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E.M.FORSTER: A Room with a View, Howards End, Where Angels Fear to Tread & The Longest Journey. E.M. ForsterЧитать онлайн книгу.

E.M.FORSTER: A Room with a View, Howards End, Where Angels Fear to Tread & The Longest Journey - E.M.  Forster


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of his old emotions. Cambridge and all that it meant had stood before him passionately clear, and beside it stood his mother and the sweet family life which nurses up a boy until he can salute his equals. He was ashamed, for he remembered his new resolution—to work without criticizing, to throw himself vigorously into the machine, not to mind if he was pinched now and then by the elaborate wheels.

      “Mr. Ansell!” cried his wife, laughing somewhat shrilly. “Aha! Now I understand. It’s just the kind of thing poor Mr. Ansell would say. Well, I’m brutal. I believe it does Varden good to have his ears pulled now and then, and I don’t care whether they pull them in play or not. Boys ought to rough it, or they never grow up into men, and your mother would have agreed with me. Oh yes; and you’re all wrong about patriotism. It can, can, create a sentiment.”

      She was unusually precise, and had followed his thoughts with an attention that was also unusual. He wondered whether she was not right, and regretted that she proceeded to say, “My dear boy, you mustn’t talk these heresies inside Dunwood House! You sound just like one of that reactionary Jackson set, who want to fling the school back a hundred years and have nothing but day-boys all dressed anyhow.”

      “The Jackson set have their points.”

      “You’d better join it.”

      “The Dunwood House set has its points.” For Rickie suffered from the Primal Curse, which is not—as the Authorized Version suggests—the knowledge of good and evil, but the knowledge of good-and-evil.

      “Then stick to the Dunwood House set.”

      “I do, and shall.” Again he was ashamed. Why would he see the other side of things? He rebuked his soul, not unsuccessfully, and then they returned to the subject of Varden.

      “I’m certain he suffers,” said he, for she would do nothing but laugh. “Each boy who passes pulls his ears—very funny, no doubt; but every day they stick out more and get redder, and this afternoon, when he didn’t know he was being watched, he was holding his head and moaning. I hate the look about his eyes.”

      “I hate the whole boy. Nasty weedy thing.”

      “Well, I’m a nasty weedy thing, if it comes to that.”

      “No, you aren’t,” she cried, kissing him. But he led her back to the subject. Could nothing be suggested? He drew up some new rules—alterations in the times of going to bed, and so on—the effect of which would be to provide fewer opportunities for the pulling of Varden’s ears. The rules were submitted to Herbert, who sympathized with weakliness more than did his sister, and gave them his careful consideration. But unfortunately they collided with other rules, and on a closer examination he found that they also ran contrary to the fundamentals on which the government of Dunwood House was based. So nothing was done. Agnes was rather pleased, and took to teasing her husband about Varden. At last he asked her to stop. He felt uneasy about the boy— almost superstitious. His first morning’s work had brought sixty pounds a year to their hotel.

      XIX

      Table of Contents

      They did not get to Italy at Easter. Herbert had the offer of some private pupils, and needed Rickie’s help. It seemed unreasonable to leave England when money was to be made in it, so they went to Ilfracombe instead. They spent three weeks among the natural advantages and unnatural disadvantages of that resort. It was out of the season, and they encamped in a huge hotel, which took them at a reduction. By a disastrous chance the Jacksons were down there too, and a good deal of constrained civility had to pass between the two families. Constrained it was not in Mr. Jackson’s case. At all times he was ready to talk, and as long as they kept off the school it was pleasant enough. But he was very indiscreet, and feminine tact had often to intervene. “Go away, dear ladies,” he would then observe. “You think you see life because you see the chasms in it. Yet all the chasms are full of female skeletons.” The ladies smiled anxiously. To Rickie he was friendly and even intimate. They had long talks on the deserted Capstone, while their wives sat reading in the Winter Garden and Mr. Pembroke kept an eye upon the tutored youths. “Once I had tutored youths,” said Mr. Jackson, “but I lost them all by letting them paddle with my nieces. It is so impossible to remember what is proper.” And sooner or later their talk gravitated towards his central passion—the Fragments of Sophocles. Some day ("never,” said Herbert) he would edit them. At present they were merely in his blood. With the zeal of a scholar and the imagination of a poet he reconstructed lost dramas—Niobe, Phaedra, Philoctetes against Troy, whose names, but for an accident, would have thrilled the world. “Is it worth it?” he cried. “Had we better be planting potatoes?” And then: “We had; but this is the second best.”

      Agnes did not approve of these colloquies. Mr. Jackson was not a buffoon, but he behaved like one, which is what matters; and from the Winter Garden she could see people laughing at him, and at her husband, who got excited too. She hinted once or twice, but no notice was taken, and at last she said rather sharply, “Now, you’re not to, Rickie. I won’t have it.”

      “He’s a type that suits me. He knows people I know, or would like to have known. He was a friend of Tony Failing’s. It is so hard to realize that a man connected with one was great. Uncle Tony seems to have been. He loved poetry and music and pictures, and everything tempted him to live in a kind of cultured paradise, with the door shut upon squalor. But to have more decent people in the world—he sacrificed everything to that. He would have ‘smashed the whole beauty-shop’ if it would help him. I really couldn’t go as far as that. I don’t think one need go as far— pictures might have to be smashed, but not music or poetry; surely they help—and Jackson doesn’t think so either.”

      “Well, I won’t have it, and that’s enough.” She laughed, for her voice had a little been that of the professional scold. “You see we must hang together. He’s in the reactionary camp.”

      “He doesn’t know it. He doesn’t know that he is in any camp at all.”

      “His wife is, which comes to the same.”

      “Still, it’s the holidays—” He and Mr. Jackson had drifted apart in the term, chiefly owing to the affair of Varden. “We were to have the holidays to ourselves, you know.” And following some line of thought, he continued, “He cheers one up. He does believe in poetry. Smart, sentimental books do seem absolutely absurd to him, and gods and fairies far nearer to reality. He tries to

      express all modern life in the terms of Greek mythology, because the Greeks looked very straight at things, and Demeter or Aphrodite are thinner veils than ‘The survival of the fittest’, or ‘A marriage has been arranged,’ and other draperies of modern journalese.”

      “And do you know what that means?”

      “It means that poetry, not prose, lies at the core.”

      “No. I can tell you what it means—balder-dash.”

      His mouth fell. She was sweeping away the cobwebs with a vengeance. “I hope you’re wrong,” he replied, “for those are the lines on which I’ve been writing, however badly, for the last two years.”

      “But you write stories, not poems.”

      He looked at his watch. “Lessons again. One never has a moment’s peace.”

      “Poor Rickie. You shall have a real holiday in the summer.” And she called after him to say, “Remember, dear, about Mr. Jackson. Don’t go talking so much to him.”

      Rather arbitrary. Her tone had been a little arbitrary of late. But what did it matter? Mr. Jackson was not a friend, and he must risk the chance of offending Widdrington. After the lesson he wrote to Ansell, whom he had not seen since June, asking him to come down to Ilfracombe, if only for a day. On reading the letter over, its tone displeased him. It was quite pathetic: it sounded like a cry from prison. “I can’t send him such nonsense,” he thought, and wrote again. But phrase it as he would the letter always suggested that he was unhappy. “What’s wrong?” he wondered. “I could


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