The Complete Works. O. HenryЧитать онлайн книгу.
“The long moss hangs perpetually;
Gray scalps of buried years;
Blue crabs steal out and stare at me,
And seem to gauge my fears;
I start to hear the eel swim by;
I shudder when the crane
Strikes at his prey; I turn to fly,
At drops of sudden rain.
“In every little cry of bird
I hear a tracking shout;
From every sodden leaf that’s stirred
I see a face frown out;
My soul shakes when the water rat
Cowed by the blue snake flies;
Black knots from tree holes glimmer at
Me with accusive eyes.
“Through all the murky silence rings
A cry not born of earth;
An endless, deep, unechoing thing
That owns not human birth.
I see no colors in the sky
Save red, as blood is red;
I pray to God to still that cry
From pallid lips and dead.
“One spot in all that stagnant waste
I shun as moles shun light,
And turn my prow to make all haste
To fly before the night.
A poisonous mound hid from the sun,
Where crabs hold revelry;
Where eels and fishes feed upon
The Thing that once was He.
“At night I steal along the shore;
Within my hut I creep;
But awful stars blink through the door,
To hold me from my sleep.
The river gurgles like his throat,
In little choking coves,
And loudly dins that phantom note
From out the awful groves.
“I shout with laughter through the night:
I rage in greatest glee;
My fears all vanish with the light
Oh! splendid nights they be!
I see her weep; she calls his name;
He answers not, nor will;
My soul with joy is all aflame;
I laugh, and laugh, and thrill.
“I count her teardrops as they fall;
I flout my daytime fears;
I mumble thanks to God for all
These gibes and happy jeers.
But, when the warning dawn awakes,
Begins my wandering;
With stealthy strokes through tangled brakes,
A wasted, frightened thing.”
The Old Farm
Just now when the whitening blossoms flare
On the apple trees and the growing grass
Creeps forth, and a balm is in the air;
With my lighted pipe and well-filled glass
Of the old farm I am dreaming,
And softly smiling, seeming
To see the bright sun beaming
Upon the old home farm.
And when I think how we milked the cows,
And hauled the hay from the meadows low;
And walked the furrows behind the plows,
And chopped the cotton to make it grow
I’d much rather be here dreaming
And smiling, only seeming
To see the hot sun gleaming
Upon the old home farm.
The Pewee
In the hush of the drowsy afternoon,
When the very wind on the breast of June
Lies settled, and hot white tracery
Of the shattered sunlight filters free
Through the unstinted leaves to the pied cool sward;
On a dead tree branch sings the saddest bard
Of the birds that be;
’Tis the lone Pewee.
Its note is a sob, and its note is pitched
In a single key, like a soul bewitched
To a mournful minstrelsy.
“Pewee, Pewee,” doth it ever cry;
A sad, sweet minor threnody
That threads the aisles of the dim hot grove
Like a tale of a wrong or a vanished love;
And the fancy comes that the wee dun bird
Perchance was a maid, and her heart was stirred
By some lover’s rhyme
In a golden time,
And broke when the world turned false and cold;
And her dreams grew dark and her faith grew cold
In some fairy far-off clime.
And her soul crept into the Pewee’s breast;
And forever she cries with a strange unrest
For something lost, in the afternoon;
For something missed from the lavish June;
For the heart that died in the long ago;
For the livelong pain that pierceth so:
Thus the Pewee cries,
While the evening lies
Steeped in the languorous still sunshine,
Rapt, to the leaf and the bough and the vine
Of some hopeless paradise.
Two Portraits
Wild hair flying, in a matted maze,
Hand firm as iron, eyes all ablaze;
Bystanders timidly, breathlessly gaze,
As o’er the keno board boldly he plays.
— That’s Texas Bill.
Wild hair flying, in a matted maze,
Hand firm as iron, eyes all ablaze;
Bystanders timidly, breathlessly gaze,
As o’er the keyboard boldly he plays.
— That’s Paderewski.