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The Greatest Works of Edith Wharton - 31 Books in One Edition. Edith WhartonЧитать онлайн книгу.

The Greatest Works of Edith Wharton - 31 Books in One Edition - Edith Wharton


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afford to have him here.”

      “You couldn’t, up to now; but now you’re going to get married. You’re going to be able to give him a home and a father’s care—and the foreign languages. That’s what I’d say if I was you…His father takes considerable stock in him, don’t he?”

      She coloured, a denial on her lips; but she could not shape it. “We’re both awfully fond of him, of course… His father’d never give him up!”

      “Just so.” Moffatt’s face had grown as sharp as glass. “You’ve got the Marvells running. All you’ve got to do’s to sit tight and wait for their cheque.” He dropped back to his equestrian seat on the lyre-backed chair.

      Undine stood up and moved uneasily toward the window. She seemed to see her little boy as though he were in the room with her; she did not understand how she could have lived so long without him…She stood for a long time without speaking, feeling behind her the concentrated irony of Moffatt’s gaze.

      “You couldn’t lend me the money—manage to borrow it for me, I mean?” she finally turned back to ask. He laughed. “If I could manage to borrow any money at this particular minute—well, I’d have to lend every dollar of it to Elmer Moffatt, Esquire. I’m stone-broke, if you want to know. And wanted for an Investigation too. That’s why I’m over here improving my mind.”

      “Why, I thought you were going home next week?”

      He grinned. “I am, because I’ve found out there’s a party wants me to stay away worse than the courts want me back. Making the trip just for my private satisfaction—there won’t be any money in it, I’m afraid.”

      Leaden disappointment descended on Undine. She had felt almost sure of Moffatt’s helping her, and for an instant she wondered if some long-smouldering jealousy had flamed up under its cold cinders. But another look at his face denied her this solace; and his evident indifference was the last blow to her pride. The twinge it gave her prompted her to ask: “Don’t you ever mean to get married?”

      Moffatt gave her a quick look. “Why, I shouldn’t wonder—one of these days. Millionaires always collect something; but I’ve got to collect my millions first.”

      He spoke coolly and half-humorously, and before he had ended she had lost all interest in his reply. He seemed aware of the fact, for he stood up and held out his hand. “Well, so long, Mrs. Marvell. It’s been uncommonly pleasant to see you; and you’d better think over what I’ve said.”

      She laid her hand sadly in his. “You’ve never had a child,” she replied.

      XXXI

      Nearly two years had passed since Ralph Marvell, waking from his long sleep in the hot summer light of Washington Square, had found that the face of life was changed for him.

      In the interval he had gradually adapted himself to the new order of things; but the months of adaptation had been a time of such darkness and confusion that, from the vantage-ground of his recovered lucidity, he could not yet distinguish the stages by which he had worked his way out; and even now his footing was not secure.

      His first effort had been to readjust his values—to take an inventory of them, and reclassify them, so that one at least might be made to appear as important as those he had lost; otherwise there could be no reason why he should go on living. He applied himself doggedly to this attempt; but whenever he thought he had found a reason that his mind could rest in, it gave way under him, and the old struggle for a foothold began again. His two objects in life were his boy and his book. The boy was incomparably the stronger argument, yet the less serviceable in filling the void. Ralph felt his son all the while, and all through his other feelings; but he could not think about him actively and continuously, could not forever exercise his eager empty dissatisfied mind on the relatively simple problem of clothing, educating and amusing a little boy of six. Yet Paul’s existence was the all-sufficient reason for his own; and he turned again, with a kind of cold fervour, to his abandoned literary dream. Material needs obliged him to go on with his regular business; but, the day’s work over, he was possessed of a leisure as bare and as blank as an unfurnished house, yet that was at least his own to furnish as he pleased.

      Meanwhile he was beginning to show a presentable face to the world, and to be once more treated like a man in whose case no one is particularly interested. His men friends ceased to say: “Hallo, old chap, I never saw you looking fitter!” and elderly ladies no longer told him they were sure he kept too much to himself, and urged him to drop in any afternoon for a quiet talk. People left him to his sorrow as a man is left to an incurable habit, an unfortunate tie: they ignored it, or looked over its head if they happened to catch a glimpse of it at his elbow.

      These glimpses were given to them more and more rarely. The smothered springs of life were bubbling up in Ralph, and there were days when he was glad to wake and see the sun in his window, and when he began to plan his book, and to fancy that the planning really interested him. He could even maintain the delusion for several days—for intervals each time appreciably longer—before it shrivelled up again in a scorching blast of disenchantment. The worst of it was that he could never tell when these hot gusts of anguish would overtake him. They came sometimes just when he felt most secure, when he was saying to himself: “After all, things are really worth while—” sometimes even when he was sitting with Clare Van Degen, listening to her voice, watching her hands, and turning over in his mind the opening chapters of his book.

      “You ought to write”; they had one and all said it to him from the first; and he fancied he might have begun sooner if he had not been urged on by their watchful fondness. Everybody wanted him to write—everybody had decided that he ought to, that he would, that he must be persuaded to; and the incessant imperceptible pressure of encouragement—the assumption of those about him that because it would be good for him to write he must naturally be able to—acted on his restive nerves as a stronger deterrent than disapproval.

      Even Clare had fallen into the same mistake; and one day, as he sat talking with her on the verandah of Laura Fairford’s house on the Sound—where they now most frequently met—Ralph had half-impatiently rejoined: “Oh, if you think it’s literature I need—!”

      Instantly he had seen her face change, and the speaking hands tremble on her knee. But she achieved the feat of not answering him, or turning her steady eyes from the dancing midsummer water at the foot of Laura’s lawn. Ralph leaned a little nearer, and for an instant his hand imagined the flutter of hers. But instead of clasping it he drew back, and rising from his chair wandered away to the other end of the verandah…No, he didn’t feel as Clare felt. If he loved her—as he sometimes thought he did—it was not in the same way. He had a great tenderness for her, he was more nearly happy with her than with any one else; he liked to sit and talk with her, and watch her face and her hands, and he wished there were some way—some different way—of letting her know it; but he could not conceive that tenderness and desire could ever again be one for him: such a notion as that seemed part of the monstrous sentimental muddle on which his life had gone aground.

      “I shall write—of course I shall write some day,” he said, turning back to his seat. “I’ve had a novel in the back of my head for years; and now’s the time to pull it out.”

      He hardly knew what he was saying; but before the end of the sentence he saw that Clare had understood what he meant to convey, and henceforth he felt committed to letting her talk to him as much as she pleased about his book. He himself, in consequence, took to thinking about it more consecutively; and just as his friends ceased to urge him to write, he sat down in earnest to begin.

      The vision that had come to him had no likeness to any of his earlier imaginings. Two or three subjects had haunted him, pleading for expression, during the first years of his marriage; but these now seemed either too lyrical or too tragic. He no longer saw life on the heroic scale: he wanted to do something in which men should look no bigger than the insects they were. He contrived in the course of time to reduce one of his old subjects to these dimensions, and after nights of brooding he made a dash at it, and wrote an opening chapter that struck him as not too bad. In the exhilaration of this


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