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anguish of the empty page awaiting him in his bureau, and the knowledge that it was worse than useless to attempt the work. He had fallen into the habit of always using this phrase "the work" to denote the adventure of literature; it had grown in his mind to all the austere and grave significance of "the great work" on the lips of the alchemists; it included every trifling and laborious page and the vague magnificent fancies that sometimes hovered below him. All else had become mere by-play, unimportant, trivial; the work was the end, and the means and the food of his life—it raised him up in the morning to renew the struggle, it was the symbol which charmed him as he lay down at night. All through the hours of toil at the bureau he was enchanted, and when he went out and explored the unknown coasts, the one thought allured him, and was the colored glass between his eyes and the world. Then as he drew nearer home his steps would quicken, and the more weary and grey the walk, the more he rejoiced as he thought of his hermitage and of the curious difficulties that awaited him there. But when, suddenly and without warning, the faculty disappeared, when his mind seemed a hopeless waste from which nothing could arise, then he became subject to a misery so piteous that the barbarians themselves would have been sorry for him. He had known some foretaste of these bitter and inexpressible griefs in the old country days, but then he had immediately taken refuge in the hills, he had rushed to the dark woods as to an anodyne, letting his heart drink in all the wonder and magic of the wild land. Now in these days of January, in the suburban street, there was no such refuge.
He had been working steadily for some weeks, well enough satisfied on the whole with the daily progress, glad to awake in the morning, and to read over what he had written on the night before. The new year opened with faint and heavy weather and a breathless silence in the air, but in a few days the great frost set in. Soon the streets began to suggest the appearance of a beleaguered city, the silence that had preceded the frost deepened, and the mist hung over the earth like a dense white smoke. Night after night the cold increased, and people seemed unwilling to go abroad, till even the main thoroughfares were empty and deserted, as if the inhabitants were lying close in hiding. It was at this dismal time that Lucian found himself reduced to impotence. There was a sudden break in his thought, and when he wrote on valiantly, hoping against hope, he only grew more aghast on the discovery of the imbecilities he had committed to paper. He ground his teeth together and persevered, sick at heart, feeling as if all the world were fallen from under his feet, driving his pen on mechanically, till he was overwhelmed. He saw the stuff he had done without veil or possible concealment, a lamentable and wretched sheaf of verbiage, worse, it seemed, than the efforts of his boyhood. He was not longer tautological, he avoided tautology with the infernal art of a leader-writer, filling his wind bags and mincing words as if he had been a trained journalist on the staff of the Daily Post. There seemed all the matter of an insufferable tragedy in these thoughts; that his patient and enduring toil was in vain, that practice went for nothing, and that he had wasted the labor of Milton to accomplish the tenth-rate. Unhappily he could not "give in"; the longing, the fury for the work burnt within him like a burning fire; he lifted up his eyes in despair.
It was then, while he knew that no one could help him, that he languished for help, and then, though he was aware that no comfort was possible, he fervently wished to be comforted. The only friend he had was his father, and he knew that his father would not even understand his distress. For him, always, the printed book was the beginning and end of literature; the agony of the maker, his despair and sickness, were as accursed as the pains of labor. He was ready to read and admire the work of the great Smith, but he did not wish to hear of the period when the great Smith had writhed and twisted like a scotched worm, only hoping to be put out of his misery, to go mad or die, to escape somehow from the bitter pains. And Lucian knew no one else. Now and then he read in the paper the fame of the great littérateurs; the Gypsies were entertaining the Prince of Wales, the Jolly Beggars were dining with the Lord Mayor, the Old Mumpers were mingling amicably and gorgeously with the leading members of the Stock Exchange. He was so unfortunate as to know none of these gentlemen, but it hardly seemed likely that they could have done much for him in any case. Indeed, in his heart, he was certain that help and comfort from without were in the nature of things utterly impossible, his ruin and grief were within, and only his own assistance could avail. He tried to reassure himself, to believe that his torments were a proof of his vocation, that the facility of the novelist who stood six years deep in contracts to produce romances was a thing wholly undesirable, but all the while he longed for but a drop of that inexhaustible fluency which he professed to despise.
He drove himself out from that dreary contemplation of the white paper and the idle pen. He went into the frozen and deserted streets, hoping that he might pluck the burning coal from his heart, but the fire was not quenched. As he walked furiously along the grim iron roads he fancied that those persons who passed him cheerfully on their way to friends and friendly hearths shrank from him into the mists as they went by. Lucian imagined that the fire of his torment and anguish must in some way glow visibly about him; he moved, perhaps, in a nimbus that proclaimed the blackness and the flames within. He knew, of course, that in misery he had grown delirious, that the well-coated, smooth-hatted personages who loomed out of the fog upon him were in reality shuddering only with cold, but in spite of common sense he still conceived that he saw on their faces an evident horror and disgust, and something of the repugnance that one feels at the sight of a venomous snake, half-killed, trailing its bleeding vileness out of sight. By design Lucian tried to make for remote and desolate places, and yet when he had succeeded in touching on the open country, and knew that the icy shadow hovering through the mist was a field, he longed for some sound and murmur of life, and turned again to roads where pale lamps were glimmering, and the dancing flame of firelight shone across the frozen shrubs. And the sight of these homely fires, the thought of affection and consolation waiting by them, stung him the more sharply perhaps because of the contrast with his own chills and weariness and helpless sickness, and chiefly because he knew that he had long closed an everlasting door between his heart and such felicities. If those within had come out and had called him by his name to enter and be comforted, it would have been quite unavailing, since between them and him there was a great gulf fixed. Perhaps for the first time he realized that he had lost the art of humanity for ever. He had thought when he closed his ears to the wood whisper and changed the fauns' singing for the murmur of the streets, the black pools for the shadows and amber light of London, that he had put off the old life, and had turned his soul to healthy activities, but the truth was that he had merely exchanged one drug for another. He could not be human, and he wondered whether there were some drop of the fairy blood in his body that made him foreign and a stranger in the world.
He did not surrender to desolation without repeated struggles. He strove to allure himself to his desk by the promise of some easy task; he would not attempt invention, but he had memoranda and rough jottings of ideas in his note-books, and he would merely amplify the suggestions ready to his hand. But it was hopeless, again and again it was hopeless. As he read over his notes, trusting that he would find some hint that might light up the dead fires, and kindle again that pure flame of enthusiasm, he found how desperately his fortune had fallen. He could see no light, no color in the lines he had scribbled with eager trembling fingers; he remembered how splendid all these things had been when he wrote them down, but now they were meaningless, faded into grey. The few words he had dashed on to the paper, enraptured at the thought of the happy hours they promised, had become mere jargon, and when he understood the idea it seemed foolish, dull, unoriginal. He discovered something at last that appeared to have a grain of promise, and determined to do his best to put it into shape, but the first paragraph appalled him; it might have been written by an unintelligent schoolboy. He tore the paper in pieces, and shut and locked his desk, heavy despair sinking like lead into his heart. For the rest of that day he lay motionless on the bed, smoking pipe after pipe in the hope of stupefying himself with tobacco fumes. The air in the room became blue and thick with smoke; it was bitterly cold, and he wrapped himself up in his great-coat and drew the counterpane over him. The night came on and the window darkened, and at last he fell asleep.
He renewed the effort at intervals, only to plunge deeper into misery. He felt the approaches of madness, and knew that his only hope was to walk till he was physically exhausted, so that he might come home almost fainting with fatigue, but ready to fall asleep the moment he got into bed. He passed the mornings in a kind of torpor, endeavoring to avoid thought, to occupy his mind with