Endless Amusement. UnknownЧитать онлайн книгу.
can be very easily planned, both not to obstruct the sight, nor be seen to disadvantage. The lights behind the picture should be very strong; and if a magnifying glass were placed in the sight hole, it would tend greatly to increase the effect. The box must be covered in, leaving an aperture for the smoke of the lights to pass through.
The above exhibition can only be shown at candle-light; but there is another way, by fixing small pieces of gold on the building, instead of drilling the holes; which gives something like the appearance of illumination, but by no means equal to the foregoing experiment.
N.B. It would be an improvement, if paper of various colours, rendered transparent by oil, were placed between the lights behind and the aperture in the buildings, as they would then resemble lamps of different colours.
The Cameleon Spirit.
Put into a decanter volatile spirit, in which you have dissolved copper filings, and it will produce a fine blue. If the bottle be stopped, the colour will disappear; but when unstopped, it will return. This experiment may be often repeated.
Invisible Ink.
Put litharge of lead into very strong vinegar, and let it stand twenty-four hours. Strain it off, and let it remain till quite settled; then put the liquor in a bottle.
You next dissolve orpiment in quick lime water, by setting the water in the sun for two or three days, turning it five or six times a-day. Keep the bottle containing this liquor well corked, as the vapour is highly pernicious if received into the mouth.
Write what you wish with a pen dipped in the first liquor; and, to make it visible, expose it to the vapour of the second liquor. If you wish them to disappear again, draw a sponge or pencil, dipped in aqua fortis, or spirit of nitre, over the paper; and if you wish them to re-appear, let the paper be quite dry, and then pass the solution of orpiment over it.
Another.
Dissolve bismuth in nitrous acid. When the writing with this fluid is exposed to the vapour of liver of sulphur, it will become quite black.
Another.
Dissolve green vitriol and a little nitrous acid in common water. Write your characters with a new pen.
Next infuse small Aleppo galls, slightly bruised in water. In two or three days, pour the liquor off.
By drawing a pencil dipped in this second solution over the characters written with the first, they will appear a beautiful black.
Invisible Gold Ink.
Put as much gold in as small a quantity of aqua regia as will dissolve it, and dilute it with two or three times the quantity of distilled water.
Next dissolve, in a separate vessel, fine pewter in aqua regia, and when it is well impregnated, add an equal quantity of distilled water.
Write your characters with the first solution: let it dry in the shade. To make them visible, draw a pencil or sponge, dipped in the second solution, over the paper, and the characters will appear of a purple colour.
Invisible Silver Ink.
Dissolve fine silver in aqua fortis; and after the dissolution, add some distilled water in the same manner as in the gold ink.
What is written with the above ink will remain invisible for three or four months, if kept from the air; but may be easily read in an hour, if exposed to the fire, air, or sun.
Invisible Yellow Ink.
Steep marigold flowers seven or eight days in clear distilled vinegar. Press the flowers and strain the liquor, which is to be kept in a bottle well corked. If you would have it still more clear, add, when you use it, some pure water.
To make the characters visible, which you write with this ink, pass a sponge over the paper, dipped in the following solution:
Take a quantity of flowers of pansy, or the common violet, bruise them in a mortar with water, strain the liquor in a cloth, and keep it in a bottle.
Invisible Red Ink.
To the pure spirit of vitriol or nitre, add eight times as much water.
Use the above solution of violets to make visible the characters written with this ink.
Invisible Green Ink.
Dissolve salt of tartar, clean and dry, in a sufficient quantity of river water. Use the violet solution to render it visible.
Another Invisible Green Ink.
Dissolve zaffre, in powder, in aqua regia, for twenty-four hours. Pour the liquor off, and the same quantity of common water, and keep it in a bottle well corked.
This ink will not be visible till exposed to the fire or the sun; and will again be invisible when it becomes cold.
Invisible Violet Ink.
Express the juice of lemons, and keep it in a bottle well corked. Use the violet infusion to make the writing visible.
Invisible Grey Ink.
Mix alum with lemon-juice. The letters written with this ink will be invisible till dipped in water.
We now present our readers with a variety of amusing experiments, which may be performed by the foregoing inks; and they will, probably, suggest others equally amusing and useful.
A Secret Correspondence by means of Invisible Ink.
A person wishing to carry on a correspondence with another, and who is fearful of having his letter opened, or intercepted, can adopt the following plan:
Write any unimportant matter with common ink, and let the lines be very wide apart: then between these lines write the communication you wish to make, with any of the above invisible inks you can most readily procure.
Your correspondent is to be previously apprized of the method of making the characters visible: and writing in common ink will serve to lull the suspicions of those who might intercept the letter, and who, not finding any thing important in it, will either forward or keep it. In either case there can be no danger, as the writing will not be visible without the proper application.
The Mysterious Writing.
Write on a piece of paper with common ink any question; then underneath it write the answer either in invisible silver ink, or the invisible green ink, made with zaffre and aqua regia, described in pages 24 and 25.
You give this paper to your friend, and tell him to place it against the wall, or on his dressing-table, keeping the door locked, that he may be sure no person has entered his room: he will next day find the answer written on it.
The Restored Flowers.
Make a bouquet of artificial flowers; the leaves should be formed of parchment. Dip the roses in the red invisible ink, the jonquilles in the yellow, the pinks in the violet, and the leaves in the green ink. They will all appear white; and you show them to the company, observing, that you will restore them to their natural colours, and desiring any person to fix any private mark on them he pleases, that he may be sure there is no deception. You then, unperceived by the company, dip them in the revivifying liquor, used to make the yellow ink visible, described in page 24, and, drawing them gently out, that the liquor may drop, and the flowers have time to acquire their colours, you present them to the company, who will see, with surprise, that they each appear in their natural colours.