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Dublin Palms. Hugo HamiltonЧитать онлайн книгу.

Dublin Palms - Hugo  Hamilton


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fully to either of them? The basement part of me has nothing to do with the library part of me. The bar part of me laughs at the basement part. The library part is slow to rub shoulders with the others.

      Each part of me has its own silence, like maps overlapping. A different history, a different now, a different here. Different ways of being at home. Each country has its own denial and guilt and not being accepted. I remain loyal to each part of myself and true to none.

      On the way home, I have the feeling that I am not fully consenting to the place where I live. The streets are refusing to dry. There is a sticky glaze on the pavement, like walking on a strip of adhesive paper. I am in a place that does not correspond to where I stand. My body has become detached from my thoughts, my feet in Ireland, my head in Germany, my voice left behind in a landscape of shadows in the west.

      The light is left on in the hall. Helen is getting into bed. Her freckled shoulders. Her vertebrae. In the bathroom, the toothbrush falls out of my hand into the sink. I turn away and hold my face. Leaning slowly forward, I go down onto my knees and place my forehead on the floor.

      Silence is not emptiness. It’s not the absence of matter. It is a solid state, full of love and language and things collected from childhood. A frozen river of emotion. My condition, though it remains undiagnosed until later, must have something to do with this silence.

      It breaks out in my teeth. It begins in the front teeth and gradually spreads across the back teeth, the severity of it leaves me unable to say a word. There is no medical explanation. I have been to the dentist a couple of times, but he can find nothing wrong. He took X-rays, tapped each tooth, froze them one by one, he went as far as refilling some of the old cavities, what more can he do?

      Helen’s voice comes in around the tiled walls, her hand is pulling at my arm. I shake my head like a horse and get up on my feet.

      You have got to stop working in the basement, she says. It makes you sick. She says she will start up a business, a drama school, a theatre, she will open a café, I need to get out of that basement.

      We were in Berlin together. The city where I went to escape from my silence. Where I sang in bars at night, songs in the shadow language that nobody understood. I can reconstruct the configuration of streets, the faces in the bakery, the order of train stations. The announcements in my mother’s language, as though everyone in Berlin was related to me, a city of cousins. I can hear the train doors closing, crawling through dimly lit stations with border guards and dogs on the platforms, emerging from underground over abandoned city land, the ruins, the sand, a tree growing up through the tracks.

      Helen arrived with a big belly. She carried a portable radio. Her shoes were painted over with oval handwriting. We made slow progress through the streets, reduced to the speed of an oncoming baby. We sat in the park while she ate a tub of quark, her belly was full of quark.

      I brought her to a bar, she looked underage, just out of school. The barman had a knitting needle through his nose. A man with a female voice came in with a Great Dane and bent over for a joke to let the dog sniff his backside. A woman in a sleeveless leather jacket and gashes along her bare arms spoke in a slow voice to Helen, asking her what it was like to be pregnant, how can you sleep?

      We walked through the streets at night when it was cooler. We passed by posters showing the faces of wanted German terrorists. A woman leaning out the window watched us from above in silence. The street lighting was dim. The buildings were decayed, gaps where houses went missing, the war was not far behind.

      We found the viewing platform and I helped Helen up the wooden stairs. We looked across the wall at the open death zone. A stretch of empty ground lit up, guards in a watchtower, houses on the far side like canyons left in darkness. The platform had been erected in a time of handkerchiefs, for people waving to their relatives on the far side, holding up their children, calling out their names. When the people on the other side were prohibited from waving back, the platform no longer had any function other than for visitors coming to have a look over the edge of the world.

      We stared across the Berlin Wall, a kiss, a smile, the dirt of border lighting in Helen’s face as she turned to me and said – let’s go back.

      Everybody in Dublin is back from somewhere. The pubs are full of returning. They talk about their encounters, drug voyages, bus journeys on death roads. They laugh at mortality. They laugh at life. They laugh at the strangeness of things, the invention of difference, the great mind-altering misunderstanding of the world.

      They have come


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