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An Artist's Letters from Japan. John La FargeЧитать онлайн книгу.

An Artist's Letters from Japan - John La  Farge


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the beginning of man, something invented while he lived with the birds, in this elementary porch, whose upper line, repeating the slope of hill and wave, first embodied the curve that curls all upper edges in the buildings of the farther East.

      And if indeed, the Torii[1] be nothing but the first bird-perch, then I can imagine the father of all peacocks spreading his gigantic fan across its bars; or I may prefer to suppose it the rest for the disk of the sun-god, whose lower curve is repeated by the Torii's upper beam.

      Sometimes there were traces of inclosure about these woods; sometimes they had no edgings but their own beautifully-modeled contours. Long ages, respectful care, sometimes fortunate neglect, have made of these reserved spaces types of an ideal wildness, for these are sacred groves, and they are protected by the divine contained within them.

      This preservation of a recall of primeval nature, this exemption of the soil from labor, within anxious and careful tillage, is a note of Japan constantly recurring, and a source of perpetual charm.

      Notwithstanding the men and women working in the fields, there was a certain desolateness in the landscape, and A—— made out its reason more easily than I, and recalled that for miles and miles we had traveled without seeing any of the four-footed beasts which the Western mind always associates with pastoral life and labor.

      As the evening came on we crossed a large river and looked down from the height of the new bridges upon the discarded ferry-boats, and upon the shape of a more fantastic one that was never meant to sail—a pine-tree, shaped and trimmed, which spread its green mast and sails in a garden by the water. Far away were lines of mountains and the peaks of extinct volcanoes.

      At every station now the country people gathered to stare at the novelty of the train; we saw the lighting up of the farm-houses as we passed; in the dooryards, behind high hedges reminding me of Normandy, bonfires were being made to keep off mosquitoes: then temples and shrines with lights before them, and at eight o'clock on a festal night we came into Utsunomiya.

      The streets were full of people carrying lanterns; children ran about together, with little toy shrines, and the whole town was drowned in noise. We got into a basha, a sort of omnibus, attached to two wild horses, and were hurled through the crowded streets, much as if carrying the mails, with apparent disregard of the lives and limbs of the inhabitants.

      The hotel, where we were expected and where the Doctor had represented us as distinguished visitors, opened its whole front, in a Japanese way, to receive us, for there was no outside wall to the lower floor. We were driven quite into the house, and beheld an entire household drawn up in line on the platform, which occupied a full half of this lower space. The Doctor did all that was right, while we remained in amused embarrassment before our prostrated host and the kneeling attendants. As we sat helpless on the steps of the platform our shoes were taken off, and in stockinged feet we were ushered through the crowd and the lower part of the house, through the preparations for passing travelers, the smell and heat of washing and cookery, and an inexpressibly outrageous odor, even for this land of frightful smells, evidently of the same nature as that of the rice-fields.

      Notwithstanding this horror, we found, on clambering up the steep little staircase of dark, slippery wood, better fitted to stockings than to boots, a most charming, cleanly apartment ready for us: ready, I say, but its three big rooms, which took all one side of the court, contained nothing but a drawing hanging in each room and a vase filled with flowers; in justice, I ought to add a European table of the simplest make, and three European chairs. Under them was spread a piece of that red cloth which seems to have a fascination for the Japanese—perhaps as being European.

      Everything was of the cleanest—wall, floor, stairs, tables; everything was dusted, wiped, rubbed, polished.

      It was too hot and we were too tired to go out and see the town, noisy with the excitement of a festival. The Doctor directed the preparation of a meal on a Japanese basis of rice, mingled and enlivened with the contents of various cans; and meanwhile I went down another little staircase of cleanly white wood, at the farther end of our apartment, to our little private bath-room below.

       OUR RUNNER.

      Laughter and chatter, clattering of cups, rap of pipes against boxes, a young man came in and bent over one of the women seated upon the floor; the girl repeated some prayer, with clapping hands outstretched; the lights were put out, all but the square "ando," or floor night-lantern, and they drew their screens. I fell asleep, to be waked with a start by the watchman, who, every hour, paced through the garden, striking a wooden clapper, and impertinently assured us of the hour.

      This weary noise marked the intervals of a night of illness, made worse by nightmares of the cholera, from which we were flying. The earliest dawn was made hideous by the unbarring and rolling of the heavy amados,[2] the drawing back of the inside screens (shojis), and the clattering of clogs over pavement, through other parts of the house. Our Japanese family across the way I could hear at their ablutions, and, later, tumultuously departing for early trains; and at last I slept in broad daylight.

      Late in the morning we entered our friend the basha. In the daylight I noticed that the horses wore something like a Dutch collar, and were harnessed with ropes. Two men, one the driver, the other the running groom, sat on the low front seat. Our trunks and bags and Japanese baskets encumbered the omnibus seats, on which we stretched our sick and wearied bodies, for the Doctor himself was ill, and smiled mechanically when I tortured him with questions. We left town at a full gallop, and at risk of life for every one in the streets; one of our drivers meanwhile blowing wildly through a horn, to the inspiriting of the horses and the frightening of the Japanese small-boy. Soon one of our men plunged off his seat and began running by the horses in the old Japanese way—hereditary


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