s there. I think I saw Steve leave about an hour ago.”

      I pull my suitcase toward the elevator. “I’m Steve’s girlfriend? Remember me? I have a key.” I have a key. A key. A key, a key. Sounds like yucky if you say it too fast.

      “Right. Go ahead,” he says.

      In the elevator the poster tacked below the emergency phone advertises, “Dog walker available! I live in the building and am very responsible!” If I can’t find a job, I can always become a dog walker. I’ve always wanted a dog. My father wouldn’t let me have one in the house because he didn’t want anything scratching his wood floors, or discoloring his white furniture. My college dorm didn’t allow pets. When I took the job at Panda and moved to Fort Lauderdale, I felt too bad leaving a poor pet locked in a one-bedroom apartment all day by himself.

      When the elevator stops, I wheel the bag toward Steve’s door. Here it is. The momentous occasion. I pull the key, my key, out of my purse and insert it into the lock.

      And insert it into the lock. Still trying to insert it into the lock. It’s not inserting. Why isn’t it inserting? What floor am I on? The sticker beside the peephole says 7D. Maybe someone changed the label as a practical joke? Did I press the right floor?

      I wheel the luggage toward the apartment beside his. It says 7E.

      He gave me the wrong key. I ring the doorbell in case he’s home, after all. No answer.

      He’s a riot, I think as I wheel my bag back toward the elevator. This is by far one of the top five Steve-isms, as I’ve coined them, on the Steve-ism list. The Steve-ism list includes his leaving a bag of Gap purchases on the subway after an afternoon of shopping. Then there was the time he forgot his cell phone at my apartment post a weekend visit. When I answered the ringing under my bed he was laughing hysterically from the airport. Silly, Stevie.

      My sentimentality lasts until the elevator doors open at the lobby level. I’m moving in with a man who might one day accidentally leave our child at a baseball game.

      “Key’s not working,” I tell the doorman.

      He looks at me suspiciously. Yes, I’m a crazy woman who gets off by riding elevators with luggage. “Can I use your phone?” I ask. Despite its supposed roaming capabilities, my cell phone never works in New York.

      Steve says that while most of New York has gone back to normal post 9/11, cell phone service hasn’t been the same.

      Sometimes when I see a stranger on the subway, I wonder if anyone she knew or cared about was killed. No one Steve knew was in the towers. He had friends of friends of friends that were killed, but no one whom he knew personally.

      He was asleep when the planes hit, heard the commotion outside and watched the burning from his roof. For the next two weeks, he needed to show identification every time he came home from work because his apartment is below Fourteenth Street, where the lockdown was. He told me that for the following two months, he kept a pair of sneakers beside his bed in case he needed to make a run for it.

      My father was on a project in Montreal when it happened, which I didn’t know. I called his office, his cell phone, his home number but I couldn’t get through. I knew he worked in midtown, but I still wanted to hear his voice to hear he was okay.

      He called me on September fifteenth.

      The doorman nods reluctantly and waves me toward a rotary behind his desk. Who still uses rotaries? Thankfully, the other amenities in this building aren’t also from the 1950s.

      The message on his cell phone clicks on right away, so I know he’s left it off. He always leaves it off. What exactly is the point in having a cell if it’s never on?

      Why can I remember this seemingly innocuous idiosyncrasy and he can’t even remember to give me the right key?

      I call the apartment in case Steve decides to call in from whatever nook of the city he’s hiding in.

      “Hey, this is Steve and Greg. Leave a message.” Beep.

      “Hello, Steven, it’s me. I’m standing in the lobby of your building. You gave me the wrong key. If you’re checking your messages, please come home. I’m going to wait at the Starbucks on the corner.”

      When do I get to leave the announcement on the machine? Hi, you’ve reached the happy residence of Steve and Sunny. We’re very much in love and are too busy expressing our love (wink, wink) to come to the phone right now. Please leave your name and number, time you called, and maybe when we’re taking a break from all this exhausting loving (wink, wink) we’ll call you back.

      Why hasn’t Steve taken Greg’s name off the machine? I guess he’s still paying the rent, but he’s never there. He’s not moving in with his fiancée until the first of November (that’s when he officially starts splitting her rent) but he’s been practically living there for the past four months. His room at Steve’s is empty except for his double futon. Steve also has a double futon. What is it with bachelors and their double futons? What is it with bachelors maintaining college-esque décor?

      Not that I’m an interior designer, but their place looks like an abandoned warehouse. The living room could use a comfy, fluffy, non-cigarette burned couch, a TV stand, a coffee table, lots of throw pillows, some blankets, picture frames, candles, a plant or two and some funky posters. (The current décor consists of: Reservoir Dogs poster, a beer bottle collection, a Dennis Rodman–signed basketball on the television and a few sports magazines on the kitchen table and in the bathroom.) The