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or relationship, between the two men. But there was—that of debtor and creditor—a lien not always conferring friendship. Notwithstanding his dislike, the proud Southerner had not been above accepting a loan from the despised Northern, which the latter was but too eager to extend. The Massachusetts man had long coveted the Mississippian’s fine estate; not alone from its tempting contiguity, but also because it looked like a ripe pear that must soon fall from the tree. With secret satisfaction he had observed the wasteful extravagance of its owner; a satisfaction increased on discovering the latter’s impecuniosity. It became joy, almost openly exhibited, on the day when Colonel Armstrong came to him requesting a loan of twenty thousand dollars; which he consented to give, with an alacrity that would have appeared suspicious to any but a borrower.
If he gave the money in great glee, still greater was that with which he contemplated the mortgage deed taken in exchange. For he knew it to be the first entering of a wedge, that in due time would ensure him possession of the fee-simple. All the surer, from a condition in that particular deed: Foreclosure, without time. Pressure from other quarters had forced planter Armstrong to accept these terrible terms.
As, Darke, before locking it up in his drawer, glanced the document over, his eyes scintillating with the glare of greed triumphant, he said to himself, “This day’s work has doubled the area of my acres, and the number of my niggers. Armstrong’s land, his slaves, his houses—everything he has, will soon be mine!”
Chapter Two.
A flat refusal.
Two years have elapsed since Ephraim Darke became the creditor of Archibald Armstrong. Apparently, no great change has taken place in the relationship between the two men, though in reality much.
The twenty thousand dollars’ loan has been long ago dissipated, and the borrower is once more in need.
It would be useless, idle, for him to seek a second mortgage in the same quarter; or in any other, since he can show no collateral. His property has been nearly all hypothecated in the deed to Darke; who perceives his long-cherished dream on the eve of becoming a reality. At any hour he may cause foreclosure, turn Colonel Armstrong out of his estate, and enter upon possession.
Why does he not take advantage of the power, with which the legal code of the United States, as that existing all over the world, provides him?
There is a reason for his not doing so, wide apart from any motive of mercy, or humanity. Or of friendship either, though something erroneously considered akin to it. Love hinders him from pouncing on the plantation of Archibald Armstrong, and appropriating it!
Not love in his own breast, long ago steeled against such a trifling affection. There only avarice has a home; cupidity keeping house, and looking carefully after the expenses.
But there is a spendthrift who has also a shelter in Ephraim Darke’s heart—one who does much to thwart his designs, oft-times defeating them. As already said, he has a son, by name Richard; better known throughout the settlement as “Dick”—abbreviations of nomenclature being almost universal in the South-Western States. An only son—only child as well—motherless too—she who bore him having been buried long before the Massachusetts man planted his roof-tree in the soil of Mississippi. A hopeful scion he, showing no improvement on the paternal stock. Rather the reverse; for the grasping avarice, supposed to be characteristic of the Yankee, is not improved by admixture with the reckless looseness alleged to be habitual in the Southerner.
Both these bad qualities have been developed in Dick Darke, each to its extreme. Never was New Englander more secretive and crafty; never Mississippian more loose, or licentious.
Mean in the matter of personal expenditure, he is at the same time of dissipated and disorderly habits; the associate of the poker-playing, and cock-fighting, fraternity of the neighbourhood; one of its wildest spirits, without any of those generous traits oft coupled with such a character.
As only son, he is heir-presumptive to all the father’s property—slaves and plantation lands; and, being thoroughly in his father’s confidence, he is aware of the probability of a proximate reversion to the slaves and plantation lands belonging to Colonel Armstrong.
But much as Dick Darke may like money, there is that he likes more, even to covetousness—Colonel Armstrong’s daughter. There are two of them—Helen and Jessie—both grown girls—motherless too—for the colonel is himself a widower.
Jessie, the younger, is bright-haired, of blooming complexion, merry to madness; in spirit, the personification of a romping elf; in physique, a sort of Hebe. Helen, on the other hand, is dark as gipsy, or Jewess; stately as a queen, with the proud grandeur of Juno. Her features of regular classic type, form tall and magnificently moulded, amidst others she appears as a palm rising above the commoner trees of the forest. Ever since her coming out in society, she has been universally esteemed the beauty of the neighbourhood—as belle in the balls of Natchez. It is to her Richard Darke has extended his homage, and surrendered his heart.
He is in love with her, as much as his selfish nature will allow—perhaps the only unselfish passion ever felt by him.
His father sanctions, or at all events does not oppose it. For the wicked son holds a wonderful ascendancy over a parent, who has trained him to wickedness equalling his own.
With the power of creditor over debtor—a debt of which payment can be demanded at any moment, and not the slightest hope of the latter being able to pay it—the Darkes seem to have the vantage ground, and may dictate their own terms.
Helen Armstrong knows nought of the mortgage; no more, of herself being the cause which keeps it from foreclosure. Little does she dream, that her beauty is the sole shield imposed between her father and impending ruin. Possibly if she did, Richard Darke’s attentions to her would be received with less slighting indifference. For months he has been paying them, whenever, and wherever, an opportunity has offered—at balls, barbecues, and the like. Of late also at her father’s house; where the power spoken of gives him not only admission, but polite reception, and hospitable entertainment, at the hands of its owner; while the consciousness of possessing it hinders him from observing, how coldly his assiduities are met by her to whom they are so warmly addressed.
He wonders why, too. He knows that Helen Armstrong has many admirers. It could not be otherwise with one so splendidly beautiful, so gracefully gifted. But among them there is none for whom she has shown partiality.
He has, himself, conceived a suspicion, that a young man, by name Charles Clancy—son of a decayed Irish gentleman, living near—has found favour in her eyes. Still, it is only a suspicion; and Clancy has gone to Texas the year before—sent, so said, by his father, to look out for a new home. The latter has since died, leaving his widow sole occupant of an humble tenement, with a small holding of land—a roadside tract, on the edge of the Armstrong estate.
Rumour runs, that young Clancy is about coming back—indeed, every day expected.
That can’t matter. The proud planter, Armstrong, is not the man to permit of his daughter marrying a “poor white”—as Richard Darke scornfully styles his supposed rival—much less consent to the so bestowing of her hand. Therefore no danger need be dreaded from that quarter.
Whether there need, or not, the suitor of Helen Armstrong at length resolves on bringing the affair to an issue. His love for her has become a strong passion, the stronger for being checked—restrained by her cold, almost scornful behaviour. This may be but coquetry. He hopes, and has a fancy it is. Not without reason. For he is far from being ill-favoured; only in a sense moral, not physical. But this has not prevented him from making many conquests among backwood’s belles; even some city celebrities living in Natchez. All know he is rich; or will be, when his father fulfils the last conditions of his will—by dying.
So fortified, so flattered, Dick Darke