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The Time Ships. Stephen BaxterЧитать онлайн книгу.

The Time Ships - Stephen Baxter


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lifted the goggles to my face. The set was built on two hoops of some pliable substance, which sandwiched the blue glass of the goggles itself; when I lifted the goggles to my face, the hoops slipped easily around my head and gripped there lightly.

      I turned my head. I had no impression of blueness, despite the tint of my goggles. That shaft of sunlight seemed as bright as ever, and the image of Nebogipfel was as clear as it had been before. ‘They don’t seem to work,’ I said.

      For answer, Nebogipfel tipped his head downwards.

      I followed his gaze – and my step faltered. For, beneath my feet and through the soft Floor, the stars blazed. Those lights were no longer masked by the sheen of the Floor, or by my eyes’ poor dark-adaptation; it was as if I stood poised above some starry night in the mountains of Wales or Scotland! I suffered an intense stab of vertigo, as you might imagine.

      I detected a trace of impatience about Nebogipfel now – he seemed anxious to proceed. We walked on in silence.

      Within a very few paces, it seemed to me, Nebogipfel slowed, and I saw now, thanks to my goggles, that a wall lay a few feet from us. I reached out and touched its soot-black surface, but it had only the soft, warm texture of the Floor. I could not understand how we had reached the boundaries of this chamber so quickly. I wondered if somehow we had walked along some moving pavement which had assisted our footsteps; but Nebogipfel volunteered no information.

      ‘Tell me what this place is, before we leave it,’ I said.

      His flaxen-haired head turned towards me. ‘An empty chamber.’

      ‘How wide?’

      ‘Approximately two thousand miles.’

      I tried to conceal my reaction to this. Two thousand miles? Had I been alone, in a prison cell large enough to hold an ocean? ‘You have a great deal of room here,’ I said evenly.

      ‘The Sphere is large,’ he said. ‘If you are accustomed only to planetary distances, you may find it difficult to appreciate how large. The Sphere fills the orbit of the primal planet you called Venus. It has a surface area corresponding to nearly three hundred million earths –’

      ‘Three hundred million?

      My amazement met only with a blank stare from the Morlock, and more of that subtle impatience. I understood his restlessness, and yet I felt resentful – and a little embarrassed. To the Morlock, I was like some irritating man from the Congo come to London, who must ask the purpose and provenance of the simplest items, such as a fork or a pair of trousers!

      To me, I reasoned, the Sphere was a startling construction! – but so might the Pyramids have been to some Neandertaler. For this complacent Morlock, the Sphere around the sun was part of the historic furniture of the world, no more to be remarked on than a landscape tamed by a thousand years of agriculture.

      A door opened before us – it did not fold back, you understand, but rather it seemed to scissor itself away, much as does the diaphragm of a camera – and we stepped forward.

      I gasped, and almost stumbled backwards. Nebogipfel watched me with his usual analytical calm.

      From a room the size of a world – a room carpeted with stars – a million Morlock faces swivelled towards me.

       12

       THE MORLOCKS OF THE SPHERE

      You must imagine that place: a single immense room, with a carpet of stars and a complex, engineered ceiling, and all of it going on forever, without walls. It was a place of black and silver, without any other colour. The Floor was marked out by partitions that came up to chest-height, though there were no dividing walls: there were no enclosed areas, nothing resembling our offices or homes, anywhere.

      And there were Morlocks, a pale scattering of them, all across that transparent Floor; their faces were like grey flakes of snow sprinkled over the starry carpet. The place was filled with their voices: their constant, liquid babbling washed over me, oceanic in itself, and remote from the sounds of the human palate – and removed, too, from the dry voice Nebogipfel had become accustomed to using in my company.

      There was a line at infinity, utterly straight and a little blurred by dust and mist, where the Roof met the Floor. And that line showed none of the bowing effect that one sometimes sees as one studies an ocean. It is hard to describe – it may seem that such things are beyond one’s intuition until they are experienced – but at that moment, standing there, I knew I was not on the surface of any planet. There was no far horizon beyond which rows of Morlocks were hidden, like receding sea-going ships; instead I knew that the earth’s tight, compact contours were far away. My heart sank, and I was quite daunted.

      Nebogipfel stepped forward to me. He had doffed his goggles, and I had an impression it was with relief. ‘Come,’ he said gently. ‘Are you afraid? This is what you wanted to see. We will walk. And we will talk further.’

      With great hesitation – it took me a genuine effort to step forward, away from the wall of my immense prison cell – I came after him.

      I caused quite a stir in the population. Their little faces were all around me, huge-eyed and chinless. I shrank away from them as I walked, my dread of their cold flesh renewed. Some of them reached towards me, with their long, hair-covered arms. I could smell something of their bodies, a sweet, musty smell that was all too familiar. Most walked as upright as a man, although some preferred to lope along like an orang-utan, with knuckles grazing the Floor. Many of them had their hair, on scalp and back, coiffed in some style or other, some in a plain and severe fashion, like Nebogipfel, and some in a more flowing, decorative style. But there were one or two whose hair ran as wild and ragged as any Morlock’s I had encountered in Weena’s world, and at first I suspected that these individuals still ran savage, even here in this city-room; but they behaved as easily as the rest, and I hypothesized that these unkempt manes were simply another form of affectation – much as a man will sometimes allow his beard to grow to great profusion.

      I became aware that I was passing by these Morlocks with remarkable speed – much quicker than my pace allowed. I almost stumbled at this realization. I glanced down, but I could see nothing to differentiate the stretch of transparent Floor on which I walked from any other; but I knew I must be on some form of moving pavement.

      The crowding, pallid Morlock faces, the absence of colour, the flatness of the horizon, my unnatural speed through this bizarre landscape – and above all, the illusion that I was floating above a bottomless well of stars – combined into the semblance of a dream! – But then some curious Morlock would come too close, and I would get a whiff of his sickly scent, and reality pressed in again.

      This was no dream: I was lost, I realized, marooned in this sea of Morlocks, and again I had to struggle to keep walking steadily, to avoid bunching my fists and driving them into the curious faces pressing around me.

      I saw how the Morlocks were going about their mysterious business. Some were walking, some conversing, some eating food of the bland, uninteresting type which had been served to me, all as uninhibited as kittens. This observation, combined with the utter lack of any enclosed spaces, led me to understand that the Morlocks of the Sphere had no need of privacy, in the sense we understand it.

      Most of the Morlocks seemed to me to be working, though at what I could not fathom. The surfaces of some of their partitions were inlaid with panes of a blue, glowing glass, and the Morlocks touched these panes with their thin, wormlike fingers, or talked earnestly into them. In response, graphs, pictures and text scrolled across the glass slabs. In some places this remarkable machinery was carried a stage further, and I saw elaborate models – representing what I could not say – springing into existence in mid-air. At a Morlock’s command, a model would rotate, or split open, displaying its interior –


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