The Essential G. B. Shaw: Celebrated Plays, Novels, Personal Letters, Essays & Articles. GEORGE BERNARD SHAWЧитать онлайн книгу.
that, unless you are specially interested—”
“Not at all. If he is a socialist I should much rather not listen to him, particularly on Sunday evening.”
So it was arranged that they should go to Mrs. Hoskyn’s after the lecture. Meanwhile they went to Sydenham, where Alice went through the Crystal Palace with provincial curiosity, and Lydia answered her questions encyclopedically. In the afternoon there was a concert, at which a band played several long pieces of music, which Lydia seemed to enjoy, though she found fault with the performers. Alice, able to detect neither the faults in the execution nor the beauty of the music, did as she saw the others do — pretended to be pleased and applauded decorously. Madame Szczymplica, whom she expected to meet at Mrs. Hoskyn’s, appeared, and played a fantasia for pianoforte and orchestra by the famous Jack, another of Mrs. Hoskyn’s circle. There was in the programme an analysis of this composition from which Alice learned that by attentively listening to the adagio she could hear the angels singing therein. She listened as attentively as she could, but heard no angels, and was astonished when, at the conclusion of the fantasia, the audience applauded Madame Szczymplica as if she had made them hear the music of the spheres. Even Lydia seemed moved, and said,
“Strange, that she is only a woman like the rest of us, with just the same narrow bounds to her existence, and just the same prosaic cares — that she will go by train to Victoria, and from thence home in a common vehicle instead of embarking in a great shell and being drawn by swans to some enchanted island. Her playing reminds me of myself as I was when I believed in fairyland, and indeed knew little about any other land.”
“They say,” said Alice, “that her husband is very jealous, and that she leads him a terrible life.”
“THEY SAY anything that brings gifted people to the level of their own experience. Doubtless they are right. I have not met Mr. Herbert, but I have seen his pictures, which suggest that he reads everything and sees nothing; for they all represent scenes described in some poem. If one could only find an educated man who had never read a book, what a delightful companion he would be!”
When the concert was over they did not return directly to town, as Lydia wished to walk awhile in the gardens. In consequence, when they left Sydenham, they got into a Waterloo train, and so had to change at Clapham Junction. It was a fine summer evening, and Alice, though she thought that it became ladies to hide themselves from the public in waiting-rooms at railway stations, did not attempt to dissuade Lydia from walking to and fro at an unfrequented end of the platform, which terminated in a bank covered with flowers.
“To my mind,” said Lydia, “Clapham Junction is one of the prettiest places about London.”
“Indeed!” said Alice, a little maliciously. “I thought that all artistic people looked on junctions and railway lines as blots on the landscape.”
“Some of them do,” said Lydia; “but they are not the artists of our generation; and those who take up their cry are no better than parrots. If every holiday recollection of my youth, every escape from town to country, be associated with the railway, I must feel towards it otherwise than did my father, upon whose middle age it came as a monstrous iron innovation. The locomotive is one of the wonders of modern childhood. Children crowd upon a bridge to see the train pass beneath. Little boys strut along the streets puffing and whistling in imitation of the engine. All that romance, silly as it looks, becomes sacred in afterlife. Besides, when it is not underground in a foul London tunnel, a train is a beautiful thing. Its pure, white fleece of steam harmonizes with every variety of landscape. And its sound! Have you ever stood on a sea-coast skirted by a railway, and listened as the train came into hearing in the far distance? At first it can hardly be distinguished from the noise of the sea; then you recognize it by its vibration; one moment smothered in a deep cutting, and the next sent echoing from some hillside. Sometimes it runs smoothly for many minutes, and then breaks suddenly into a rhythmic clatter, always changing in distance and intensity. When it comes near, you should get into a tunnel, and stand there while it passes. I did that once, and it was like the last page of an overture by Beethoven — thunderingly impetuous. I cannot conceive how any person can hope to disparage a train by comparing it with a stage-coach; and I know something of stage-coaches — or, at least, of diligences. Their effect on the men employed about them ought to decide the superiority of steam without further argument. I have never observed an engine-driver who did not seem an exceptionally intelligent mechanic, while the very writers and artists who have preserved the memory of the coaching days for us do not appear to have taken coachmen seriously, or to have regarded them as responsible and civilized men. Abuse of the railway from a pastoral point of view is obsolete. There are millions of grown persons in England to whom the far sound of the train is as pleasantly suggestive as the piping of a blackbird. Again — is not that Lord Worthington getting out of the train? Yes, that one, at the third platform from this. He—” She stopped.
Alice looked, but could see neither Lord Worthington nor the cause of a subtle but perceptible change in Lydia, who said, quickly,
“He is probably coming to our train. Come to the waiting-room.” She walked swiftly along the platform as she spoke. Alice hurried after her; and they had but just got into the room, the door of which was close to the staircase which gave access to the platform, when a coarse din of men’s voices showed that a noisy party were ascending the steps. Presently a man emerged reeling, and at once began to execute a drunken dance, and to sing as well as his condition and musical faculty allowed. Lydia stood near the window of the room and watched in silence. Alice, following her example, recognized the drunken dancer as Mellish. He was followed by three men gayly attired and highly elated, but comparatively sober. After them came Cashel Byron, showily dressed in a velveteen coat, and tightly-fitting fawn-colored pantaloons that displayed the muscles of his legs. He also seemed quite sober; but he was dishevelled, and his left eye blinked frequently, the adjacent brow and cheek being much yellower than his natural complexion, which appeared to advantage on the right side of his face. Walking steadily to Mellish, who was now asking each of the bystanders in turn to come and drink at his expense, he seized him by the collar and sternly bade him cease making a fool of himself. Mellish tried to embrace him.
“My own boy,” he exclaimed, affectionately. “He’s my little nonpareil. Cashel Byron again’ the world at catch weight. Bob Mellish’s money—”
“You sot,” said Cashel, rolling him about until he was giddy as well as drunk, and then forcing him to sit down on a bench; “one would think you never saw a mill or won a bet in your life before.”
“Steady, Byron,” said one of the others. “Here’s his lordship.” Lord Worthington was coming up the stairs, apparently the most excited of the party.
“Fine man!” he cried, patting Cashel on the shoulder. “Splendid man! You have won a monkey for me to-day; and you shall have your share of it, old boy.”
“I trained him,” said Mellish, staggering forward again. “I trained him. You know me, my lord. You know Bob Mellish. A word with your lordship in c-confidence. You ask who knows how to make the beef go and the muscle come. You ask — I ask your lordship’s pard’n. What’ll your lordship take?”
“Take care, for Heaven’s sake!” exclaimed Lord Worthington, clutching at him as he reeled backward towards the line. “Don’t you see the train?”
“I know,” said Mellish, gravely. “I am all right; no man more so. I am Bob Mellish. You ask—”
“Here. Come out of this,” said one of the party, a powerful man with a scarred face and crushed nose, grasping Mellish and thrusting him into the train. “Y’ll ‘ave to clap a beefsteak on that ogle of yours, where you napped the Dutchman’s auctioneer, Byron. It’s got more yellow paint on it than y’ll like to show in church tomorrow.”
At this they all gave a roar of laughter, and entered a third-class carriage. Lydia and Alice had but just time to take their places in the train before it started.
“Eeally, I must say,” said Alice, “that if those were Mr. Cashel Byron’s and Lord Worthington’s associates, their tastes are very peculiar.”
“Yes,”