My Lady's Money. Уилки КоллинзЧитать онлайн книгу.
to offend Lady Lydiard (how, I cannot imagine); and the all-powerful influence of this noble lady is now used against the struggling artist who is united to you by the sacred ties of kindred. Be it so. I can fight my way upwards, my Lord, as other men have done before me. A day may yet come when the throng of carriages waiting at the door of the fashionable portrait-painter will include her Ladyship’s vehicle, and bring me the tardy expression of her Ladyship’s regret. I refer you, my Lord Lydiard, to that day!”
Having read Mr. Tollmidge’s formidable assertions relating to herself for the second time, Lady Lydiard’s meditations came to an abrupt end. She rose, took the letters in both hands to tear them up, hesitated, and threw them back in the cabinet drawer in which she had discovered them, among other papers that had not been arranged since Lord Lydiard’s death.
“The idiot!” said her Ladyship, thinking of Mr. Tollmidge, “I never even heard of him, in my husband’s lifetime; I never even knew that he was really related to Lord Lydiard, till I found his letters. What is to be done next?”
She looked, as she put that question to herself, at an open newspaper thrown on the table, which announced the death of “that accomplished artist Mr. Tollmidge, related, it is said, to the late well-known connoisseur, Lord Lydiard.” In the next sentence the writer of the obituary notice deplored the destitute condition of Mrs. Tollmidge and her children, “thrown helpless on the mercy of the world.” Lady Lydiard stood by the table with her eyes on those lines, and saw but too plainly the direction in which they pointed—the direction of her check-book.
Turning towards the fireplace, she rang the bell. “I can do nothing in this matter,” she thought to herself, “until I know whether the report about Mrs. Tollmidge and her family is to be depended on. Has Moody come back?” she asked, when the servant appeared at the door. “Moody” (otherwise her Ladyship’s steward) had not come back. Lady Lydiard dismissed the subject of the artist’s widow from further consideration until the steward returned, and gave her mind to a question of domestic interest which lay nearer to her heart. Her favorite dog had been ailing for some time past, and no report of him had reached her that morning. She opened a door near the fireplace, which led, through a little corridor hung with rare prints, to her own boudoir. “Isabel!” she called out, “how is Tommie?”
A fresh young voice answered from behind the curtain which closed the further end of the corridor, “No better, my Lady.”
A low growl followed the fresh young voice, and added (in dog’s language), “Much worse, my Lady—much worse!”
Lady Lydiard closed the door again, with a compassionate sigh for Tommie, and walked slowly to and fro in her spacious drawing-room, waiting for the steward’s return.
Accurately described, Lord Lydiard’s widow was short and fat, and, in the matter of age, perilously near her sixtieth birthday. But it may be said, without paying a compliment, that she looked younger than her age by ten years at least. Her complexion was of that delicate pink tinge which is sometimes seen in old women with well-preserved constitutions. Her eyes (equally well preserved) were of that hard light blue color which wears well, and does not wash out when tried by the test of tears. Add to this her short nose, her plump cheeks that set wrinkles at defiance, her white hair dressed in stiff little curls; and, if a doll could grow old, Lady Lydiard, at sixty, would have been the living image of that doll, taking life easily on its journey downwards to the prettiest of tombs, in a burial-ground where the myrtles and roses grew all the year round.
These being her Ladyship’s personal merits, impartial history must acknowledge, on the list of her defects, a total want of tact and taste in her attire. The lapse of time since Lord Lydiard’s death had left her at liberty to dress as she pleased. She arrayed her short, clumsy figure in colors that were far too bright for a woman of her age. Her dresses, badly chosen as to their hues, were perhaps not badly made, but were certainly badly worn. Morally, as well as physically, it must be said of Lady Lydiard that her outward side was her worst side. The anomalies of her dress were matched by the anomalies of her character. There were moments when she felt and spoke as became a lady of rank; and there were other moments when she felt and spoke as might have become the cook in the kitchen. Beneath these superficial inconsistencies, the great heart, the essentially true and generous nature of the woman, only waited the sufficient occasion to assert themselves. In the trivial intercourse of society she was open to ridicule on every side of her. But when a serious emergency tried the metal of which she was really made, the people who were loudest in laughing at her stood aghast, and wondered what had become of the familiar companion of their everyday lives.
Her Ladyship’s promenade had lasted but a little while, when a man in black clothing presented himself noiselessly at the great door which opened on the staircase. Lady Lydiard signed to him impatiently to enter the room.
“I have been expecting you for some time, Moody,” she said. “You look tired. Take a chair.”
The man in black bowed respectfully, and took his seat.
CHAPTER II.
ROBERT MOODY was at this time nearly forty years of age. He was a shy, quiet, dark person, with a pale, closely-shaven face, agreeably animated by large black eyes, set deep in their orbits. His mouth was perhaps his best feature; he had firm, well-shaped lips, which softened on rare occasions into a particularly winning smile. The whole look of the man, in spite of his habitual reserve, declared him to be eminently trustworthy. His position in Lady Lydiard’s household was in no sense of the menial sort. He acted as her almoner and secretary as well as her steward—distributed her charities, wrote her letters on business, paid her bills, engaged her servants, stocked her wine-cellar, was authorized to borrow books from her library, and was served with his meals in his own room. His parentage gave him claims to these special favors; he was by birth entitled to rank as a gentleman. His father had failed at a time of commercial panic as a country banker, had paid a good dividend, and had died in exile abroad a broken-hearted man. Robert had tried to hold his place in the world, but adverse fortune kept him down. Undeserved disaster followed him from one employment to another, until he abandoned the struggle, bade a last farewell to the pride of other days, and accepted the position considerately and delicately offered to him in Lady Lydiard’s house. He had now no near relations living, and he had never made many friends. In the intervals of occupation he led a lonely life in his little room. It was a matter of secret wonder among the women in the servants’ hall, considering his personal advantages and the opportunities which must surely have been thrown in his way, that he had never tempted fortune in the character of a married man. Robert Moody entered into no explanations on that subject. In his own sad and quiet way he continued to lead his own sad and quiet life. The women all failing, from the handsome housekeeper downward, to make the smallest impression on him, consoled themselves by prophetic visions of his future relations with the sex, and predicted vindictively that “his time would come.”
“Well,” said Lady Lydiard, “and what have you done?”
“Your Ladyship seemed to be anxious about the dog,” Moody answered, in the low tone which was habitual to him. “I went first to the veterinary surgeon. He had been called away into the country; and—”
Lady Lydiard waved away the conclusion of the sentence with her hand. “Never mind the surgeon. We must find somebody else. Where did you go next?”
“To your Ladyship’s lawyer. Mr. Troy wished me to say that he will have the honor of waiting on you—”
“Pass over the lawyer, Moody. I want to know about the painter’s widow. Is it true that Mrs. Tollmidge and her family are left in helpless poverty?”
“Not quite true, my Lady. I have seen the clergyman of the parish, who takes an interest in the case—”
Lady Lydiard interrupted her steward for the third time. “Did you mention my name?” she asked sharply.
“Certainly