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almost in a whisper.
'Arright, Liza,' he answered, 'I'll do just as you tell me.'
They came to the passage of which Liza spoke; it was a narrow way between blank walls, the backs of factories, and it led into the upper end of Vere Street. The entrance to it was guarded by two iron posts in the middle so that horses or barrows should not be taken through.
They had just got to it when a man came out into the open road. Liza quickly turned her head away.
'I wonder if 'e see us,' she said, when he had passed out of earshot. ''E's lookin' back,' she added.
'Why, 'oo is it?' asked Jim.
'It's a man aht of our street,' she answered. 'I dunno 'im, but I know where 'e lodges. D'yer think 'e sees us?'
'Na, 'e wouldn't know 'oo it was in the dark.'
'But he looked round; all the street'll know it if he see us.'
'Well, we ain't doin' no 'arm.'
She stretched out her hand to say good night.
'I'll come a wy with yer along the passage,' said Jim.
'Na, you mustn't; you go straight round.'
'But it's so dark; p'raps summat'll 'appen to yer.'
'Not it! You go on 'ome an' leave me,' she replied, and entering the passage, stood facing him with one of the iron pillars between them.
'Good night, old cock,' she said, stretching out her hand. He took it, and said:
'I wish yer wasn't goin' ter leave me, Liza.'
'Garn! I must!' She tried to get her hand away from his, but he held it firm, resting it on the top of the pillar.
'Leave go my 'and,' she said. He made no movement, but looked into her eyes steadily, so that it made her uneasy. She repented having come out with him. 'Leave go my 'and.' And she beat down on his with her closed fist.
'Liza!' he said, at last.
'Well, wot is it?' she answered, still thumping down on his hand with her fist.
'Liza,' he said a whisper, 'will yer?'
'Will I wot?' she said, looking down.
'You know, Liza. Sy, will yer?'
'Na,' she said.
He bent over her and repeated—
'Will yer?'
She did not speak, but kept beating down on his hand.
'Liza,' he said again, his voice growing hoarse and thick—'Liza, will yer?'
She still kept silence, looking away and continually bringing down her fist. He looked at her a moment, and she, ceasing to thump his hand, looked up at him with half-opened mouth. Suddenly he shook himself, and closing his fist gave her a violent, swinging blow in the belly.
'Come on,' he said.
And together they slid down into the darkness of the passage.
8
Mrs. Kemp was in the habit of slumbering somewhat heavily on Sunday mornings, or Liza would not have been allowed to go on sleeping as she did. When she woke, she rubbed her eyes to gather her senses together and gradually she remembered having gone to the theatre on the previous evening; then suddenly everything came back to her. She stretched out her legs and gave a long sigh of delight. Her heart was full; she thought of Jim, and the delicious sensation of love came over her. Closing her eyes, she imagined his warm kisses, and she lifted up her arms as if to put them round his neck and draw him down to her; she almost felt the rough beard on her face, and the strong heavy arms round her body. She smiled to herself and took a long breath; then, slipping back the sleeves of her nightdress, she looked at her own thin arms, just two pieces of bone with not a muscle on them, but very white and showing distinctly the interlacement of blue veins: she did not notice that her hands were rough, and red and dirty with the nails broken, and bitten to the quick. She got out of bed and looked at herself in the glass over the mantelpiece: with one hand she brushed back her hair and smiled at herself; her face was very small and thin, but the complexion was nice, clear and white, with a delicate tint of red on the cheeks, and her eyes were big and dark like her hair. She felt very happy.
She did not want to dress yet, but rather to sit down and think, so she twisted up her hair into a little knot, slipped a skirt over her nightdress, and sat on a chair near the window and began looking around. The decorations of the room had been centred on the mantelpiece; the chief ornament consisted of a pear and an apple, a pineapple, a bunch of grapes, and several fat plums, all very beautifully done in wax, as was the fashion about the middle of this most glorious reign. They were appropriately coloured—the apple blushing red, the grapes an inky black, emerald green leaves were scattered here and there to lend finish, and the whole was mounted on an ebonised stand covered with black velvet, and protected from dust and dirt by a beautiful glass cover bordered with red plush. Liza's eyes rested on this with approbation, and the pineapple quite made her mouth water. At either end of the mantelpiece were pink jars with blue flowers on the front; round the top in Gothic letters of gold was inscribed: 'A Present from a Friend'—these were products of a later, but not less artistic age. The intervening spaces were taken up with little jars and cups and saucers—gold inside, with a view of a town outside, and surrounding them, 'A Present from Clacton-on-Sea,' or, alliteratively, 'A Memento of Margate.' Of these many were broken, but they had been mended with glue, and it is well known that pottery in the eyes of the connoisseur loses none of its value by a crack or two. Then there were portraits innumerable—little yellow cartes-de-visite in velvet frames, some of which were decorated with shells; they showed strange people with old-fashioned clothes, the women with bodices and sleeves fitting close to the figure, stern-featured females with hair carefully parted in the middle and plastered down on each side, firm chins and mouths, with small, pig-like eyes and wrinkled faces, and the men were uncomfortably clad in Sunday garments, very stiff and uneasy in their awkward postures, with large whiskers and shaved chins and upper lips and a general air of horny-handed toil. Then there were one or two daguerreotypes, little full-length figures framed in gold paper. There was one of Mrs. Kemp's father and one of her mother, and there were several photographs of betrothed or newly-married couples, the lady sitting down and the man standing behind her with his hand on the chair, or the man sitting and the woman with her hand on his shoulder. And from all sides of the room, standing on the mantelpiece, hanging above it, on the wall and over the bed, they stared full-face into the room, self-consciously fixed for ever in their stiff discomfort.
The walls were covered with dingy, antiquated paper, and ornamented with coloured supplements from Christmas Numbers—there was a very patriotic picture of a soldier shaking the hand of a fallen comrade and waving his arm in defiance of a band of advancing Arabs; there was a 'Cherry Ripe,' almost black with age and dirt; there were two almanacks several years old, one with a coloured portrait of the Marquess of Lorne, very handsome and elegantly dressed, the object of Mrs. Kemp's adoration since her husband's demise; the other a Jubilee portrait of the Queen, somewhat losing in dignity by a moustache which Liza in an irreverent moment had smeared on with charcoal.
The furniture consisted of a wash-hand stand and a little deal chest of drawers, which acted as sideboard to such pots and pans and crockery as could not find room in the grate; and besides the bed there was nothing but two kitchen chairs and a lamp. Liza looked at it all and felt perfectly satisfied; she put a pin into one corner of the noble Marquess to prevent him from falling, fiddled about with the ornaments a little, and then started washing herself. After putting on her clothes she ate some bread-and-butter, swallowed a dishful of cold tea, and went out into the street.
She saw some boys playing cricket and went up to them.
'Let me ply,' she said.
'Arright, Liza,' cried half a dozen of them in delight;