Scenes from a Courtesan's Life. Honore de BalzacЧитать онлайн книгу.
an office as lawyer, notary, clerk, or attorney, leered at the Baron in a significant fashion.
“To you—a thousand crowns, or let it alone. You will get them back in a few seconds on the Bourse,” said he.
“I will gif you one tousant franc,” repeated the Baron.
“You would cheapen a gold mine!” said Louchard, bowing and leaving.
“I shall get dat address for five hundert franc!” cried the Baron, who desired his servant to send his secretary to him.
Turcaret is no more. In these days the smallest banker, like the greatest, exercises his acumen in the smallest transactions; he bargains over art, beneficence, and love; he would bargain with the Pope for a dispensation. Thus, as he listened to Louchard, Nucingen had hastily concluded that Contenson, Louchard’s right-hand man, must certainly know the address of that master spy. Contenson would tell him for five hundred francs what Louchard wanted to see a thousand crowns for. The rapid calculation plainly proves that if the man’s heart was in possession of love, his head was still that of the lynx stock-jobber.
“Go your own self, mensieur,” said the Baron to his secretary, “to Contenson, dat spy of Louchart’s de bailiff man—but go in one capriolette, very qvick, and pring him here qvick to me. I shall vait.—Go out trough de garten.—Here is dat key, for no man shall see dat man in here. You shall take him into dat little garten-house. Try to do dat little business very clefer.”
Visitors called to see Nucingen on business; but he waited for Contenson, he was dreaming of Esther, telling himself that before long he would see again the woman who had aroused in him such unhoped-for emotions, and he sent everybody away with vague replies and double-edged promises. Contenson was to him the most important person in Paris, and he looked out into the garden every minute. Finally, after giving orders that no one else was to be admitted, he had his breakfast served in the summer-house at one corner of the garden. In the banker’s office the conduct and hesitancy of the most knowing, the most clearsighted, the shrewdest of Paris financiers seemed inexplicable.
“What ails the chief?” said a stockbroker to one of the head-clerks.
“No one knows; they are anxious about his health, it would seem. Yesterday, Madame la Baronne got Desplein and Bianchon to meet.”
One day, when Sir Isaac Newton was engaged in physicking one of his dogs, named “Beauty” (who, as is well known, destroyed a vast amount of work, and whom he reproved only in these words, “Ah! Beauty, you little know the mischief you have done!”), some strangers called to see him; but they at once retired, respecting the great man’s occupation. In every more or less lofty life, there is a little dog “Beauty.” When the Marechal de Richelieu came to pay his respects to Louis XV. after taking Mahon, one of the greatest feats of arms of the eighteenth century, the King said to him, “Have you heard the great news? Poor Lansmatt is dead.”—Lansmatt was a gatekeeper in the secret of the King’s intrigues.
The bankers of Paris never knew how much they owed to Contenson. That spy was the cause of Nucingen’s allowing an immense loan to be issued in which his share was allotted to him, and which he gave over to them. The stock-jobber could aim at a fortune any day with the artillery of speculation, but the man was a slave to the hope of happiness.
The great banker drank some tea, and was nibbling at a slice of bread and butter, as a man does whose teeth have for long been sharpened by appetite, when he heard a carriage stop at the little garden gate. In a few minutes his secretary brought in Contenson, whom he had run to earth in a cafe not far from Sainte-Pelagie, where the man was breakfasting on the strength of a bribe given to him by an imprisoned debtor for certain allowances that must be paid for.
Contenson, you must know, was a whole poem—a Paris poem. Merely to see him would have been enough to tell you that Beaumarchais’ Figaro, Moliere’s Mascarille, Marivaux’s Frontin, and Dancourt’s Lafleur—those great representatives of audacious swindling, of cunning driven to bay, of stratagem rising again from the ends of its broken wires—were all quite second-rate by comparison with this giant of cleverness and meanness. When in Paris you find a real type, he is no longer a man, he is a spectacle; no longer a factor in life, but a whole life, many lives.
Bake a plaster cast four times in a furnace, and you get a sort of bastard imitation of Florentine bronze. Well, the thunderbolts of numberless disasters, the pressure of terrible necessities, had bronzed Contenson’s head, as though sweating in an oven had three times over stained his skin. Closely-set wrinkles that could no longer be relaxed made eternal furrows, whiter in their cracks. The yellow face was all wrinkles. The bald skull, resembling Voltaire’s, was as parched as a death’s-head, and but for a few hairs at the back it would have seemed doubtful whether it was that of a living man. Under a rigid brow, a pair of Chinese eyes, like those of an image under a glass shade in a tea-shop—artificial eyes, which sham life but never vary—moved but expressed nothing. The nose, as flat as that of a skull, sniffed at fate; and the mouth, as thin-lipped as a miser’s, was always open, but as expressionless as the grin of a letterbox.
Contenson, as apathetic as a savage, with sunburned hands, affected that Diogenes-like indifference which can never bend to any formality of respect.
And what a commentary on his life was written on his dress for any one who can decipher a dress! Above all, what trousers! made, by long wear, as black and shiny as the camlet of which lawyers’ gowns are made! A waistcoat, bought in an old clothes shop in the Temple, with a deep embroidered collar! A rusty black coat!—and everything well brushed, clean after a fashion, and graced by a watch and an imitation gold chain. Contenson allowed a triangle of shirt to show, with pleats in which glittered a sham diamond pin; his black velvet stock set stiff like a gorget, over which lay rolls of flesh as red as that of a Caribbee. His silk hat was as glossy as satin, but the lining would have yielded grease enough for two street lamps if some grocer had bought it to boil down.
But to enumerate these accessories is nothing; if only I could give an idea of the air of immense importance that Contenson contrived to impart to them! There was something indescribably knowing in the collar of his coat, and the fresh blacking on a pair of boots with gaping soles, to which no language can do justice. However, to give some notion of this medley of effect, it may be added that any man of intelligence would have felt, only on seeing Contenson, that if instead of being a spy he had been a thief, all these odds and ends, instead of raising a smile, would have made one shudder with horror. Judging only from his dress, the observer would have said to himself, “That is a scoundrel; he gambles, he drinks, he is full of vices; but he does not get drunk, he does not cheat, he is neither a thief nor a murderer.” And Contenson remained inscrutable till the word spy suggested itself.
This man had followed as many unrecognized trades as there are recognized ones. The sly smile on his lips, the twinkle of his green eyes, the queer twitch of his snub nose, showed that he was not deficient in humor. He had a face of sheet-tin, and his soul must probably be like his face. Every movement of his countenance was a grimace wrung from him by politeness rather than by any expression of an inmost impulse. He would have been alarming if he had not seemed so droll.
Contenson, one of the most curious products of the scum that rises to the top of the seething Paris caldron, where everything ferments, prided himself on being, above all things, a philosopher. He would say, without any bitter feeling:
“I have great talents, but of what use are they? I might as well have been an idiot.”
And he blamed himself instead of accusing mankind. Find, if you can, many spies who have not had more venom about them than Contenson had.
“Circumstances are against me,” he would say to his chiefs. “We might be fine crystal; we are but grains of sand, that is all.”
His indifference to dress had some sense. He cared no more about his everyday clothes than an actor does; he excelled in disguising himself, in “make-up”; he could have given Frederic Lemaitre a lesson, for he could be a dandy when necessary. Formerly, in his younger days, he must have mingled in the out-at-elbows society of people living on a humble scale. He expressed excessive disgust for the criminal