The Collected Historical Works of Washington Irving (Illustrated Edition). Washington IrvingЧитать онлайн книгу.
they but pause for a moment, to return with tenfold fury to the charge. Just at this juncture a vast and dense column of smoke was seen slowly rolling toward the scene of battle. The combatants paused for a moment, gazing in mute astonishment, until the wind, dispelling the murky cloud, revealed the flaunting banner of Michael Paw, the Patroon of Communipaw. That valiant chieftain came fearlessly on at the head of a phalanx of oyster-fed Pavonians and a corps de reserve of the Van Arsdales and Van Bummels, who had remained behind to digest the enormous dinner they had eaten. These now trudged manfully forward, smoking their pipes with outrageous vigor, so as to raise the awful cloud that has been mentioned, but marching exceedingly slow, being short of leg, and of great rotundity in the belt. “And now the deities who watched over the fortunes of the Nederlanders having unthinkingly left the field, and stepped into a neighboring tavern to refresh themselves with a pot of beer, a direful catastrophe had wellnigh ensued. Scarce had the myrmidons of Michael Paw attained the front of battle, when the Swedes, instructed by the cunning Risingh, leveled a shower of blows full at their tobacco-pipes. Astounded at this assault, and dismayed at the havoc of their pipes, these ponderous warriors gave way, and like a drove of frightened elephants broke through the ranks of their own army. The little Hoppers were borne down in the surge; the sacred banner emblazoned with the gigantic oyster of Communipaw was trampled in the dirt; on blundered and thundered the heavy-sterned fugitives, the Swedes pressing on their rear and applying their feet a parte poste of the Van Arsdales and the Van Bummels with a vigor that prodigiously accelerated their movements; nor did the renowned Michael Paw himself fail to receive divers grievous and dishonorable visitations of shoe-leather. “But what, oh Muse! was the rage of Peter Stuyvesant, when from afar he saw his army giving way! In the transports of his wrath he sent forth a roar, enough to shake the very hills. The men of the Manhattoes plucked up new courage at the sound, or, rather, they rallied at the voice of their leader, of whom they stood more in awe than of all the Swedes in Christendom. Without waiting for their aid, the daring Peter dashed, sword in hand, into the thickest of the foe. Then might be seen achievements worthy of the days of the giants. Wherever he went the enemy shrank before him; the Swedes fled to right and left, or were driven, like dogs, into their own ditch; but as he pushed forward, singly with headlong courage, the foe closed behind and hung upon his rear. One aimed a blow full at his heart; but the protecting power which watches over the great and good turned aside the hostile blade and directed it to a side-pocket, where reposed an enormous iron tobacco-box, endowed, like the shield of Achilles, with supernatural powers, doubtless from bearing the portrait of the blessed St. Nicholas. Peter Stuyvesant turned like an angry bear upon the foe, and seizing him, as he fled, by an immeasurable queue, ‘Ah, whoreson caterpillar,’ roared he, ‘here’s what shall make worms’ meat of thee!’ so saying he whirled his sword and dealt a blow that would have decapitated the varlet, but that the pitying steel struck short and shaved the queue forever from his crown. At this moment an arquebusier leveled his piece from a neighboring mound, with deadly aim; but the watchful Minerva, who had just stopped to tie up her garter, seeing the peril of her favorite hero, sent old Boreas with his bellows, who, as the match descended to the pan, gave a blast that blew the priming from the touch-hole. “Thus waged the fight, when the stout Risingh, surveying the field from the top of a little ravelin, perceived his troops banged, beaten, and kicked by the invincible Peter. Drawing his falchion, and uttering a thousand anathemas, he strode down to the scene of combat with some such thundering strides as Jupiter is said by Hesiod to have taken when he strode down the spheres to hurl his thunderbolts at the Titans. “When the rival heroes came face to face, each made a prodigious start in the style of a veteran stage-champion. Then did they regard each other for a moment with the bitter aspect of two furious ram-cats on the point of a clapper-clawing. Then did they throw themselves into one attitude, then into another, striking their swords on the ground, first on the right side, then on the left: at last at it they went with incredible ferocity. Words cannot tell the prodigies of strength and valor displayed in this direful encounter, — an encounter compared to which the far-famed battles of Ajax with Hector, of AEneas with Turnus, Orlando with Rodomont, Guy of Warwick with Colbrand the Dane, or of that renowned Welsh knight, Sir Owen of the Mountains, with the giant Guylon, were all gentle sports and holiday recreations. At length the valiant Peter, watching his opportunity, aimed a blow enough to cleave his adversary to the very chine; but Risingh, nimbly raising his sword, warded it off so narrowly, that, glancing on one side, it shaved away a huge canteen in which he carried his liquor, — thence pursuing its trenchant course, it severed off a deep coat-pocket, stored with bread and cheese, — which provant, rolling among the armies, occasioned a fearful scrambling between the Swedes and Dutchmen, and made the general battle to wax more furious than ever. “Enraged to see his military stores laid waste, the stout Risingh, collecting all his forces, aimed a mighty blow full at the hero’s crest. In vain did his fierce little cocked hat oppose its course. The biting steel clove through the stubborn ram beaver, and would have cracked the crown of any one not endowed with supernatural hardness of head; but the brittle weapon shivered in pieces on the skull of Hardkoppig Piet, shedding a thousand sparks, like beams of glory, round his grizzly visage. “The good Peter reeled with the blow, and turning up his eyes beheld a thousand suns, besides moons and stars, dancing about the firmament; at length, missing his footing, by reason of his wooden leg, down he came on his seat of honor with a crash which shook the surrounding hills, and might have wrecked his frame, had he not been received into a cushion softer than velvet, which Providence, or Minerva, or St. Nicholas, or some cow, had benevolently prepared for his reception. “The furious Risingh, in despite of the maxim, cherished by all true knights, that ‘fair play is a jewel,’ hastened to take advantage of the hero’s fall; but, as he stooped to give a fatal blow, Peter Stuyvesant dealt him a thwack over the sconce with his wooden leg, which set a chime of bells ringing triple bobmajors in his cerebellum. The bewildered Swede staggered with the blow, and the wary Peter seizing a pocket-pistol, which lay hard by, discharged it full at the head of the reeling Risingh. Let not my reader mistake; it was not a murderous weapon loaded with powder and ball, but a little sturdy stone pottle charged to the muzzle with a double dram of true Dutch courage, which the knowing Antony Van Corlear carried about him by way of replenishing his valor, and which had dropped from his wallet during his furious encounter with the drummer. The hideous weapon sang through the air, and true to its course as was the fragment of a rock discharged at Hector by bully Ajax, encountered the head of the gigantic Swede with matchless violence. “This heaven-directed blow decided the battle. The ponderous pericranium of General Jan Risingh sank upon his breast; his knees tottered under him; a deathlike torpor seized upon his frame, and he tumbled to the earth with such violence that old Pluto started with affright, lest he should have broken through the roof of his infernal palace. “His fall was the signal of defeat and victory: the Swedes gave way, the Dutch pressed forward; the former took to their heels, the latter hotly pursued. Some entered with them, pell-mell, through the sallyport; others stormed the bastion, and others scrambled over the curtain. Thus in a little while the fortress of Fort Christina, which, like another Troy, had stood a siege of full ten hours, was carried by assault, without the loss of a single man on either side. Victory, in the likeness of a gigantic ox-fly, sat perched upon the cocked hat of the gallant Stuyvesant; and it was declared by all the writers whom he hired to write the history of his expedition that on this memorable day he gained a sufficient quantity of glory to immortalize a dozen of the greatest heroes in Christendom!”
In the “Sketch-Book,” Irving set a kind of fashion in narrative essays, in brief stories of mingled humor and pathos, which was followed for half a century. He himself worked the same vein in “Bracebridge Hall” and “Tales of a Traveller.” And there is no doubt that some of the most fascinating of the minor sketches of Charles Dickens, such as the story of the Bagman’s Uncle, are lineal descendants of, if they were not suggested by, Irving’s “Adventure of My Uncle,” and the “Bold Dragoon.”
The taste for the leisurely description and reminiscent essay of the “Sketch-Book” does not characterize the readers of this generation, and we have discovered that the pathos of its elaborated scenes is somewhat “literary.” The sketches of “Little Britain,” and “Westminster Abbey,” and, indeed, that of “Stratford-on-Avon,” will for a long time retain their place in selections of “good reading;” but the “Sketch-Book” is only floated, as an original work, by two papers, the “Rip Van Winkle” and the “Legend of Sleepy Hollow;” that