In the Mountains. Elizabeth von ArnimЧитать онлайн книгу.
I was here.
In the odd, fairy-tale like way I keep on finding bits of the past, of years ago, as though they were still of the present, even of the last half hour, I found the letter this morning in a room I wandered into after breakfast. It is the only room downstairs besides the hall, and I used to take refuge in it from the other gay inhabitants of the house so as to open and answer letters somewhere not too distractingly full of cheerful talk; and there on the table, spotlessly kept clean by Antoine but else not touched, were all the papers and odds and ends of five years back exactly as I must have left them. Even some chocolate I had apparently been eating, and some pennies, and a handful of cigarettes, and actually a box of matches—it was all there, all beautifully dusted, all as it must have been when last I sat there at the table. If it hadn't been for the silence, the complete, sunny emptiness and silence of the house, I would certainly have thought I had only been asleep and having a bad dream, and that not five years but one uneasy night had gone since I nibbled that chocolate and wrote with those pens.
Fascinated and curious I sat down and began eating the chocolate again. It was quite good; made of good, lasting stuff in that good, apparently lasting age we used to live in. And while I ate it I turned over the piles of papers, and there at the bottom of them was a letter from Henry James.
I expect I kept it near me on the table because I so much loved it and wanted to re-read it, and wanted, I daresay, at intervals proudly to show it to my friends and make them envious, for it was written at Christmas, 1913; months before I left for England.
Reading it now my feeling is just astonishment that I, I should ever have had such a letter. But then I am greatly humbled; I have been on the rocks; and can't believe that such a collection of broken bits as I am now could ever have been a trim bark with all its little sails puffed out by the kindliness and affection of anybody as wonderful as Henry James.
Here it is; and it isn't any more vain of me now in my lamed and bruised condition to copy it out and hang on its charming compliments than it is vain for a woman who once was lovely and is now grown old to talk about how pretty she used to be:
21 Carlyle Mansions,
Cheyne Walk, S.W.,
December 29th, 1913.
Dear—
Let me tell you that I simply delight in your beautiful and generous and gracious little letter, and that there isn't a single honeyed word of it that doesn't give me the most exquisite pleasure. You fill the measure—and how can I tell you how I like the measure to be filled? None of your quarter-bushels or half-bushels for my insatiable appetite, but the overflowing heap, pressed down and shaken together and spilling all over the place. So I pick up the golden grains and nibble them one by one! Truly, dear lady, it is the charmingest rosy flower of a letter—handed me straight out of your monstrous snowbank. That you can grow such flowers in such conditions—besides growing with such diligence and elegance all sorts of other lovely kinds, has for its explanation of course only that you have such a regular teeming garden of a mind. You must mainly inhabit it of course—with your other courts of exercise so grand, if you will, but so grim. Well, you have caused me to revel in pride and joy—for I assure you that I have let myself go; all the more that the revelry of the season here itself has been so far from engulfing me that till your witching words came I really felt perched on a mountain of lonely bleakness socially and sensuously speaking alike—very much like one of those that group themselves, as I suppose, under your windows. But I have had my Xmastide now, and am your all grateful and faithful and all unforgetting old Henry James.
Who wouldn't be proud of getting a letter like that? It was wonderful to come across it again, wonderful how my chin went up in the air and how straight I sat up for a bit after reading it. And I laughed, too; for with what an unbuttoned exuberance must I have engulfed him! 'Spilling all over the place.' I can quite believe it. I had, I suppose, been reading or re-reading something of his, and had been swept off sobriety of expression by delight, and in that condition of emotional unsteadiness and molten appreciation must have rushed impetuously to the nearest pen.
How warmly, with what grateful love, one thinks of Henry James. How difficult to imagine anyone riper in wisdom, in kindliness, in wit; greater of affection; more generous of friendship. And his talk, his wonderful talk—even more wonderful than his books. If only he had had a Boswell! I did ask him one day, in a courageous after-dinner mood, if he wouldn't take me on as his Boswell; a Boswell so deeply devoted that perhaps qualifications for the post would grow through sheer admiration. I told him—my courageous levity was not greater on that occasion than his patience—that I would disguise myself as a man; or better still, not being quite big enough to make a plausible man and unlikely to grow any more except, it might be hoped, in grace, I would be an elderly boy; that I would rise up early and sit up late and learn shorthand and do anything in the world, if only I might trot about after him taking notes—the strange pair we should have made! And the judgment he passed on that reckless suggestion, after considering its impudence with much working about of his extraordinary mobile mouth, delivering his verdict with a weight of pretended self-depreciation intended to crush me speechless—which it did for nearly a whole second—was: 'Dear lady, it would be like the slow squeezing out of a big empty sponge.'
August 9th.
This little wooden house, clinging on to the side of the mountain by its eyelashes, or rather by its eyebrows, for it has enormous eaves to protect it from being smothered in winter in snow that look exactly like overhanging eyebrows—is so much cramped up for room to stand on that the garden along the edge of the rock isn't much bigger than a handkerchief.
It is a strip of grass, tended with devotion by Antoine, whose pride it is that it should be green when all the other grass on the slopes round us up the mountain and down the mountain are parched pale gold; which leads him to spend most of his evening hours watering it. There is a low wall along the edge to keep one from tumbling over, for if one did tumble over it wouldn't be nice for the people walking about in the valley five thousand feet below, and along this wall is the narrow ribbon of the only flowers that will put up with us.
They aren't many. There are the delphiniums, and some pansies and some pinks, and a great many purple irises. The irises were just over when I first got here, but judging from the crowds of flower-stalks they must have been very beautiful. There is only one flower left; exquisite and velvety and sun-warmed to kiss—which I do diligently, for one must kiss something—and with that adorable honey-smell that is the very smell of summer.
That's all in the garden. It isn't much, written down, but you should just see it. Oh yes—I forgot. Round the corner, scrambling up the wall that protects the house in the early spring from avalanches, are crimson ramblers, brilliant against the intense blue of the sky. Crimson ramblers are, I know, ordinary things, but you should just see them. It is the colour of the sky that makes them so astonishing here. Yes—and I forgot the lilies that Antoine's maman gave him. They are near the front door, and next to them is a patch of lavender in full flower now, and all day long on each of its spikes is poised miraculously something that looks like a tiny radiant angel, but that flutters up into the sun when I go near and is a white butterfly. Antoine must have put in the lavender. It used not to be there. But I don't ask him because of what he might tell me it is really for, and I couldn't bear to have that patch of sheer loveliness, with the little shining things hovering over it, explained as a remède for something horrid.
If I could paint I would sit all day and paint; as I can't I try to get down on paper what I see. It gives me pleasure. It is somehow companionable. I wouldn't, I think, do this if I were not alone. I would probably exhaust myself and my friend pointing out the beauty.
The garden, it will be seen, as gardens go, is pathetic in its smallness and want of variety. Possessors of English gardens, with those immense wonderful herbaceous borders and skilfully arranged processions of flowers, might conceivably sniff at it. Let them. I love it. And, if it were smaller still, if it were shrunk to a single plant with a single flower on it, it would perhaps only enchant me the more, for then I would concentrate on that one beauty and not be distracted by the feeling that does distract me here, that while I am looking one way I am missing what is going on in other