The Way of Ambition. Robert HichensЧитать онлайн книгу.
I wasn't claiming to have pierced the Creator's most secret designs!" she exclaimed. "I was simply endeavoring to state that it can scarcely be natural for men and women to try to hide all they are from each other. I think there's something ugly in hiding things; and ugliness can't be meant."
"Ugliness is certainly not meant," said Heath, and for the first time she felt as if she were somewhere not very far from him. "Except very often by man. Isn't it astonishing that men created Venice and that men have now put steam launches in the canals of Venice!"
Venice! Charmian seized upon the word, mentally leaped upon and clung to the city in the sea. From that moment their conversation became easier, and gradually Charmian began to recover from her strange social prostration. So she thought of it. She forced the note, no doubt. Afterward she was unpleasantly conscious of that. But at any rate the talk flowed. There was some give and take. The joints of their intercourse did not creak as if despairingly appealing to be oiled. Of course it was very banal to talk about Italy. But, still, these moments must come sometimes to all those who go much into the world. And what is Italy, beautiful, siren-like Italy, for if not to be talked about? Charmian said that to herself afterward, and was amazed at her own vulgarity of mind. Ah, yes! That was what she had disliked in Claude Heath—his faculty of making her feel almost vulgar-minded, vulgar-intellected! She coined horrible bastard words in her efforts to condemn him. But all that was later on, when she had even said good-night to her only mother.
Their tête-à-tête was broken by Mrs. Shiffney's departure to a reception at the Ritz. She must surely have been disappointed in the musician; but, if so, she was too clever to show it. And she was by way of being a good-natured woman and seldom seemed to think ill of anybody. "I have so many sins on my own conscience," she sometimes said, "that I decline to see other people's. I want them to be blind to mine. Sin and let sin is an excellent rule in social life." She seldom condemned anyone except a bore.
"If you ever pay a call, which I doubt," she said to Claude Heath as she was going, "I'm in Grosvenor Square. The Red Book will tell you."
She looked at him with her almost insolently self-possessed and careless eyes, and added:
"Perhaps some day you'll come on the yacht and show me the course to set for Wonderland. Mr. Elliot says you know it. And of course we all want to. I've been everywhere except there."
"I doubt if a yacht could take us there," said Heath, smiling as if to cover something grave or sad.
A piercing look again came into Mrs. Shiffney's eyes.
"I really hope I shall see you in Grosvenor Square," she said.
Without giving him time to say anything more she went away, accompanied from the room by Max Elliot, walking carelessly and looking very powerful and almost outrageously self-possessed.
Within the music-room there was a moment's silence. Then Paul Lane said:
"Delightful creature!"
"Yes," said Mrs. Mansfield. "Adelaide is delightful. And why? She always thinks of herself, lives for herself. She wouldn't put herself out for anyone. I've known her for years and would never go to her in a difficulty or trust her with a confidence. And yet I delight in her. I think it's because she's so entirely herself."
"She's a darling!" said Lane. "She's so preposterously human, in her way, and yet she's always distinguished. And she's so clever as well as so ignorant. I love that combination. Even on a yacht she never seems to have a bad day."
Charmian looked at Claude Heath, who was silent. She was wondering whether he meant to call in Grosvenor Square, whether he would ever set sail with Mrs. Shiffney on The Wanderer.
CHAPTER III
When Max Elliot came back they gathered round the fire, no longer split up into duets, and the conversation was general. Heath joined in frequently, and with the apparent eagerness which was evidently characteristic of him. He had facility in speaking, great quickness of utterance, and energy of voice. When he listened he suggested to Charmian a mind so alive as to be what she called "on the pounce." He had an odd air of being swayed, carried away, by what those around him were saying, even by what they were thinking, as if something in his nature demanded to acquiesce. Yet she fancied that he was secretly following his own line of thought with a persistence that was almost cold.
Lane led the talk at first, and displayed less of his irony than usual. He was probably not a happy man, though he never spoke of being unhappy. His habitual expression was of discontent, and he was too critical of life, endeavor, character, to be easily satisfied. But to-night he seemed in a softer mood than usual. Perhaps he had an object in seeming so. He was a man very curious in the arts. Elliot, who knew him well, was conscious that something in Heath's personality had made a strong impression upon him, and thought he was trying to create a favorable atmosphere in the hope that music might come of it. If this was so, he labored in vain. And soon doubtless he knew it. For he, too, pleaded another engagement, and, like Mrs. Shiffney, got up to go.
Directly the door shut behind him Charmian was conscious of relief and excitement. She even, almost despite herself, began to hope for a Te Deum; and, hoping, she found means to be wise. She effaced herself, so she believed, by withdrawing a little into a corner near the fire, holding up her Conder fan open to shield her face from the glow, and taking no part in the conversation, while listening to it with a pretty appearance of dreaminess. She was conscious of her charming attitude, of the line made by her slender upraised arm, and not unaware of the soft and almost transparent beauty the light of a glowing fire gives to delicate flesh. Nevertheless, she really tried, in a perhaps half-hearted way, to withdraw her personality into the mist. And this she did because she knew well that her mother, not she, was en rapport with Claude Heath.
"I'm out of it," she said to herself, "and mother's in it."
Mrs. Shiffney had been a restraint, Lane had been a restraint. It would be dreadful if she were the third restraining element. She would have liked to be triumphantly active in bringing things about. Since that was evidently quite out of the question she was resolved to go to the other extreme.
"My only chance is to be a mouse!" she thought.
At least she would be a graceful mouse.
She gazed at the delicate figures on her Conder fan. They, those three a little way from her, were talking now, really talking.
Mrs. Mansfield was speaking of the endeavor of certain Londoners to raise the theater out of the rut into which it had fallen, and to make of it something worthy to claim the attention of those who did not use it merely for digestive purposes. She related a story of a disastrous theater-party which she had once joined, and which had been arranged by an aspiring woman with little sense of fitness.
"We dined with her first. She had, somehow, persuaded Burling, the Oxford historian, Mrs. Hartford, the dear poetess who never smiles, and her husband, and Cummerbridge, the statistician, to be of the party. After dinner where do you think she took us?"
"To the Oxford?" said Elliot, flinging his hands round his knee and beginning to smile.
"To front row stalls at the Criterion, where they were giving a knockabout farce called My Little Darling in which a clergyman was put into a boiler, a guardsman hidden in a linen cupboard, and a penny novelette duchess was forced to retreat into a shower-bath in full activity. I confess that I laughed more than I had ever done in my life. I sat between Burling, who looked like a terrified hen, and Mr. Hartford, who was seriously attentive from beginning to end, and kept murmuring, 'Really! Really!' And I had the poetess's sibylline profile in full view. I was almost hysterical when it was over. As we were coming out Mr. Hartford said to his wife, 'Henrietta, I'm glad we came.' She rolled an eye on him and answered, with tears in the voice, 'Why?' 'It's a valuable lesson. We now know what the British public needs.' Her reply was worthy of her."
"What was it?" said Elliot, eagerly.