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too.” Nick grinned. “But the pictures bear repeat viewing.”
“True,” she admitted, “but we girls get interviews too. If you could ask me one question, what would it be?”
“How did your card turn?” Nick answered honestly.
“Exactly. Most guys will beat around the bush a bit, but that’s what everyone wants to know. And, you know, if there are any other surprises down there …” She reached up to the top of her bustier, putting her hands atop her large and very natural-looking breasts. “Want a peep?”
Nick nodded.
With a stripper’s training, she teased the edge of one side of the bustier down, then the other, exposing two pink and perfect aureoles before finally letting him see her full breasts. They were magnificent, smooth and firm with pale white skin and the faintest tracery of blue veins, without any visible stretch marks. She slid the costume down, exposing her slim middle, perfect navel, and finally, the surprise.
The surprise was something Nick both halfway expected and, he realized on some level, hoped for. The hair of her feminine triangle, while matching her natural platinum blond, also matched the soft down of an angora rabbit, just like the fluffy fur on her ears and tail.
She let the costume fall to her feet, stepping out of it, then turned around so he could see only her pert derriere and the fluffy white cottontail she twitched flirtatiously as she peered at him over her shoulder.
“Julie … Cottontail?”
“Yep.” She cocked her head and her ears flopped coquettishly. “If you think the kids teased me with that before my card turned, you should have heard them after.” She turned, falling back on the sofa, and laughed as her breasts bounced with the springs. “I was seven and mad for bunnies. Had some as pets, had the slippers, had them sewn on my clothes, Bugs Bunny pajamas, the works. Even rabbit wallpaper and bunny cutouts my mom glued on my lampshade. Plus all the books. The Velveteen Rabbit, of course, and the March Hare and the White Rabbit from Alice, and Peter Rabbit and Benjamin Bunny from Beatrix Potter. But my favorite was Rabbit Hill, this old kids’ book that won the Newbery Medal.” She looked troubled then, but then most wild cards did when discussing the trauma of their card turning.
Nick also put together her age now with what she’d said. “You were one of the first,” he realized. “You changed back in ’46 when the blimps blew.”
She gave him a wide-eyed look like a frightened bunny. “Yeah, on Wild Card Day. In ’46.” She looked away. “All I knew is that I had an awful fever like the kid in The Velveteen Rabbit, then I dreamed about … Rabbit Hill … and I woke up like this.” She looked up at him and her ears twitched. “What about with you?”
“What?” Nick asked. “What about what with me?”
“What was it like when you turned your card?”
“I’m not a wild card,” Nick denied on reflex. “I’m a nat.”
“You sure?” Julie asked, her ears perking up a bit straighter. “You asked me the way us cards ask each other, like you already knew what it’s like.” She tilted her head the other way. “Don’t worry. If you’re up the sleeve, it’s okay.”
Hef was right. Clever bunny indeed. But all Nick said was, “Sorry, really, I’m just a nat.” He then added, since it was true and gave him cover, “I’m just from Hollywood. Lots of jokers end up there for B movies. Makes easy costuming for monsters.”
“That’s exploitative,” Julie remarked disapprovingly, sitting there naked beside a pile of costumes.
“It’s a job,” Nick pointed out.
Julie gave a wry grin. “Speaking of which, since I’m already nude, wanna do my centerfold?”
“Centerfold?”
“Hey, aim high. Worst Hef can do is say no.” She grinned wider, fishing around in the pile of props until she came up with a circlet of braided wheat. “What better Miss March than the March Hare?”
With that, she placed it on her head, reaching up and pulling it down over both ears. On any other model, it would have looked like a head wreath for a harvest queen or a classical accessory for a Gilded Age tableau of the Greco-Roman goddesses, the wheat sheaf crown of Demeter/Ceres. But on Julie Cotton, tilted rakishly askew like the halo of a hungover angel, it made her resemble Tenniel’s illustration of the Mad Hatter’s chum from the Mad Tea Party.
“Got a teacup?” Nick asked.
“Oh yes.” Julie produced one from her pile of rummaged props. “And I’ve got something even better …” With that she hopped over to the bookshelf, doing a mad little dance en route with terpsichorean grace before pulling down a volume.
She flipped it open, revealing a copy of Alice’s Adventures in Wonderland with hand-tinted illustrations. The page she’d chanced on bore the illustration of Alice and the Cheshire Cat.
A scrap of paper fluttered out, landing on the floor in between them. Nick reached down and picked it up. The penmanship was round and feminine, European in style, with two words: possible costume.
Nick showed Julie. “Lownes wants the Playboy Club girls to be dressed up as sexy kittens.”
“The Pussycat Dolls.” Julie rolled her eyes, then raised her teacup and the book, thumbing forward a couple pages to show the illustration for the Mad Tea Party. “Rather than fake kittens, wouldn’t it be better if the first Playboy mascot were an actual bunny girl?”
She was audacious, he gave her that. Playboy had yet to even feature a black girl. “You need to sell that to Hef, not me,” was all Nick told her as he took the first photo.
Julie was easy to work with, eager and almost ridiculously photogenic. She donned a gentleman’s waistcoat and pocket watch to give the impression of the White Rabbit, assuming the White Rabbit was a young woman with large breasts. “I’m late! I’m late!” she cried, holding a running pose with a ballerina’s poise, purposefully pointing her ears back to give the impression that she was racing like the wind.
Nick used half a roll of film for that, getting her from multiple angles.
Julie cycled through her pile of props: A carrot and a shotgun made for Bugs Bunny. An Edwardian red woolen wrap and a series of three poses made for Peter Rabbit’s sisters, Flopsy, Mopsy, and, of course, Cottontail. The Velveteen Rabbit was less obvious, but a beautiful nude reclining on divan with an assortment of vintage children’s toys was still a sexy pose.
“So what’s Rabbit Hill about?” Nick asked, changing film, remembering back to childhood. He’d never read the book, but he’d thought it was relatively new, not a reprint of a forgotten classic. He recalled a cover with a rabbit hopping gaily over a hill. There’d been a new copy on the shelf at his school library, but the book had looked too cutesy to bother with, so it hadn’t crossed his recollection till she’d mentioned it now.
“Um, rabbits. On a hill.”
“I sort of expected that.” Nick thought back. “The rabbit on the cover was naked, right? Bouncing in the air but standing up?”
“Ooh, that’s a good idea!” Julie exclaimed. “Let’s do that!”
With that she leapt onto the sofa and began bouncing, not so much like a child on a bed as a naked woman on a trampoline. Nick began to take photos, Julie’s glorious breasts bouncing for all to see, “all” in this case meaning him and the camera.
And maybe someone using the peephole. Nick felt a presence there, the electrical energy the hazy outline of a living being but with the telltale nuggets of a flashlight.
He wasn’t a professional dancer, unless you counted a bit part in the men’s water ballet in Gentlemen Prefer Blondes, but a swimmer and actor could still do sudden leaps. Nick did,