The Nature Books of Henry David Thoreau – 6 Titles in One Volume (Illustrated Edition). Henry David ThoreauЧитать онлайн книгу.
that are printed and bound are not books; they do not necessarily belong to letters, but are oftener to be ranked with the other luxuries and appendages of civilized life. Base wares are palmed off under a thousand disguises. "The way to trade," as a pedler once told me, "is to put it right through," no matter what it is, anything that is agreed on.
"You grov'ling worldlings, you whose wisdom trades
Where light ne'er shot his golden ray."
By dint of able writing and pen-craft, books are cunningly compiled, and have their run and success even among the learned, as if they were the result of a new man's thinking, and their birth were attended with some natural throes. But in a little while their covers fall off, for no binding will avail, and it appears that they are not Books or Bibles at all. There are new and patented inventions in this shape, purporting to be for the elevation of the race, which many a pure scholar and genius who has learned to read is for a moment deceived by, and finds himself reading a horse-rake, or spinning-jenny, or wooden nutmeg, or oak-leaf cigar, or steam-power press, or kitchen range, perchance, when he was seeking serene and biblical truths.
"Merchants, arise,
And mingle conscience with your merchandise."
Paper is cheap, and authors need not now erase one book before they write another. Instead of cultivating the earth for wheat and potatoes, they cultivate literature, and fill a place in the Republic of Letters. Or they would fain write for fame merely, as others actually raise crops of grain to be distilled into brandy. Books are for the most part wilfully and hastily written, as parts of a system, to supply a want real or imagined. Books of natural history aim commonly to be hasty schedules, or inventories of God's property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.
"To Athens gowned he goes, and from that school
Returns unsped, a more instructed fool."
They teach the elements really of ignorance, not of knowledge, for, to speak deliberately and in view of the highest truths, it is not easy to distinguish elementary knowledge. There is a chasm between knowledge and ignorance which the arches of science can never span. A book should contain pure discoveries, glimpses of terra firma, though by shipwrecked mariners, and not the art of navigation by those who have never been out of sight of land. They must not yield wheat and potatoes, but must themselves be the unconstrained and natural harvest of their author's lives.
"What I have learned is mine; I've had my thought,
And me the Muses noble truths have taught."
We do not learn much from learned books, but from true, sincere, human books, from frank and honest biographies. The life of a good man will hardly improve us more than the life of a freebooter, for the inevitable laws appear as plainly in the infringement as in the observance, and our lives are sustained by a nearly equal expense of virtue of some kind. The decaying tree, while yet it lives, demands sun, wind, and rain no less than the green one. It secretes sap and performs the functions of health. If we choose, we may study the alburnum only. The gnarled stump has as tender a bud as the sapling.
At least let us have healthy books, a stout horse-rake or a kitchen range which is not cracked. Let not the poet shed tears only for the public weal. He should be as vigorous as a sugar-maple, with sap enough to maintain his own verdure, beside what runs into the troughs, and not like a vine, which being cut in the spring bears no fruit, but bleeds to death in the endeavor to heal its wounds. The poet is he that hath fat enough, like bears and marmots, to suck his claws all winter. He hibernates in this world, and feeds on his own marrow. We love to think in winter, as we walk over the snowy pastures, of those happy dreamers that lie under the sod, of dormice and all that race of dormant creatures, which have such a superfluity of life enveloped in thick folds of fur, impervious to cold. Alas, the poet too is, in one sense, a sort of dormouse gone into winter quarters of deep and serene thoughts, insensible to surrounding circumstances; his words are the relation of his oldest and finest memory, a wisdom drawn from the remotest experience. Other men lead a starved existence, meanwhile, like hawks, that would fain keep on the wing, and trust to pick up a sparrow now and then.
There are already essays and poems, the growth of this land, which are not in vain, all which, however, we could conveniently have stowed in the till of our chest. If the gods permitted their own inspiration to be breathed in vain, these might be overlooked in the crowd, but the accents of truth are as sure to be heard at last on earth as in heaven. They already seem ancient, and in some measure have lost the traces of their modern birth. Here are they who
"ask for that which is our whole life's light,
For the perpetual, true and clear insight."
I remember a few sentences which spring like the sward in its native pasture, where its roots were never disturbed, and not as if spread over a sandy embankment; answering to the poet's prayer,
"Let us set so just
A rate on knowledge, that the world may trust
The poet's sentence, and not still aver
Each art is to itself a flatterer."
But, above all, in our native port, did we not frequent the peaceful games of the Lyceum, from which a new era will be dated to New England, as from the games of Greece. For if Herodotus carried his history to Olympia to read, after the cestus and the race, have we not heard such histories recited there, which since our countrymen have read, as made Greece sometimes to be forgotten?—Philosophy, too, has there her grove and portico, not wholly unfrequented in these days.
Lately the victor, whom all Pindars praised, has won another palm, contending with
"Olympian bards who sung
Divine ideas below,
Which always find us young,
And always keep us so."
What earth or sea, mountain or stream, or Muses' spring or grove, is safe from his all-searching ardent eye, who drives off Phoebus' beaten track, visits unwonted zones, makes the gelid Hyperboreans glow, and the old polar serpent writhe, and many a Nile flow back and hide his head!
That Phaeton of our day,
Who'd make another milky way,
And burn the world up with his ray;
By us an undisputed seer,—
Who'd drive his flaming car so near
Unto our shuddering mortal sphere,
Disgracing all our slender worth,
And scorching up the living earth,
To prove his heavenly birth.
The silver spokes, the golden tire,
Are glowing with unwonted fire,
And ever nigher roll and nigher;
The pins and axle melted are,
The silver radii fly afar,
Ah, he will spoil his Father's car!
Who let him have the steeds he cannot steer?
Henceforth the sun will not shine for a year;
And we shall Ethiops all appear.
From his
"lips of cunning fell The thrilling Delphic oracle."
And yet, sometimes,
We should not mind if on our ear there fell
Some less of cunning, more of oracle.
It is Apollo shining in your face. O rare Contemporary, let us have far-off heats. Give us the subtler, the heavenlier though fleeting beauty, which passes through and through, and dwells not in the verse; even pure water, which but reflects those tints which wine wears in its grain. Let epic trade-winds blow, and cease this waltz of inspirations. Let us oftener feel even the gentle southwest wind upon