The Greatest Novellas & Short Stories of Anton Chekhov. Anton ChekhovЧитать онлайн книгу.
Kryukov walked aimlessly about the house, looking out of window, or turning over the leaves of albums, though he was sick of the sight of them already. When he came across his wife or children, he began grumbling crossly. It seemed to him, for some reason that day, that his children’s manners were revolting, that his wife did not know how to look after the servants, that their expenditure was quite disproportionate to their income. All this meant that “the master” was out of humour.
After dinner, Kryukov, feeling dissatisfied with the soup and the roast meat he had eaten, ordered out his racing droshky. He drove slowly out of the courtyard, drove at a walking pace for a quarter of a mile, and stopped.
“Shall I … drive to her … that devil?” he thought, looking at the leaden sky.
And Kryukov positively laughed, as though it were the first time that day he had asked himself that question. At once the load of boredom was lifted from his heart, and there rose a gleam of pleasure in his lazy eyes. He lashed the horse… .
All the way his imagination was picturing how surprised the Jewess would be to see him, how he would laugh and chat, and come home feeling refreshed… .
“Once a month one needs something to brighten one up … something out of the common round,” he thought, “something that would give the stagnant organism a good shaking up, a reaction … whether it’s a drinking bout, or … Susanna. One can’t get on without it.”
It was getting dark when he drove into the yard of the vodka distillery. From the open windows of the owner’s house came sounds of laughter and singing:
“ ‘Brighter than lightning, more burning than flame… .’”
sang a powerful, mellow, bass voice.
“Aha! she has visitors,” thought Kryukov.
And he was annoyed that she had visitors.
“Shall I go back?” he thought with his hand on the bell, but he rang all the same, and went up the familiar staircase. From the entry he glanced into the reception hall. There were about five men there — all landowners and officials of his acquaintance; one, a tall, thin gentleman, was sitting at the piano, singing, and striking the keys with his long, thin fingers. The others were listening and grinning with enjoyment. Kryukov looked himself up and down in the looking-glass, and was about to go into the hall, when Susanna Moiseyevna herself darted into the entry, in high spirits and wearing the same black dress… . Seeing Kryukov, she was petrified for an instant, then she uttered a little scream and beamed with delight.
“Is it you?” she said, clutching his hand. “What a surprise!”
“Here she is!” smiled Kryukov, putting his arm round her waist. “Well! Does the destiny of Europe still lie in the hands of the French and the Russians?”
“I’m so glad,” laughed the Jewess, cautiously removing his arm. “Come, go into the hall; they’re all friends there… . I’ll go and tell them to bring you some tea. Your name’s Alexey, isn’t it? Well, go in, I’ll come directly… .”
She blew him a kiss and ran out of the entry, leaving behind her the same sickly smell of jasmine. Kryukov raised his head and walked into the hall. He was on terms of friendly intimacy with all the men in the room, but scarcely nodded to them; they, too, scarcely responded, as though the places in which they met were not quite decent, and as though they were in tacit agreement with one another that it was more suitable for them not to recognise one another.
From the hall Kryukov walked into the drawing-room, and from it into a second drawing-room. On the way he met three or four other guests, also men whom he knew, though they barely recognised him. Their faces were flushed with drink and merriment. Alexey Ivanovitch glanced furtively at them and marvelled that these men, respectable heads of families, who had known sorrow and privation, could demean themselves to such pitiful, cheap gaiety! He shrugged his shoulders, smiled, and walked on.
“There are places,” he reflected, “where a sober man feels sick, and a drunken man rejoices. I remember I never could go to the operetta or the gipsies when I was sober: wine makes a man more goodnatured and reconciles him with vice… .”
Suddenly he stood still, petrified, and caught hold of the doorpost with both hands. At the writing-table in Susanna’s study was sitting Lieutenant Alexandr Grigoryevitch. He was discussing something in an undertone with a fat, flabby-looking Jew, and seeing his cousin, flushed crimson and looked down at an album.
The sense of decency was stirred in Kryukov and the blood rushed to his head. Overwhelmed with amazement, shame, and anger, he walked up to the table without a word. Sokolsky’s head sank lower than ever. His face worked with an expression of agonising shame.
“Ah, it’s you, Alyosha!” he articulated, making a desperate effort to raise his eyes and to smile. “I called here to say goodbye, and, as you see… . But tomorrow I am certainly going.”
“What can I say to him? What?” thought Alexey Ivanovitch. “How can I judge him since I’m here myself?”
And clearing his throat without uttering a word, he went out slowly.
“ ‘Call her not heavenly, and leave her on earth… .’”
The bass was singing in the hall. A little while after, Kryukov’s racing droshky was bumping along the dusty road.
DREAMS
Translation By Constance Garnett
Two peasant constables — one a stubby, black-bearded individual with such exceptionally short legs that if you looked at him from behind it seemed as though his legs began much lower down than in other people; the other, long, thin, and straight as a stick, with a scanty beard of dark reddish colour — were escorting to the district town a tramp who refused to remember his name. The first waddled along, looking from side to side, chewing now a straw, now his own sleeve, slapping himself on the haunches and humming, and altogether had a careless and frivolous air; the other, in spite of his lean face and narrow shoulders, looked solid, grave, and substantial; in the lines and expression of his whole figure he was like the priests among the Old Believers, or the warriors who are painted on old-fashioned ikons. “For his wisdom God had added to his forehead” — that is, he was bald — which increased the resemblance referred to. The first was called Andrey Ptaha, the second Nikandr Sapozhnikov.
The man they were escorting did not in the least correspond with the conception everyone has of a tramp. He was a frail little man, weak and sickly-looking, with small, colourless, and extremely indefinite features. His eyebrows were scanty, his expression mild and submissive; he had scarcely a trace of a moustache, though he was over thirty. He walked along timidly, bent forward, with his hands thrust into his sleeves. The collar of his shabby cloth overcoat, which did not look like a peasant’s, was turned up to the very brim of his cap, so that only his little red nose ventured to peep out into the light of day. He spoke in an ingratiating tenor, continually coughing. It was very, very difficult to believe that he was a tramp concealing his surname. He was more like an unsuccessful priest’s son, stricken by God and reduced to beggary; a clerk discharged for drunkenness; a merchant’s son or nephew who had tried his feeble powers in a theatrical career, and was now going home to play the last act in the parable of the prodigal son; perhaps, judging by the dull patience with which he struggled with the hopeless autumn mud, he might have been a fanatical monk, wandering from one Russian monastery to another, continually seeking “a peaceful life, free from sin,” and not finding it… .
The travellers had been a long while on their way, but they seemed to be always on the same small patch of ground. In front of them there stretched thirty feet of muddy black-brown mud, behind them the same, and wherever one looked further, an impenetrable wall of white fog. They went on and on, but the ground remained