L'Assommoir. Emile ZolaЧитать онлайн книгу.
two sous? She no longer understood that she was asked to pay for her place there. Then she gave the two sous; and limping very much beneath the weight of the wet clothes on her shoulder, the water dripping from off her, her elbow black and blue, her cheek covered with blood, she went off, dragging Claude and Etienne with her bare arms, whilst they trotted along on either side of her, still trembling, and their faces besmeared with their tears.
Once she was gone, the wash-house resumed its roaring tumult. The washerwomen had eaten their bread and drunk their wine. Their faces were lit up and their spirits enlivened by the fight between Gervaise and Virginie.
The long lines of tubs were astir again with the fury of thrashing arms, of craggy profiles, of marionettes with bent backs and slumping shoulders that twisted and jerked violently as though on hinges. Conversations went on from one end to the other in loud voices. Laughter and coarse remarks crackled through the ceaseless gurgling of the water. Faucets were sputtering, buckets spilling, rivulets flowing underneath the rows of washboards. Throughout the huge shed rising wisps of steam reflected a reddish tint, pierced here and there by disks of sunlight, golden globes that had leaked through holes in the awnings. The air was stiflingly warm and odorous with soap.
Suddenly the hall was filled with a white mist. The huge copper lid of the lye-water kettle was rising mechanically along a notched shaft, and from the gaping copper hollow within its wall of bricks came whirling clouds of vapor. Meanwhile, at one side the drying machines were hard at work; within their cast-iron cylinders bundles of laundry were being wrung dry by the centrifugal force of the steam engine, which was still puffing, steaming, jolting the wash-house with the ceaseless labor of its iron limbs.
When Gervaise turned into the entry of the Hotel Boncoeur, her tears again mastered her. It was a dark, narrow passage, with a gutter for the dirty water running alongside the wall; and the stench which she again encountered there caused her to think of the fortnight she had passed in the place with Lantier—a fortnight of misery and quarrels, the recollection of which was now a bitter regret. It seemed to bring her abandonment home to her.
Upstairs the room was bare, in spite of the sunshine which entered through the open window. That blaze of light, that kind of dancing golden dust, exposed the lamentable condition of the blackened ceiling, and of the walls half denuded of paper, all the more. The only thing left hanging in the room was a woman's small neckerchief, twisted like a piece of string. The children's bedstead, drawn into the middle of the apartment, displayed the chest of drawers, the open drawers of which exposed their emptiness. Lantier had washed himself and had used up the last of the pomatum—two sous' worth of pomatum in a playing card; the greasy water from his hands filled the basin. And he had forgotten nothing. The corner which until then had been filled by the trunk seemed to Gervaise an immense empty space. Even the little mirror which hung on the window-fastening was gone. When she made this discovery, she had a presentiment. She looked on the mantel-piece. Lantier had taken away the pawn tickets; the pink bundle was no longer there, between the two odd zinc candlesticks.
She hung her laundry over the back of a chair and just stood there, gazing around at the furniture. She was so dulled and bewildered that she could no longer cry. She had only one sou left. Then, hearing Claude and Etienne laughing merrily by the window, their troubles already forgotten, she went to them and put her arms about them, losing herself for a moment in contemplation of that long gray avenue where, that very morning, she had watched the awakening of the working population, of the immense work-shop of Paris.
At this hour immense heat was rising from the pavement and from all the furnaces in the factories, setting alight a reflecting oven over the city and beyond the octroi wall. Out upon this very pavement, into this furnace blast, she had been tossed, alone with her little ones. As she glanced up and down the boulevard, she was seized with a dull dread that her life would be fixed there forever, between a slaughter-house and a hospital.
CHAPTER II.
Three weeks later, towards half-past eleven, one beautiful sunshiny day, Gervaise and Coupeau, the zinc-worker, were each partaking of a plum preserved in brandy, at "l'Assommoir" kept by Pere Colombe. Coupeau, who had been smoking a cigarette on the pavement, had prevailed on her to go inside as she returned from taking home a customer's washing; and her big square laundress's basket was on the floor beside her, behind the little zinc covered table.
Pere Colombe's l'Assommoir was at the corner of Rue des Poissonniers and Boulevard de Rochechouart. The sign, in tall blue letters stretching from one end to the other said: Distillery. Two dusty oleanders planted in half casks stood beside the doorway. A long bar with its tin measuring cups was on the left as you entered. The large room was decorated with casks painted a gay yellow, bright with varnish, and gleaming with copper taps and hoops.
On the shelves above the bar were liquor bottles, jars of fruit preserved in brandy, and flasks of all shapes. They completely covered the wall and were reflected in the mirror behind the bar as colorful spots of apple green, pale gold, and soft brown. The main feature of the establishment, however, was the distilling apparatus. It was at the rear, behind an oak railing in a glassed-in area. The customers could watch its functioning, long-necked still-pots, copper worms disappearing underground, a devil's kitchen alluring to drink-sodden work men in search of pleasant dreams.
L'Assommoir was nearly empty at the lunch hour. Pere Colombe, a heavy man of forty, was serving a ten year old girl who had asked him to place four sous' worth of brandy into her cup. A shaft of sunlight came through the entrance to warm the floor which was always damp from the smokers' spitting. From everything, the casks, the bar, the entire room, a liquorish odor arose, an alcoholic aroma which seemed to thicken and befuddle the dust motes dancing in the sunlight.
Coupeau was making another cigarette. He was very neat, in a short blue linen blouse and cap, and was laughing and showing his white teeth. With a projecting under jaw and a slightly snub nose, he had handsome chestnut eyes, and the face of a jolly dog and a thorough good fellow. His coarse curly hair stood erect. His skin still preserved the softness of his twenty-six years. Opposite to him, Gervaise, in a thin black woolen dress, and bareheaded, was finishing her plum which she held by the stalk between the tips of her fingers. They were close to the street, at the first of the four tables placed alongside the barrels facing the bar.
When the zinc-worker had lit his cigarette, he placed his elbows on the table, thrust his face forward, and for an instant looked without speaking at the young woman, whose pretty fair face had that day the milky transparency of china. Then, alluding to a matter known to themselves alone, and already discussed between them, he simply asked in a low voice:
"So it's to be 'no'? you say 'no'?"
"Oh! most decidedly 'no' Monsieur Coupeau," quietly replied Gervaise with a smile. "I hope you're not going to talk to me about that here. You know you promised me you would be reasonable. Had I known, I wouldn't have let you treat me."
Coupeau kept silence, looking at her intently with a boldness. She sat still, at ease and friendly. At the end of a brief silence she added:
"You can't really mean it. I'm an old woman; I've a big boy eight years old. Whatever could we two do together?"
"Why!" murmured Coupeau, blinking his eyes, "what the others do, of course, get married!"
She made a gesture of feeling annoyed. "Oh! do you think it's always pleasant? One can very well see you've never seen much of living. No, Monsieur Coupeau, I must think of serious things. Burdening oneself never leads to anything, you know! I've two mouths at home which are never tired of swallowing, I can tell you! How do you suppose I can bring up my little ones, if I only sit here talking indolently? And listen, besides that, my misfortune has been a famous lesson to me. You know I don't care a bit about men now. They won't catch me again for a long while."
She spoke with such cool objectivity that it was clear she had resolved this in her mind, turning it about thoroughly.
Coupeau