Edith Wharton: New Year's Day, False Dawn, The Old Maid & The Spark (4 Books in One Edition). Edith WhartonЧитать онлайн книгу.
inn the night before with a valet, a guide, and such a cargo of books, maps and sketching materials as threatened to overshadow even Lewis’s outfit.
Lewis, at first, had not been greatly drawn to the newcomer, who, seated aloof in the dining-room, seemed not to see his fellow-traveller. The truth was that Lewis was dying for a little conversation. His astonishing experiences were so tightly packed in him (with no outlet save the meagre trickle of his nightly diary) that he felt they would soon melt into the vague blur of other people’s travels unless he could give them fresh reality by talking them over. And the stranger with the deep-blue eyes that matched his coat, the scarred cheek and eloquent lip, seemed to Lewis a worthy listener. The Englishman appeared to think otherwise. He preserved an air of moody abstraction, which Lewis’s vanity imagined him to have put on as the gods becloud themselves for their secret errands; and the curtness of his goodnight was (Lewis flattered himself) surpassed only by the young New Yorker’s.
But today all was different. The stranger advanced affably, raised his hat from his tossed statue-like hair, and enquired with a smile: “Are you by any chance interested in the forms of cirrous clouds?”
His voice was as sweet as his smile, and the two were reinforced by a glance so winning that it made the odd question seem not only pertinent but natural. Lewis, though surprised, was not disconcerted. He merely coloured with the unwonted sense of his ignorance, and replied ingenuously: “I believe, sir, I am interested in everything.”
“A noble answer!” cried the other, and held out his hand.
“But I must add,” Lewis continued with courageous honesty, “that I have never as yet had occasion to occupy myself particularly with the form of cirrous clouds.”
His companion looked at him merrily. “That,” he said, “is no reason why you shouldn’t begin to do so now!” To which Lewis as merrily agreed. “For in order to be interested in things,” the other continued more gravely, “it is only necessary to see them; and I believe I am not wrong in saying that you are one of the privileged beings to whom the seeing eye has been given.”
Lewis blushed his agreement, and his interlocutor continued: “You are one of those who have been on the road to Damascus.”
“On the road? I’ve been to the place itself!” the wanderer exclaimed, bursting with the particulars of his travels; and then blushed more deeply at the perception that the other’s use of the name had of course been figurative.
The young Englishman’s face lit up. “You’ve been to Damascus — literally been there yourself? But that may be almost as interesting, in its quite different way, as the formation of clouds or lichens. For the present,” he continued with a gesture toward the mountain, “I must devote myself to the extremely inadequate rendering of some of those delicate aiguilles; a bit of drudgery not likely to interest you in the face of so sublime a scene. But perhaps this evening — if, as I think, we are staying in the same inn — you will give me a few minutes of your society, and tell me something of your travels. My father,” he added with his engaging smile, “has had packed with my paint-brushes a few bottles of a wholly trustworthy Madeira; and if you will favour me with your company at dinner . . . ”
He signed to his servant to undo the sketching materials, spread his cloak on the rock, and was already lost in his task as Lewis descended to the carriage.
The Madeira proved as trustworthy as his host had promised. Perhaps it was its exceptional quality which threw such a golden lustre over the dinner; unless it were rather the conversation of the blue-eyed Englishman which made Lewis Raycie, always a small drinker, feel that in his company every drop was nectar.
When Lewis joined his host it had been with the secret hope of at last being able to talk; but when the evening was over (and they kept it up to the small hours) he perceived that he had chiefly listened. Yet there had been no sense of suppression, of thwarted volubility; he had been given all the openings he wanted. Only, whenever he produced a little fact it was instantly overflowed by the other’s imagination till it burned like a dull pebble tossed into a rushing stream. For whatever Lewis said was seen by his companion from a new angle, and suggested a new train of thought; each commonplace item of experience became a many-faceted crystal flashing with unexpected fires. The young Englishman’s mind moved in a world of associations and references far more richly peopled than Lewis’s; but his eager communicativeness, his directness of speech and manner, instantly opened its gates to the simpler youth. It was certainly not the Madeira which sped the hours and flooded them with magic; but the magic gave the Madeira — excellent, and reputed of its kind, as Lewis afterward learned — a taste no other vintage was to have for him.
“Oh, but we must meet again in Italy — there are many things there that I could perhaps help you to see,” the young Englishman declared as they swore eternal friendship on the stairs of the sleeping inn.
5.
IT was in a tiny Venetian church, no more than a chapel, that Lewis Raycie’s eyes had been unsealed — in a dull-looking little church not even mentioned in the guide-books. But for his chance encounter with the young Englishman in the shadow of Mont Blanc, Lewis would never have heard of the place; but then what else that was worth knowing would he ever have heard of, he wondered?
He had stood a long time looking at the frescoes, put off at first — he could admit it now — by a certain stiffness in the attitudes of the people, by the childish elaboration of their dress (so different from the noble draperies which Sir Joshua’s Discourses on Art had taught him to admire in the great painters), and by the innocent inexpressive look in their young faces — for even the gray-beards seemed young. And then suddenly his gaze had lit on one of these faces in particular: that of a girl with round cheeks, high cheek-bones and widely set eyes under an intricate head-dress of pearl-woven braids. Why, it was Treeshy — Treeshy Kent to the life! And so far from being thought “plain,” the young lady was no other than the peerless princess about whom the tale revolved. And what a fairy-land she lived in — full of lithe youths and round-faced pouting maidens, rosy old men and burnished blackamoors, pretty birds and cats and nibbling rabbits — and all involved and enclosed in golden balustrades, in colonnades of pink and blue, laurel-garlands festooned from ivory balconies, and domes and minarets against summer seas! Lewis’s imagination lost itself in the scene; he forgot to regret the noble draperies, the exalted sentiments, the fuliginous backgrounds, of the artists he had come to Italy to admire — forgot Sassoferrato, Guido Reni, Carlo Dolce, Lo Spagnoletto, the Carracci, and even the Transfiguration of Raphael, though he knew it to be the greatest picture in the world.
After that he had seen almost everything else that Italian art had to offer; had been to Florence, Naples, Rome; to Bologna to study the Eclectic School, to Parma to examine the Correggios and the Giulio Romanos. But that first vision had laid a magic seed between his lips; the seed that makes you hear what the birds say and the grasses whisper. Even if his English friend had not continued at his side, pointing out, explaining, inspiring. Lewis Raycie flattered himself that the round face of the little Saint Ursula would have led him safely and confidently past all her rivals. She had become his touchstone, his star: how insipid seemed to him all the sheep-faced Virgins draped in red and blue paint after he had looked into her wondering girlish eyes and traced the elaborate pattern of her brocades! He could remember now, quite distinctly, the day when he had given up even Beatrice Cenci . . . and as for that fat naked Magdalen of Carlo Dolce’s, lolling over the book she was not reading, and ogling the spectator in the good old way . . . faugh! Saint Ursula did not need to rescue him from HER . . .
His eyes had been opened to a new world of art. And this world it was his mission to reveal to others — he, the insignificant and ignorant Lewis Raycie, as “but for the grace of God,” and that chance encounter on Mont Blanc, he might have gone on being to the end! He shuddered to think of the army of Neapolitan beggar-boys, bituminous monks, whirling prophets, languishing Madonnas and pink-rumped amorini who might have been travelling home with him in the hold of the fast new steam-packet.
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