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Washington Irving: The Complete Travel Sketches and Memoirs Collection. Washington IrvingЧитать онлайн книгу.

Washington Irving: The Complete Travel Sketches and Memoirs Collection - Washington Irving


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part of my day alone, yet I occasionally repair in the evenings to the little domestic circle of Dona Antonia. This is generally held in an old Moorish chamber, which serves the good dame for parlor, kitchen and hall of audience, and which must have boasted of some splendor in the time of the Moors, if we may judge from the traces yet remaining; but a rude fireplace has been made in modern times in one corner, the smoke from which has discolored the walls, and almost obliterated the ancient arabesques. A window, with a balcony overhanging the valley of the Darro, lets in the cool evening breeze; and here I take my frugal supper of fruit and milk, and mingle with the conversation of the family. There is a natural talent or mother wit, as it is called, about the Spaniards, which renders them intellectual and agreeable companions, whatever may be their condition in life, or however imperfect may have been their education: add to this, they are never vulgar; nature has endowed them with an inherent dignity of spirit. The good Tia Antonia is a woman of strong and intelligent, though uncultivated mind; and the bright-eyed Dolores, though she has read but three or four books in the whole course of her life, has an engaging mixture of naivete and good sense, and often surprises me by the pungency of her artless sallies. Sometimes the nephew entertains us by reading some old comedy of Calderon or Lope de Vega, to which he is evidently prompted by a desire to improve, as well as amuse his cousin Dolores; though, to his great mortification, the little damsel generally falls asleep before the first act is completed. Sometimes Tia Antonia has a little levee of humble friends and dependents, the inhabitants of the adjacent hamlet, or the wives of the invalid soldiers. These look up to her with great deference, as the custodian of the palace, and pay their court to her by bringing the news of the place, or the rumors that may have straggled up from Granada. In listening to these evening gossipings I have picked up many curious facts, illustrative of the manners of the people and the peculiarities of the neighborhood.

      These are simple details of simple pleasures; it is the nature of the place alone that gives them interest and importance. I tread haunted ground, and am surrounded by romantic associations. From earliest boyhood, when, on the banks of the Hudson, I first pored over the pages of old Gines Perez de Hytas’s apocryphal but chivalresque history of the civil wars of Granada, and the feuds of its gallant cavaliers, the Zegries and Abencerrages, that city has ever been a subject of my waking dreams, and often have I trod in fancy the romantic halls of the Alhambra. Behold for once a daydream realized; yet I can scarce credit my senses, or believe that I do indeed inhabit the palace of Boabdil, and look down from its balconies upon chivalric Granada. As I loiter through these Oriental chambers, and hear the murmur of fountains and the song of the nightingale; as I inhale the odor of the rose, and feel the influence of the balmy climate, I am almost tempted to fancy myself in the paradise of Mahomet, and that the plump little Dolores is one of the bright-eyed houris, destined to administer to the happiness of true believers.

      INHABITANTS OF THE ALHAMBRA.

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      I have often observed that the more proudly a mansion has been tenanted in the day of its prosperity, the humbler are its inhabitants in the day of its decline, and that the palace of a king commonly ends in being the nestling-place of the beggar.

      The Alhambra is in a rapid state of similar transition. Whenever a tower falls to decay, it is seized upon by some tatterdemalion family, who become joint-tenants, with the bats and owls, of its gilded halls, and hang their rags, those standards of poverty, out of its windows and loopholes.

      I have amused myself with remarking some of the motley characters that have thus usurped the ancient abode of royalty, and who seem as if placed here to give a farcical termination to the drama of human pride. One of these even bears the mockery of a regal title. It is a little old woman named Maria Antonia Sabonea, but who goes by the appellation of la Reyna Coquina, or the Cockle-queen. She is small enough to be a fairy, and a fairy she may be for aught I can find out, for no one seems to know her origin. Her habitation is in a kind of closet under the outer staircase of the palace, and she sits in the cool stone corridor, plying her needle and singing from morning till night, with a ready joke for every one that passes; for though one of the poorest, she is one of the merriest little women breathing. Her great merit is a gift for storytelling, having, I verily believe, as many stories at her command, as the inexhaustible Scheherezade of the thousand and one nights. Some of these I have heard her relate in the evening tertulias of Dame Antonia, at which she is occasionally a humble attendant.

      That there must be some fairy gift about this mysterious little old woman, would appear from her extraordinary luck, since, notwithstanding her being very little, very ugly, and very poor, she has had, according to her own account, five husbands and a half, reckoning as a half one a young dragoon, who died during courtship. A rival personage to this little fairy queen is a portly old fellow with a bottle-nose, who goes about in a rusty garb with a cocked hat of oilskin and a red cockade. He is one of the legitimate sons of the Alhambra, and has lived here all his life, filling various offices, such as deputy alguazil, sexton of the parochial church, and marker of a fives-court established at the foot of one of the towers. He is as poor as a rat, but as proud as he is ragged, boasting of his descent from the illustrious house of Aguilar, from which sprang Gonzalvo of Cordova, the grand captain. Nay, he actually bears the name of Alonzo de Aguilar, so renowned in the history of the conquest; though the graceless wags of the fortress have given him the title of el padre santo, or the holy father, the usual appellation of the Pope, which I had thought too sacred in the eyes of true Catholics to be thus ludicrously applied. It is a whimsical caprice of fortune to present, in the grotesque person of this tatterdemalion, a namesake and descendant of the proud Alonzo de Aguilar, the mirror of Andalusian chivalry, leading an almost mendicant existence about this once haughty fortress, which his ancestor aided to reduce; yet, such might have been the lot of the descendants of Agamemnon and Achilles, had they lingered about the ruins of Troy!

      Of this motley community, I find the family of my gossiping squire, Mateo Ximenes, to form, from their numbers at least, a very important part. His boast of being a son of the Alhambra, is not unfounded. His family has inhabited the fortress ever since the time of the conquest, handing down an hereditary poverty from father to son; not one of them having ever been known to be worth a maravedi. His father, by trade a ribbon-weaver, and who succeeded the historical tailor as the head of the family, is now near seventy years of age, and lives in a hovel of reeds and plaster, built by his own hands, just above the iron gate. The furniture consists of a crazy bed, a table, and two or three chairs; a wooden chest, containing, besides his scanty clothing, the “archives of the family.” These are nothing more nor less than the papers of various lawsuits sustained by different generations; by which it would seem that, with all their apparent carelessness and good humor, they are a litigious brood. Most of the suits have been brought against gossiping neighbors for questioning the purity of their blood, and denying their being Cristianos viejos, i. e. old Christians, without Jewish or Moorish taint. In fact, I doubt whether this jealousy about their blood has not kept them so poor in purse: spending all their earnings on escribanos and alguazils. The pride of the hovel is an escutcheon suspended against the wall, in which are emblazoned quarterings of the arms of the Marquis of Caiesedo, and of various other noble houses, with which this poverty-stricken brood claim affinity.

      As to Mateo himself, who is now about thirty-five years of age, he has done his utmost to perpetuate his line and continue the poverty of the family, having a wife and a numerous progeny, who inhabit an almost dismantled hovel in the hamlet. How they manage to subsist, he only who sees into all mysteries can tell; the subsistence of a Spanish family of the kind, is always a riddle to me; yet they do subsist, and what is more, appear to enjoy their existence. The wife takes her holiday stroll on the Paseo of Granada, with a child in her arms and half a dozen at her heels; and the eldest daughter, now verging into womanhood, dresses her hair with flowers, and dances gayly to the castanets.

      There are two classes of people to whom life seems one long holiday, the very rich, and the very poor; one because they need do nothing, the other because they have nothing to do; but there are none who understand the art of doing nothing and living upon nothing, better than the poor classes of Spain. Climate does one half, and temperament the rest. Give a Spaniard the shade in summer, and


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