Unbeaten Tracks in Japan. Isabella L. BirdЧитать онлайн книгу.
its place, as the land under careful tillage and copious manuring bears two, and even three, crops, in the year. The soil is trenched for wheat as for all crops except rice, not a weed is to be seen, and the whole country looks like a well-kept garden. The barns in this district are very handsome, and many of their grand roofs have that concave sweep with which we are familiar in the pagoda. The eaves are often eight feet deep, and the thatch three feet thick. Several of the farm-yards have handsome gateways like the ancient “lychgates” of some of our English churchyards much magnified. As animals are not used for milk, draught, or food, and there are no pasture lands, both the country and the farm-yards have a singular silence and an inanimate look; a mean-looking dog and a few fowls being the only representatives of domestic animal life. I long for the lowing of cattle and the bleating of sheep.
At six we reached Tochigi, a large town, formerly the castle town of a daimiyô. Its special manufacture is rope of many kinds, a great deal of hemp being grown in the neighbourhood. Many of the roofs are tiled, and the town has a more solid and handsome appearance than those that we had previously passed through. But from Kasukabé to Tochigi was from bad to worse. I nearly abandoned Japanese travelling altogether, and, if last night had not been a great improvement, I think I should have gone ignominiously back to Tôkiyô. The yadoya was a very large one, and, as sixty guests had arrived before me, there was no choice of accommodation, and I had to be contented with a room enclosed on all sides not by fusuma but shôji, and with barely room for my bed, bath, and chair, under a fusty green mosquito net which was a perfect nest of fleas. One side of the room was against a much-frequented passage, and another opened on a small yard upon which three opposite rooms also opened, crowded with some not very sober or decorous travellers. The shôji were full of holes, and often at each hole I saw a human eye. Privacy was a luxury not even to be recalled. Besides the constant application of eyes to the shôji, the servants, who were very noisy and rough, looked into my room constantly without any pretext; the host, a bright, pleasant-looking man, did the same; jugglers, musicians, blind shampooers, and singing girls, all pushed the screens aside; and I began to think that Mr. Campbell was right, and that a lady should not travel alone in Japan. Ito, who had the room next to mine, suggested that robbery was quite likely, and asked to be allowed to take charge of my money, but did not decamp with it during the night! I lay down on my precarious stretcher before eight, but as the night advanced the din of the house increased till it became truly diabolical, and never ceased till after one. Drums, tom-toms, and cymbals were beaten; kotos and samisens screeched and twanged; geishas (professional women with the accomplishments of dancing, singing, and playing) danced—accompanied by songs whose jerking discords were most laughable; story-tellers recited tales in a high key, and the running about and splashing close to my room never ceased. Late at night my precarious shôji were accidentally thrown down, revealing a scene of great hilarity, in which a number of people were bathing and throwing water over each other.
The noise of departures began at daylight, and I was glad to leave at seven. Before you go the fusuma are slidden back, and what was your room becomes part of a great, open, matted space—an arrangement which effectually prevents fustiness. Though the road was up a slight incline, and the men were too tired to trot, we made thirty miles in nine hours. The kindliness and courtesy of the coolies to me and to each other was a constant source of pleasure to me. It is most amusing to see the elaborate politeness of the greetings of men clothed only in hats and maros. The hat is invariably removed when they speak to each other, and three profound bows are never omitted.
Soon after leaving the yadoya we passed through a wide street with the largest and handsomest houses I have yet seen on both sides. They were all open in front; their highly-polished floors and passages looked like still water; the kakemonos, or wall-pictures, on their side-walls were extremely beautiful; and their mats were very fine and white. There were large gardens at the back, with fountains and flowers, and streams, crossed by light stone bridges, sometimes flowed through the houses. From the signs I supposed them to be yadoyas, but on asking Ito why we had not put up at one of them, he replied that they were all kashitsukeya, or tea-houses of disreputable character—a very sad fact. [46]
As we journeyed the country became prettier and prettier, rolling up to abrupt wooded hills with mountains in the clouds behind. The farming villages are comfortable and embowered in wood, and the richer farmers seclude their dwellings by closely-clipped hedges, or rather screens, two feet wide, and often twenty feet high. Tea grew near every house, and its leaves were being gathered and dried on mats. Signs of silk culture began to appear in shrubberies of mulberry trees, and white and sulphur yellow cocoons were lying in the sun along the road in flat trays. Numbers of women sat in the fronts of the houses weaving cotton cloth fifteen inches wide, and cotton yarn, mostly imported from England, was being dyed in all the villages—the dye used being a native indigo, the Polygonum tinctorium. Old women were spinning, and young and old usually pursued their avocations with wise-looking babies tucked into the backs of their dresses, and peering cunningly over their shoulders. Even little girls of seven and eight were playing at children’s games with babies on their backs, and those who were too small to carry real ones had big dolls strapped on in similar fashion. Innumerable villages, crowded houses, and babies in all, give one the impression of a very populous country.
As the day wore on in its brightness and glory the pictures became more varied and beautiful. Great snow-slashed mountains looked over the foothills, on whose steep sides the dark blue green of pine and cryptomeria was lighted up by the spring tints of deciduous trees. There were groves of cryptomeria on small hills crowned by Shintô shrines, approached by grand flights of stone stairs. The red gold of the harvest fields contrasted with the fresh green and exquisite leafage of the hemp; rose and white azaleas lighted up the copse-woods; and when the broad road passed into the colossal avenue of cryptomeria which overshadows the way to the sacred shrines of Nikkô, and tremulous sunbeams and shadows flecked the grass, I felt that Japan was beautiful, and that the mud flats of Yedo were only an ugly dream!
Two roads lead to Nikkô. I avoided the one usually taken by Utsunomiya, and by doing so lost the most magnificent of the two avenues, which extends for nearly fifty miles along the great highway called the Oshiu-kaido. Along the Reiheishi-kaido, the road by which I came, it extends for thirty miles, and the two, broken frequently by villages, converge upon the village of Imaichi, eight miles from Nikkô, where they unite, and only terminate at the entrance of the town. They are said to have been planted as an offering to the buried Shôguns by a man who was too poor to place a bronze lantern at their shrines. A grander monument could not have been devised, and they are probably the grandest things of their kind in the world. The avenue of the Reiheishi-kaido is a good carriage road with sloping banks eight feet high, covered with grass and ferns. At the top of these are the cryptomeria, then two grassy walks, and between these and the cultivation a screen of saplings and brushwood. A great many of the trees become two at four feet from the ground. Many of the stems are twenty-seven feet in girth; they do not diminish or branch till they have reached a height of from 50 to 60 feet, and the appearance of altitude is aided by the longitudinal splitting of the reddish coloured bark into strips about two inches wide. The trees are pyramidal, and at a little distance resemble cedars. There is a deep solemnity about this glorious avenue with its broad shade and dancing lights, and the rare glimpses of high mountains. Instinct alone would tell one that it leads to something which must be grand and beautiful like itself. It is broken occasionally by small villages with big bells suspended between double poles; by wayside shrines with offerings of rags and flowers; by stone effigies of Buddha and his disciples, mostly defaced or overthrown, all wearing the same expression of beatified rest and indifference to mundane affairs; and by temples of lacquered wood falling to decay, whose bells sent their surpassingly sweet tones far on the evening air.
Imaichi, where the two stately aisles unite, is a long uphill street, with a clear mountain stream enclosed in a stone channel, and crossed by hewn stone slabs running down the middle. In a room built over the stream, and commanding a view up and down the street, two policemen sat writing. It looks a dull place without much traffic, as if oppressed by the stateliness of the avenues below it and the shrines above it, but it has a quiet yadoya, where I had a good night’s rest, although my canvas bed was nearly on the ground. We left early this morning in drizzling